Stalinism and Soviet Cinema


Book Description

Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.




Ruptures and Continuities in Soviet/Russian Cinema


Book Description

This book examines how far the collapse of the Soviet Union represented a threshold that initiated change and whether there are continuities which gradually reshaped cinema in the new Russia. It considers a range of films and film-makers and explores their attitudes to genre, character and aesthetic style.







The Politics of the Soviet Cinema 1917-1929


Book Description

The book provides an illuminating background of the political history of the Soviet cinema in the twenties.




The Film Factory


Book Description

The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II.




Russia's Foreign Policy


Book Description

A third edition of this book is now available. Now fully updated and revised, this clear and comprehensive text explores the past thirty years of Soviet/Russian international relations, comparing foreign policy formation under Gorbachev, Yeltsin, Putin, and Medvedev. Drawing on an impressive mastery of both Russian and Western sources, Andrei P. Tsygankov shows how Moscow's policies have shifted with each leader's vision of Russia's national interests. He evaluates the successes and failures of Russia's foreign policies, explaining its many turns as Russia's identity and interaction with the West have evolved. The book concludes with reflections on the emergence of the post-Western world and the challenges it presents to Russia's enduring quest for great-power status along with its desire for a special relationship with Western nations.




Film Form


Book Description

A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.







Kinoglasnost


Book Description

An examination of soviet cinema under Glasnost and Perestrokïa.