Ruskin in Perspective


Book Description

Moving laterally across John Ruskinâ (TM)s complete work, this new anthology draws his ideas together around the common theme of perspective. Grouped into three parts (Art and Literature, Aesthetics and Politics, Geography and Landscape), the essays examine Ruskinâ (TM)s critical intervention both within its own period and in relation to its contemporary legacy. Drawing upon literary theory, art criticism, political, social and cultural history and biographical studies, the essays offer a new and exciting interdisciplinary approach to understanding the scale and relevance of Ruskinâ (TM)s thought. Topics include the role of the reader in Ruskinâ (TM)s work, Anglo-European encounters, Ruskinâ (TM)s style and political influence, national and cultural heritage, the aesthetics of painting, perspective and the sublime, and the impact of geology and evolutionary theory upon Ruskin and nineteenth-century culture. Illustrated throughout with examples from Ruskinâ (TM)s own art-work as well as the artists admired by him (such as J.M.W. Turner), the anthology will be invaluable for readers interested not only in Ruskin as writer, critic and commentator but also in his position within the changing currents of nineteenth and twentieth-century intellectual thought. This collection shows how Ruskin can still teach us to read and see. It breathes enthusiasm and scholarly care in a way that will appeal to a wide range of readers. I am very impressed by the wealth of illustration in the book, which seems to me indispensable for an understanding of Ruskin's thought and its relevance to us. The choice of contributors is harmonious and refreshing - established authorities rub shoulders with rising scholars. This really is an unusually vibrant, well thought-through and valuable collection on a key formative figure in the history of literature, art and criticism. Dr. Sarah Wood, University of Kent. Ruskin studies are currently flourishing (...) There is a wide ranging interest, on both sides of the Atlantic, reflected in the essays here by established European names as well as younger scholars. The compilation is well focused, which will give Ruskin in Perspective a distinctive character in its consideration of literature, aesthetics and geography, thereby appealing to a genuinely interdisciplinary audience. â "Stephen Wildman, Director and Curator, The Ruskin Library, Lancaster University




The Art of Ruskin and the Spirit of Place


Book Description

English art critic John Ruskin was one of the great visionaries of his time, and his influential books and letters on the power of art challenged the foundations of Victorian life. He loved looking. Sometimes it informed the things he wrote, but often it provided access to the many topographical and cultural topics he explored—rocks, plants, birds, Turner, Venice, the Alps. In The Art of Ruskin and the Spirit of Place, John Dixon Hunt focuses for the first time on what Ruskin drew, rather than wrote, offering a new perspective on Ruskin’s visual imagination. Through analysis of more than 150 drawings and sketches, many reproduced here, he shows how Ruskin’s art shaped his writings, his thoughts, and his sense of place.







John Ruskin and the Fabric of Architecture


Book Description

Through the theoretical lenses of dress studies, gender, science, and visual studies, this volume analyses the impact John Ruskin has had on architecture throughout the nineteenth and twentieth centuries. It explores Ruskin’s different ideologies, such as the adorned wall veil, which were instrumental in bringing focus to structures that were previously unconsidered. John Ruskin and the Fabric of Architecture examines the ways in which Ruskin perceives the evolution of architecture through the idea that architecture is surface. The creative act in architecture, analogous to the divine act of creation, was viewed as a form of dressing. By adding highly aesthetic features to designs, taking inspiration from the 'veil' of women’s clothing, Ruskin believed that buildings could be transformed into meaningful architecture. This volume discusses the importance of Ruskin’s surface theory and the myth of feminine architecture, and additionally presents a competing theory of textile analogy in architecture based on morality and gender to counter Gottfried Semper’s historicist perspective. This book would be beneficial to students and academics of architectural history and theory, gender studies and visual studies who wish to delve into Ruskin’s theories and to further understand his capacity for thinking beyond the historical methods. The book will also be of interest to architectural practitioners, particularly Ruskin’s theory of surface architecture.




John Ruskin


Book Description




Oscar Wilde in Context


Book Description

Concise and illuminating articles explore Oscar Wilde's life and work in the context of the turbulent landscape of his time.




Constructing Cultural Tourism


Book Description

Focusing on the formative influence of the works of John Ruskin in defining and developing cultural tourism, this book describes and assesses their effects on the tourist gaze (where to go and what to see, and how to see it) as directed at landscape, scenery, architecture and townscape, from the early Victorian period onwards.







John Ruskin and Rose La Touche


Book Description




The Enchantments of Mammon


Book Description

“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to America by Puritans and evangelicals, whose doctrine made ample room for industry and profit, capitalism has become so thoroughly enmeshed in the fabric of our society that our faith in “the market” has become sacrosanct. Informed by cultural history and theology as well as management theory, The Enchantments of Mammon looks to nineteenth-century Romantics, whose vision of labor combined reason, creativity, and mutual aid, for salvation. In this impassioned challenge to some of our most firmly held assumptions, McCarraher argues that capitalism has hijacked our intrinsic longing for divinity—and urges us to break its hold on our souls. “A majestic achievement...It is a work of great moral and spiritual intelligence, and one that invites contemplation about things we can’t afford not to care about deeply.” —Commonweal “More brilliant, more capacious, and more entertaining, page by page, than his most ardent fans dared hope. The magnitude of his accomplishment—an account of American capitalism as a religion...will stun even skeptical readers.” —Christian Century