Rubbings of Maya Sculpture


Book Description

This packet of twelve CD-ROM disks and printed instructions provides the first easy access to 2,000 of Merle Greene Robertson's rubbings of low-relief sculpture from ninety Mesoamerican sites. Many of the rubbings are irreplaceable records of monuments since destroyed by deterioration or looting, and some have never before been published. Access to the images carved on memorial Maya sculpture has always presented problems. Many of the Classic Maya sites are difficult to get to, and in those that can be visited easily the sculpture is often difficult to see. Since nearly every trace of the original paint has eroded, the viewer is dependent upon the sun or artificial light to produce contrasts between the background and the carved surfaces. The rubbings preserved at the Latin American Library at Tulane University can be viewed by scholars only on special occasions because of their size and the difficulties of unwrapping and rewrapping them. This easy-to-use compilation of high-resolution scans makes it possible to enhance and manipulate images and print them out as needed. The Viewer CD allows the user to interact with low-resolution versions of the imagery and the extensive cataloging system.







A Maya Universe in Stone


Book Description

The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala. In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.




Ancient Maya Relief Sculpture


Book Description

A selection of rubbings taken by Merle Greene from outstanding Maya monuments, primarily of the classic period.




The Popol Vuh


Book Description




Maya Imagery, Architecture, and Activity


Book Description

Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs. In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.




The Long Silence (2)


Book Description

In The Long Silence, first published 2011, Stephan Merk described the standing Maya Puuc architecture of a 100 square kilometer wide area in Northern Campeche, México. The Long Silence (2) presents the results of the architectural survey of an equally large and almost untouched region immediately south, and compares the results of both projects. With additional contributions by Nicholas Dunning and Eric Weaver, Daniel Graña-Behrens, Guido Krempel, and Karl Herbert Mayer.




Handbook to Life in the Ancient Maya World


Book Description

This comprehensive and accessible reference explores the greatest and most mysterious of civilizations, hailed for its contributions to science, mathematics, and technology. Each chapter is supplemented by an extensive bibliography as well as photos, original line drawings, and maps.




Never in Fear


Book Description




Star Gods of the Maya


Book Description

“A prodigious work of unmatched interdisciplinary scholarship” on Maya astronomy and religion (Journal of Interdisciplinary History). Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Pre-Columbian Maya art and confirmed by the current practices of living Maya peoples. Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Pre-Columbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture. “Milbrath has given us a comprehensive reference work that facilitates access to a very broad and varied body of literature spanning several disciplines.” ―Isis “Destined to become a standard reference work on Maya archeoastronomy . . . Utterly comprehensive.” —Andrea Stone, Professor of Art History, University of Wisconsin, Milwaukee