Ryan's Mammoth Collection of Fiddle Tunes


Book Description

This comprehensive book is a facsimile edition of the original collection published in 1883. It has survived over the years because it is one of the richest and most interesting of the 19th century instrumental collections as well as a resource for students of American vernacular music. Examining the cultural exchange between minstrelshow, ethnic music and even classical music influenced some of the genres of what we now call American music. Ryan's Mammoth Collection contains a significant number of reels, jigs, hornpipes, clogs, walk-arounds, essences, strathspeys, highland flings, and contradances that arestill played by both traditional and professional fiddlers. A special section containing historical notes and comments is included




The Phillips Collection of Traditional American Fiddle Tunes Volume 1


Book Description

Meticulously collected from recordings, square and contra dances, fiddle contests, jam sessions and individual fiddlers- this book is meant to provide a snapshot of what American fiddlers were playing and listening to in the latter part of the 20th Century. As the vinyl record format disappears from the marketplace, a great deal of recorded fiddle music will no longer be available. In this book, Stacy Phillips shares the fruits of some timely collecting for all fiddlers to enjoy. Bowings, fingerings, and guitar chords are provided for each melody line.




300 Fiddle Tunes


Book Description

(Fiddle). This comprehensive collection of fabulous fiddle tunes includes reels, hornpipes, strathspeys, jigs, waltzes and slow airs.




The Fiddler's Fakebook


Book Description

From the author’s preface: “This book was conceived four years ago, almost to the day, at a time when I was teaching fiddle and mandolin in New York City. It was my idea then, with my students in mind, to compile a book of the most often played, most important and most interesting fiddle tunes from the various Celtic and North American traditions. The tunes were chosen by cataloging a large number of recordings by tune title. A tally was taken to find out which had been recorded most often. This established a foundation of material that could not be left out. To this list I added the names of other pieces which had not been recorded as frequently, but which I knew were played regularly and with respect. I admit to sprinkling the collection with a few lesser known tunes which happen to be personal favorites, but I am sure they will hold their own when placed next to the old war horses of the fiddler’s repertoire. . . . Although I started out with my students in mind this book has turned out to be the book that I’ve always wanted and I hope that it will serve the advanced player as well as the beginner.”




The Devil's Box


Book Description

The key players and favorite tunes in the commercial emergence of Southern fiddling in the first half of the twentieth century are the focus of this lucid and engaging study. Drawing on such seldom-tapped resources as small regional newspapers, personal correspondence, and rare interviews with the fiddlers themselves as well as their families, Charles Wolfe conjures up vivid portraits of the individuals who fashioned this distinctly American music.




O'Neill's Music of Ireland


Book Description

A facsimile edition containing the original collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, marches, and more for fiddle




Irish Session Tune Book


Book Description

This book is the ideal primer for anyone wishing to participate in an Irish session. This musical gathering is apparently quite different than a blues, jazz or bluegrass jam session in that it is customary at Irish sessions to play in tight unison with the other musicians, adapting appropriate tempos, rhythms, and ornaments in an attempt to fit in with the groove. the Irish Session Tune Book features 300 reels, hornpipes, polkas, slides, and slip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. the author shares a wealth of melodies collected over the past 10 years, the majority learned by ear at Irish sessions: fiddle, accordion, tinwhistle, tenor banjo, mandolin, bouzouki, etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus.




Heat 2


Book Description

NOW A NO.1 NEW YORK TIMES BESTSELLER Michael Mann, Oscar-nominated filmmaker and writer-director of Heat and Miami Vice, teams up with Meg Gardiner to deliver Mann’s first crime novel, an explosive return to the world and characters of his classic film Heat – an all-new story that illuminates what happened before and after the film.




New England Fiddler's Repertoire


Book Description

A music source book of melodies used for contra dancing, which is a traditional New England folk dance form. 168 tunes are included in clear musical notation with accompaniment chords added. Fully indexed and cross-referenced; arranged alphabetically. Illustrated throughout with wood engravings by Randy Miller.




Old-Time Music Makers of New York State


Book Description

Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.