The Theophilus Legend in Medieval Text and Image


Book Description

Frontcover -- Contents -- List of illustrations -- Acknowledgements -- Introduction -- 1 Homage to the Devil: ritual, writing, seal -- 2 The self as dissemblance -- 3 Intervention of the Virgin -- 4 Sacramental action and Neoplatonic exemplarism -- Conclusion -- Works cited -- Appendix: Image charts -- Illustrations -- General index -- Index of figures




Mémoire en Temps Advenir


Book Description

Ce volume collectif, en hommage a Theo Venckeleer, medieviste et specialiste de linguistique historique et de lexicologie du francais et de l'occitan, contient, outre une presentation de la personnalite et de l'oeuvre scientifique de Theo Venckeleer, une quarantaine d'articles, dus a des collegues belges, neerlandais, francais, anglais, italiens, et canadiens, et regroupes en quatre sections: "Litterature du Moyen Age et de la Renaissance", "Philologie: edition et etude de textes", "Linguistique diachronique: lexicologie et morphosyntaxe historiques, histoire de la langue, variabilite textuelle et contact de langues" et "Linguistique generale: lexicologie, syntaxe, semantique et pragmatique".




'The Miracle of Theophilus' by Gautier de Coinci


Book Description

The legend of Theophilus is a widely disseminated medieval miracle story. A good man gives in to Vain Glory, sells his soul to the Devil, has a terrible crisis of conscience, and is saved by the Virgin. The story is translated into most European languages and appears in stained glass, sculpture, and manuscripts. Gautier de Coinci writes the longest version of the legend. Its colorful details reveal the medieval period's deep fear of hell and the Devil and its high hopes in the Virgin and the Church.




Dictionary of Ancient Magic Words and Spells


Book Description

A comprehensive handbook of more than 1,000 magical words, phrases, symbols, and secret alphabets • Explains the origins, derivatives, and practical usage of each word, phrase, and spell as well as how they can be combined for custom spells • Based on the magical traditions of Europe, Greece, and Egypt and recently discovered one-of-a-kind grimoires from Scandinavia, France, and Germany • Includes an in-depth exploration of secret magical alphabets, including those based on Hebrew letters, Kabbalistic symbols, astrological signs, and runes From Abracadabra to the now famous spells of the Harry Potter series, magic words are no longer confined to the practices of pagans, alchemists, witches, and occultists. They have become part of the popular imagination of the Western world. Passed down from ancient Babylon, Egypt, and Greece, these words and the rituals surrounding them have survived through the millennia because they work. And as scholar Claude Lecouteux reveals, often the more impenetrable they seem, the more effective they are. Analyzing more than 7,000 spells from the magical traditions of Europe as well as the magical papyri of the Greeks and recently discovered one-of-a-kind grimoires from Scandinavia, France, and Germany, Lecouteux has compiled a comprehensive dictionary of ancient magic words, phrases, and spells along with an in-depth exploration--the first in English--of secret magical alphabets, including those based on Hebrew letters, Kabbalistic symbols, astrological signs, and runes. Drawing upon thousands of medieval accounts and famous manuscripts such as the Heptameron of Peter Abano, the author examines the origins of each word or spell, offering detailed instructions on their successful use, whether for protection, love, wealth, or healing. He charts their evolution and derivations through the centuries, showing, for example, how spells that were once intended to put out fires evolved to protect people from witchcraft. He reveals the inherent versatility of magic words and how each sorcerer or witch had a set of stock phrases they would combine to build a custom spell for the magical need at hand. Presenting a wealth of material on magical words, signs, and charms, both common and obscure, Lecouteux also explores the magical words and spells of ancient Scandinavia, the Hispano-Arabic magic of Spain before the Reconquista, the traditions passed down from ancient Egypt, and those that have stayed in use until the present day.




Mary of Nemmegen


Book Description

Mary of Nemmegen, a prose condensation in English of the Middle Dutch play Mariken van Nieumeghen, is an important example of the literature that was imported from Holland in the early part of the sixteenth century. It also may be compared to Everyman, described as a treatise "in the manner of a moral play." Mary of Nemmegen is an analogue of the Faustus story. As such, it is also a window on the obsession in its own time with the occult.




Obscenity: Social Control and Artistic Creation in the European Middle Ages


Book Description

This volume makes most wide-ranging attempt ever to probe the natures, origins, and consequences of obscenity in medieval literature, art, theater, and law. One large section examines obscenity in medieval French literature, especially fabliaux; but the rest of the book explores obscenity in cultures and languages of other regions in Europe.




