Russia and the West Under Lenin and Stalin


Book Description

“The material contained in this book is drawn from lectures, some of which were delivered in 1957-1958 in the schools at Oxford University, others — in the spring of 1960 — at Harvard University... This is a study of the relationship between the Soviet Union and the major Western countries, from the inception of the Soviet regime in 1917 to the end of World War II. It is not intended as a chronological account of the happenings in this phase of diplomatic history, but rather as a series of discussions of individual episodes or problems.” — George F. Kennan, Russia and the West Under Lenin and Stalin Kennan describes the diplomatic dilemmas that grew out of ignorance and mutual distrust, beginning with the Allied intervention in Russia in 1918, through World War I, the Versailles conference, Stalin’s bloody purges of 1934-1938, the Soviet-German Nonaggression Pact of 1939, the end of World War II, and the meeting in Yalta between Churchill, Stalin, and Roosevelt. “It is not often that a book as instructive as this one manages at the same time to be so engrossing that it is bound to keep even general readers fascinated long past their bedtimes. The book’s message is a stern one; the pleasure in reading it derives from the elegant and yet fresh prose style that is one of the many gifts of [the author who] is an artist as well as an experienced diplomat; a moralist as well as a consummate historian. With superb felicity and grace, he here unfolds a historical narrative rich in prophetic judgments — prophetic in the Biblical sense of the word. Not everyone, of course, will agree with all of Mr. Kennan’s conclusions, but there is so much that is useful in this volume that even those who have reservations about one or another of the judgments in it will welcome it warmly as a significant contribution in several ways.” — Marshall D. Shulman, The New York Times “Superbly concise, meaty, and lucid. It surveys the whole fascinating, involved drama of Communism’s rise to world power.” — Newsweek “Every adult American ought to read it.” — William L. Shirer “Surely one of the most important books since the end of the last war... an over-all view that transcends the provinciality of so much of our foreign policy and embraces the whole immense area from Washington to Peking.” —The New Yorker “An important, a disturbing, a deeply moving book.” — New York Herald Tribune Book Review “Not only Mr. Kennan’s finest book, but also the best that has been written on Russia in this century.” — Sir Robert Bruce Lockhart “In this absorbing and eloquent book... Mr. Kennan reviews with much perception and sensitivity the ragged course of relations between the Soviet Union and the West from 1917 to 1945. While there is much in Western understanding and action to be criticized in the early years, during the inter-war period and during World War II, Mr. Kennan is keenly aware of the intense hostility of the Communist stance which exacerbated all problems.” — Foreign Affairs “Kennan, a fine writer as well as historian and diplomat, has made a magnificent attempt to put into order the chaotic relations between Russia and the West from the Communist Revolution to the end of World War II... A most important book, deserving the widest possible readership.” — Kirkus “[A] remarkable ‘best-seller.’ This fact is a tribute to both the author and the subject with which he deals. It is superfluous to comment on Mr. Kennan’s authority or on the brilliance of his lucid prose, which are again in evidence in this work. It is a volume not easily put aside as a mere purveyor of information; it solicits judgments and proffers them lavishly, inviting agreement or dissent.” — Slavic Review “[A] valuable volume. It is full of flashes of insight, into both Soviet and Western attitudes and policies, and it reveals the painful dilemmas Wilson, Roosevelt, and other Western leaders faced in dealing with this new state and system.” — The Slavic and East European Journal




Russia and the West Under Lenin and Stalin


Book Description

Material is drawn from a series of lectures delivered 1957-58 and 1960 and is a study of the relationship between the Soviet Union and the major western countries, from the inception of the Soviet regime in 1917 to the end of World War II. Includes chapters on the north and Siberia.







Russia under Western Eyes


Book Description

A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.




Soviet Music and Society Under Lenin and Stalin


Book Description

This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.







The Whisperers


Book Description

Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.




Thank You, Comrade Stalin!


Book Description

Thank you, our Stalin, for a happy childhood." "Thank you, dear Marshal [Stalin], for our freedom, for our children's happiness, for life." Between the Russian Revolution and the Cold War, Soviet public culture was so dominated by the power of the state that slogans like these appeared routinely in newspapers, on posters, and in government proclamations. In this penetrating historical study, Jeffrey Brooks draws on years of research into the most influential and widely circulated Russian newspapers--including Pravda, Isvestiia, and the army paper Red Star--to explain the origins, the nature, and the effects of this unrelenting idealization of the state, the Communist Party, and the leader. Brooks shows how, beginning with Lenin, the Communists established a state monopoly of the media that absorbed literature, art, and science into a stylized and ritualistic public culture--a form of political performance that became its own reality and excluded other forms of public reflection. He presents and explains scores of self-congratulatory newspaper articles, including tales of Stalin's supposed achievements and virtue, accounts of the country's allegedly dynamic economy, and warnings about the decadence and cruelty of the capitalist West. Brooks pays particular attention to the role of the press in the reconstruction of the Soviet cultural system to meet the Nazi threat during World War II and in the transformation of national identity from its early revolutionary internationalism to the ideology of the Cold War. He concludes that the country's one-sided public discourse and the pervasive idea that citizens owed the leader gratitude for the "gifts" of goods and services led ultimately to the inability of late Soviet Communism to diagnose its own ills, prepare alternative policies, and adjust to new realities. The first historical work to explore the close relationship between language and the implementation of the Stalinist-Leninist program, Thank You, Comrade Stalin! is a compelling account of Soviet public culture as reflected through the country's press.




Lenin, Stalin, and Hitler


Book Description

A bold new accounting of the great social and political upheavals that enveloped Europe between 1914 and 1945—from the Russian Revolution through the Second World War. In Lenin, Stalin, and Hitler, acclaimed historian Robert Gellately focuses on the dominant powers of the time, the Soviet Union and Nazi Germany, but also analyzes the catastrophe of those years in an effort to uncover its political and ideological nature. Arguing that the tragedies endured by Europe were inextricably linked through the dictatorships of Lenin, Stalin, and Hitler, Gellately explains how the pursuit of their “utopian” ideals turned into dystopian nightmares. Dismantling the myth of Lenin as a relatively benevolent precursor to Hitler and Stalin and contrasting the divergent ways that Hitler and Stalin achieved their calamitous goals, Gellately creates in Lenin, Stalin, and Hitler a vital analysis of a critical period in modern history.




Classics for the Masses


Book Description

Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.