Rujub, The Juggler


Book Description




Rujub, The Juggler


Book Description

"Rujub, the Juggler" is an enthralling adventure novel written by G. A. Henty. Set in India during the 19th century, the story revolves around the fascinating character of Rujub, a skilled and mysterious juggler. Rujub possesses not only extraordinary juggling abilities but also an uncanny knack for predicting the future. As the narrative unfolds, readers are taken on a thrilling journey through treacherous terrains, exotic locales, and encounters with dacoits (bandits), political unrest, and ancient Indian traditions. Through Rujub's eyes, readers gain insight into the rich culture and traditions of India while being swept up in a tale of intrigue and danger. Rujub's juggling skills and prophetic abilities become instrumental in resolving conflicts and thwarting evil intentions. The novel explores themes of bravery, honor, loyalty, and the power of determination. G. A. Henty, known for his historical adventure stories, masterfully weaves together elements of history, suspense, and cultural exploration in "Rujub, the Juggler." This captivating tale not only entertains but also educates readers about the diverse landscapes and customs of India. It stands as a testament to Henty's storytelling prowess and continues to engage readers with its gripping narrative and vivid portrayal of a bygone era.




Rujub, the Juggler


Book Description




Rujub, the Juggler


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Worlds Enough


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A short, provocative book that challenges basic assumptions about Victorian fiction Now praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction. Examining criticism of Victorian novels since the 1850s, Freedgood demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. She analyzes the characteristics of realism—denotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. She concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature. By re-examining the critical reception of the Victorian novel, Worlds Enough suggests how we can rethink our practices and perceptions about books we think we know.




Rujub, the Juggler


Book Description




A Complete Identity


Book Description

This book offers an examination of the hero figure in the work of G. A. Henty (1832-1902) and George MacDonald (1824-1905) and a reassessment of oppositional critiques of their writing. It demonstrates the complementary characteristics of the hero figure which construct a complete identity commensurate with the Victorian ideal hero. The relationship between the expansion of the British Empire and youthful heroism is established through investigation of the Victorian political, social, and religious milieu, the construct of the child, and the construct of the hero. A connection between the exotic geographical space of empire and the unknown psychological space is drawn through examination of representation of the "other" in the work of Henty and MacDonald. This book demonstrates that Henty's work is more complex than the stereotypically linear, masculine, imperialistic critique of his stories as historical realism allows, and that MacDonald's work displays more evidence of historical embedding and ideological interpellation than the critical focus on his work as fantasy and fairy tale considers. Greater understanding of the effect of this heroic ideal on nineteenth-century society leads to a greater understanding of the implications for subsequent children's literature and Western cultures, including that of the twenty-first century.




The Exile


Book Description

Mara Meathe, mysterious survivor of the battle of Glenmorgan as an infant, struggles with her own identity as she climbs the military ranks of Tara on her way to a confrontation with Donal XII, the former Sean Reilly. Meanwhile, Angus and Day McAllister, exiled to our earth in one of Hibernia's many palace coups, have their own scores to settle with Mara's clan McCarthy enemies and their allies, as do Lady Katherina and her adopted daughter Sheana. Others also have reason to be present in court when the ban on the throne expires. Their lives intertwine with Mara's and each other as they struggle spiritually while facing well-financed high-tech conspiracies to turn Hibernia and the other earths into ethnically-cleansed MacCarthy family dictatorships.




The Selected Works of George Alfred Henty


Book Description

You may be told perhaps that there is no good to be obtained from tales of fighting and bloodshed—that there is no moral to be drawn from such histories. Believe it not. War has its lessons as well as Peace. You will learn from tales like this that determination and enthusiasm can accomplish marvels, that true courage is generally accompanied by magnanimity and gentleness, and that if not in itself the very highest of virtues, it is the parent of almost all the others, since but few of them can be practiced without it. The courage of our forefathers has created the greatest empire in the world around a small and in itself insignificant island; if this empire is ever lost, it will be by the cowardice of their descendants. At no period of her history did England stand so high in the eyes of Europe as in the time whose events are recorded in this volume. A chivalrous king and an even more chivalrous prince had infected the whole people with their martial spirit, and the result was that their armies were for a time invincible, and the most astonishing successes were gained against numbers which would appear overwhelming. The victories of Cressy and Poitiers may be to some extent accounted for by superior generalship and discipline on the part of the conquerors; but this will not account for the great naval victory over the Spanish fleet off the coast of Sussex, a victory even more surprising and won against greater odds than was that gained in the same waters centuries later over the Spanish Armada. The historical facts of the story are all drawn from Froissart and other contemporary historians, as collated and compared by Mr. James in his carefully written history. They may therefore be relied upon as accurate in every important particular.




The New Nineteenth Century


Book Description

This book includes essays on writers from the 1840s to the 1890s, well known writers such as Anne Bronte, Wilkie Collins and Bram Stoker, lesser known writers such as Geraldine Jewsbury, Charles Reade, Margaret Oliphant, George Moore, Sarah Grand and Mary Ward. The contributors explore important thematic concerns: the relation between private and public realms; gender and social class; sexuality and the marketplace; and male and female cultural identity.