Friendship in Doubt


Book Description

Rebelling against Victorian religious and social strictures, occultist Aleister Crowley, soldier J. F. C. Fuller, and poet Victor Neuburg were active contributors and participants in the British secularist movement at the dawn of the twentieth century. Friendship in Doubt examines how the Agnostic movement inspired and introduced them to each other as foundational figures in the new religious movement of Thelema.




"The Farce of the Fart" and Other Ribaldries


Book Description

Was there more to medieval and Renaissance comedy than Chaucer and Shakespeare? Bien sûr. For a real taste of saucy early European humor, one must cross the Channel to France. There, in the fifteenth and early sixteenth centuries, the sophisticated met the scatological in popular performances presented by roving troupes in public squares that skewered sex, politics, and religion. For centuries, the scripts for these outrageous, anonymously written shows were available only in French editions gathered from scattered print and manuscript sources. Now prize-winning theater historian Jody Enders brings twelve of the funniest of these farces to contemporary English-speaking audiences in "The Farce of the Fart" and Other Ribaldries. Enders's translation captures the full richness of the colorful characters, irreverent humor, and over-the-top plotlines, all in a refreshingly uncensored American vernacular. Those who have never heard the one about the Cobbler, the Monk, the Wife, and the Gatekeeper should prepare to be shocked and entertained. "The Farce of the Fart" and Other Ribaldries is populated by hilarious characters high and low. For medievalists, theater practitioners, and classic comedy lovers alike, Enders provides a wealth of information about the plays and their history. Helpful details abound for each play about plot, character development, sets, staging, costumes, and props. This performance-friendly collection offers in-depth guidance to actors, directors, dramaturges, teachers, and their students. "The Farce of the Fart" and Other Ribaldries puts fifteenth-century French farce in its rightful place alongside Chaucer, Shakespeare, commedia dell'arte, and Molière—not to mention Monty Python. Vive la Farce!




Dead Voice


Book Description

An exploration of the thirteenth-century law code known as Siete Partidas Conceived and promulgated by Alfonso X, King of Castile and León (r. 1252-1282), and created by a workshop of lawyers, legal scholars, and others, the set of books known as the Siete Partidas is both a work of legal theory and a legislative document designed to offer practical guidelines for the rendering of legal decisions and the management of good governance. Yet for all its practical reach, which extended over centuries and as far as the Spanish New World, it is an unusual text, argues Jesús R. Velasco, one that introduces canon and ecclesiastical law in the vernacular for explicitly secular purposes, that embraces intellectual disciplines and fictional techniques that normally lie outside legal science, and that cultivates rather than shuns perplexity. In Dead Voice, Velasco analyzes the process of the Siete Partidas's codification and the ways in which different cultural, religious, and legal traditions that existed on the Iberian Peninsula during the Middle Ages were combined in its innovative construction. In particular, he pays special attention to the concept of "dead voice," the art of writing the law in the vernacular of its clients as well as in the language of legal professionals. He offers an integrated reading of the Siete Partidas, exploring such matters as the production, transmission, and control of the material text; the collaboration between sovereignty and jurisdiction to define the environment where law applies; a rare legislation of friendship; and the use of legislation to characterize the people as "the soul of the kingdom," endowed with the responsibility of judging the stability of the political space. Presenting case studies beyond the Siete Partidas that demonstrate the incorporation of philosophical and fictional elements in the construction of law, Velasco reveals the legal processes that configured novel definitions of a subject and a people.




Images of Intolerance


Book Description

Around the year 1225, an illuminated Bible was made for the king of France. That work and a companion volume, the two earliest surviving manuscripts of the Bible moralisée, are remarkable in a number of ways: they are massive in scope; they combine text and image to an unprecedented extent; and their illustrations, almost unique among medieval images in depicting contemporary figures and situations, comprise a vehement visual polemic against the Jews. In Images of Intolerance, Sara Lipton offers a nuanced and insightful reading of these extraordinary sources. Lipton investigates representations of Jews' economic activities, the depiction of Jews' scriptures in relation to Christian learning, the alleged association of Jews with heretics and other malefactors in Christian society, and their position in Christian eschatology. Jews are portrayed as threatening the purity of the Body of Christ, the integrity of the text of scripture, the faith, mores, and study habits of students, and the spiritual health of Christendom itself. Most interesting, however, is that the menacing themes in the Bible moralisée are represented in text and images as aspects of Jewish "perfidy" that are rampant among Christians as well. This innovative interdisciplinary study brings new understanding to the nature and development of social intolerance, and to the role art can play in that development.