Russian Legends, Folk Tales and Fairy Tales


Book Description

"Legends, folk tales and fairy tales all had a profound impact on Russian painting of the nineteenth and early twentieth century. The Russian artists who dealt with these subjects chose sometimes to paint large canvases in which the greatness and grandeur of the Russian countryside fuses with the magical world of the imagination. The paintings of Viktor Vasnetsov, Nikolai Roerikh, and Mikhail Vrubel, the illustrations of Ivan Bilibin and Elena Polenova, and the works of Vasily Kandinsky register most impressively the worlds of fantasy and the imagination." "This book presents more than 90 illustrations of these fascinating works, while the essays shed interesting light on how these stories contributed to and influenced the visual arts. The book also contains summaries of the fairy tales depicted in these paintings, whereby the reader is given an overview of the major Russian folk tales."--BOOK JACKET.




An Anthology of Russian Folktales


Book Description

This anthology gathers a broad selection of Russian folktales, legends, and anecdotes, and includes helpful features that make them more accessible and engaging for English-language readers. Editor Jack V. Haney has selected some of the best tales from his seven-volume "Complete Russian Folktale" collection and added examples of anecdotes and the long 'serial tales' told in the far north.The 114 tales included here represent every genre found in the Russian tradition. They date from the eighteenth through the twentieth centuries and come from all geographic regions of the Russian-speaking world. The collection is enhanced by a detailed introduction to the folktale and its types, brief introductions to each grouping of tales, head notes with interesting background for individual tales, and a glossary explaining Russian terms.




Russian Folk-tales


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Russian Tales and Legends


Book Description

Collection of traditional tales from the villages and towns of Russia.




Deathless


Book Description

A glorious retelling of the Russian folktale Marya Morevna and Koschei the Deathless from Catherynne M. Valente, set in a mysterious version of St. Petersburg during the first half of the 20th century Koschei the Deathless is to Russian folklore what devils or wicked witches are to European culture: a menacing, evil figure; the villain of countless stories which have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the twentieth century. Deathless, however, is no dry, historical tome: it lights up like fire as the young Marya Morevna transforms from a clever child of the revolution, to Koschei's beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power. All told, Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.




Russian Fairy Tales


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The Russian Folktale by Vladimir Yakovlevich Propp


Book Description

Vladimir Propp is the Russian folklore specialist most widely known outside Russia thanks to the impact of his 1928 book Morphology of the Folktale-but Morphology is only the first of Propp's contributions to scholarship. This volume translates into English for the first time his book The Russian Folktale, which was based on a seminar on Russian folktales that Propp taught at Leningrad State University late in his life. Edited and translated by Sibelan Forrester, this English edition contains Propp's own text and is supplemented by notes from his students. The Russian Folktale begins with Propp's description of the folktale's aesthetic qualities and the history of the term; the history of folklore studies, first in Western Europe and then in Russia and the USSR; and the place of the folktale in the matrix of folk culture and folk oral creativity. The book presents Propp's key insight into the formulaic structure of Russian wonder tales (and less schematically than in Morphology, though in abbreviated form), and it devotes one chapter to each of the main types of Russian folktales: the wonder tale, the "novellistic" or everyday tale, the animal tale, and the cumulative tale. Even Propp's bibliography, included here, gives useful insight into the sources accessible to and used by Soviet scholars in the third quarter of the twentieth century. Propp's scholarly authority and his human warmth both emerge from this well-balanced and carefully structured series of lectures. An accessible introduction to the Russian folktale, it will serve readers interested in folklore and fairy-tale studies in addition to Russian history and cultural studies.




The Firebird and Other Russian Fairy Tales


Book Description

Choice collection of 9 classic tales tells of magical beasts, frightful giants, wicked witches, and beguiling creatures of the sea. A delight for fairy tale fans of all ages.




Myths and Folk-tales of the Russians, Western Slavs, and Magyars


Book Description

ÊI remember well the feelings roused in my mind at mention or sight of the name Lucifer during the earlier years of my life. It stood for me as the name of a being stupendous, dreadful in moral deformity, lurid, hideous, and mighty. I remember also the surprise with which when I had grown somewhat older and begun to study Latin, I came upon the name in Virgil, where it means the Light-bringer, or Morning-star,Ñthe herald of the sun. Many years after I had found the name in Virgil, I spent a night at the house of a friend in Milwaukee, Wisconsin, right at the shore of Lake Michigan. The night was clear but without a moon,Ña night of stars, which is the most impressive of all nights, vast, brooding, majestic. At three oÕclock in the morning I woke, and being near an uncurtained window, rose and looked out. Rather low in the east was the Morning-star, shining like silver, with a bluish tinge of steel. I looked towards the west; the great infinity was filled with the hosts of heaven, ranged behind this Morning-star. I saw at once the origin of the myth which grew to have such tremendous moral meaning, because the Morning-star was not in this case the usher of the day but the chieftain of night, the Prince of Darkness, the mortal enemy of the Lord of Light. I returned to bed knowing that the battle in heaven would soon begin. I rose when the sun was high next morning. All the world was bright, shining and active, gladsome and fresh, from the rays of the sun; the kingdom of light was established; but the Prince of Darkness and all his confederates had vanished, cast down from the sky, and to the endless eternity of God their places will know them no more in that night again. They are lost beyond hope or redemption, beyond penance or prayer. I have in mind at this moment two Indian stories of the Morning-star,Ñone Modoc, the other Delaware. The Modoc story is very long, and contains much valuable matter; but the group of incidents that I wish to refer to here are the daily adventures and exploits of a personage who seems to be no other than the sky with the sun in it. This personage is destroyed every evening. He always gets into trouble, and is burned up; but in his back is a golden disk, which neither fire nor anything in the world can destroy. From this disk his body is reconstituted every morning; and all that is needed for the resurrection is the summons of the Morning-star, who calls out, ÒIt is time to rise, old man; you have slept long enough.Ó Then the old man springs new again from his ashes through virtue of the immortal disk and the compelling word of the star. Now, the Morning-star is the attendant spirit or ÒmedicineÓ of the personage with the disk, and cannot escape the performance of his office; he has to work at it forever. So the old man cannot fail to rise every morning. As the golden disk is no other than the sun, the Morning-star of the Modocs is the same character as the Lucifer of the Latins.




The Saga of the Volsungs


Book Description

From the translator of the bestselling Poetic Edda (Hackett, 2015) comes a gripping new rendering of two of the greatest sagas of Old Norse literature. Together the two sagas recount the story of seven generations of a single legendary heroic family and comprise our best source of traditional lore about its members—including, among others, the dragon-slayer Sigurd, Brynhild the Valkyrie, and the Viking chieftain Ragnar Lothbrok.