Antique Kilims of Anatolia


Book Description

From fleece, yarn, and dyeing to looms and weaves, the visual language, tribal weavers, and meaning, origins, and aesthetics of the kilim, this book provides an ideal and up-to-date summary of the subject.




Nomads in Anatolia


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Oriental Rugs


Book Description

This monumental reference work--long awaited by collectors and scholars--fills an important gap in the available literature on oriental rugs. Lavishly illustrated with over 1000 photographs and drawings, it offers clear and precise definitions for the rug and textile terms in use across a broad swath of the globe--from Morocco to Turkey, Persia, the Caucasus region, Central Asia, Afghanistan, Pakistan, India and China. Covering priceless museum-quality rug traditions as well as modern centers of production, Oriental Rugs: An Illustrated Lexicon of Motifs, Materials, and Origins draws on classical scholarship as well as current terminology in use among producers and traders in these areas today. It focuses primarily on the rich hand-knotting and hand-weaving traditions of the Near East and Central Asia, but also includes some examples of Scandinavian and Native American weavings. Oriental rugs are receiving ever-increasing attention and recognition in the field of art history. Tribal weavings especially have become a focus for new research, and Oriental Rugs provides a new understanding of many distinctive traditions that were previously understudied, such as the weavings of southwest Persia, Baluchistan and Kurdistan. This concise oriental rug reference book is a must-have for scholars and anyone serious about collecting rugs, selling rugs or the rug trade in general. Additional reference information also includes: Foreign terms Place names The Oriental Rug lexicon Museums with notable rug collections Oriental rug internet sites




The Individual and Tradition


Book Description

Profiles of artists and performers from around the world form the basis of this innovative volume that explores the many ways individuals engage with, carry on, revive, and create tradition. Leading scholars in folklore studies consider how the field has addressed the connections between performer and tradition and examine theoretical issues involved in fieldwork and the analysis and dissemination of scholarship in the context of relationships with the performers. Honoring Henry Glassie and his remarkable contributions to the field of folklore, these vivid case studies exemplify the best of performer-centered ethnography.




War Rug


Book Description

What is War Rug Afghanistan has a long-standing practice of using war rugs, which can be traced back to the decade of Soviet occupation of Afghanistan, which began in 1979. This custom has persisted through the subsequent wars, which have been military, political, and social in nature. After the Soviet Union invaded Afghanistan, Afghan rug producers started infusing the apparati of war into their designs very immediately after the invasion. They are still doing so today, despite the fact that the United States invasion of Afghanistan in 2001, which resulted in the removal of the Taliban regime led by Mullah Omar, has not been successful in putting a stop to the violence that has been occurring in the nation. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War rug Chapter 2: Rug making Chapter 3: Carpet Chapter 4: Persian carpet Chapter 5: Knot density Chapter 6: Ushak carpet Chapter 7: Tabriz rug Chapter 8: Oriental rug Chapter 9: Bergama carpet Chapter 10: Anatolian rug (II) Answering the public top questions about war rug. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Rug.




Folk Art


Book Description

Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.




Anatolian Carpets


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