Saber envejecer y bien morir (Breviario)


Book Description

Los autores nos plantean la necesidad de aprender a envejecer, afrontar el umbral de la muerte y adoptar una "cultura" del envejecimiento.










Peyton Place


Book Description

Allison MacKenzie looks back on life in the New England town where she grew up around the time of Pearl Harbor.




Of All That Ends


Book Description

“A final book like no other” from the Nobel Prize–winning author of The Tin Drum: poetry and meditations on writing, aging, and living until the end (The Irish Times). In spite of the trials of old age, and with the end in sight, Günter Grass weaves his life’s reflections together into a witty and elegiac swansong: love letters, soliloquies, jealous musings, social satire, and moments of happiness long to be shared. As the inimitable German fabulist lives his remaining days, his passion for writing spurs in him new life. His final work is a creation filled with wisdom and defiance. In a striking interplay of poetry, lyric prose, and drawings, this diverse assemblage is a moving farewell gift—a sensual, melancholy summation of a life fully lived. “Elegant musings on dying and, most poignantly, living.” —Kirkus Reviews “A glorious gift, a final salute true to the singular creativity of the most human, and humane, of artists.” —The Irish Times “A thoughtful, uncompromising meditation on death and aging . . . He describes loss, change, and memory with a combination of melancholy and wit.” —Publishers Weekly




The Day Before the Revolution


Book Description

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Day Before the Revolution" is a short story originally published in the collection The Wind's Twelve Quarters.




There Are No Grown-ups


Book Description

The best-selling author of BRINGING UP BÉBÉ investigates life in her forties, and wonders whether her mind will ever catch up with her face. When Pamela Druckerman turns 40, waiters start calling her "Madame," and she detects a new message in mens' gazes: I would sleep with her, but only if doing so required no effort whatsoever. Yet forty isn't even technically middle-aged anymore. And there are upsides: After a lifetime of being clueless, Druckerman can finally grasp the subtext of conversations, maintain (somewhat) healthy relationships and spot narcissists before they ruin her life. What are the modern forties? What do we know once we reach them? What makes someone a "grown-up" anyway? And why didn't anyone warn us that we'd get cellulite on our arms? Part frank memoir, part hilarious investigation of daily life, There Are No Grown-Ups diagnoses the in-between decade when... • Everyone you meet looks a little bit familiar. • You're matter-of-fact about chin hair. • You can no longer wear anything ironically. • There's at least one sport your doctor forbids you to play. • You become impatient while scrolling down to your year of birth. • Your parents have stopped trying to change you. • You don't want to be with the cool people anymore; you want to be with your people. • You realize that everyone is winging it, some just do it more confidently. • You know that it's ok if you don't like jazz. Internationally best-selling author and New York Times contributor Pamela Druckerman leads us on a quest for wisdom, self-knowledge and the right pair of pants. A witty dispatch from the front lines of the forties, THERE ARE NO GROWN-UPS is a (midlife) coming-of-age story--and a book for anyone trying to find their place in the world.




A New Reference Grammar of Modern Spanish


Book Description

(abridged and revised) This reference grammar offers intermediate and advanced students a reason ably comprehensive guide to the morphology and syntax of educated speech and plain prose in Spain and Latin America at the end of the twentieth century. Spanish is the main, usually the sole official language of twenty-one countries,} and it is set fair to overtake English by the year 2000 in numbers 2 of native speakers. This vast geographical and political diversity ensures that Spanish is a good deal less unified than French, German or even English, the latter more or less internationally standardized according to either American or British norms. Until the 1960s, the criteria of internationally correct Spanish were dictated by the Real Academia Espanola, but the prestige of this institution has now sunk so low that its most solemn decrees are hardly taken seriously - witness the fate of the spelling reforms listed in the Nuevas normas de prosodia y ortograjia, which were supposed to come into force in all Spanish-speaking countries in 1959 and, nearly forty years later, are still selectively ignored by publishers and literate persons everywhere. The fact is that in Spanish 'correctness' is nowadays decided, as it is in all living languages, by the consensus of native speakers; but consensus about linguistic usage is obviously difficult to achieve between more than twenty independent, widely scattered and sometimes mutually hostile countries. Peninsular Spanish is itself in flux.




La dictadura perpetua


Book Description

Juan Montalvo es uno de los más grandes pensadores de América Latina. Vivió en el siglo XIX, durante un período de inestabilidad política y restricciones de las libertades públicas. Pasó la vida defendiendo la libertad de prensa y combatiendo las tiranías y el clericalismo. Se enfrentó sin descanso contra los gobiernos autoritarios y sufrió por ello persecuciones que lo mantuvieron exilado de su patria, el Ecuador, por largas temporadas. Buena parte de la producción de Montalvo tiene como finalidad defender los valores del libre pensamiento y el derecho a la libertad de conciencia. En 1874, apareció un artículo en el periódico panameño Star and Herald, donde se ensalzaban los logros de Gabriel García Moreno como presidente y se apoyaba su candidatura a la tercera reelección. Montalvo se indignó y escribió la misiva que aquí publicamos al diario, bajo el titulo de La dictadura perpetua. En ella su prosa mordaz y directa ponía en relieve las perversiones del gobierno de García Moreno. Este texto, subtitulado, canto a la libertad y a la lucha contra la tiranía, se leyó clandestinamente en Ecuador y contribuyó a quitar la venda de los ojos de nuestros antepasados, no llegó a Ecuador hasta mayo de 1875. La dictadura perpetua es un retrato del poder ejercido en sus extremos. Construido, a través del análisis del carácter y la psicología de un dictador. El libro inspiró a un grupo de jóvenes liberales a ejecutar a Gabriel García Moreno, entonces presidente del Ecuador, el 6 de agosto de 1875. Muchas de las ideas que aparecen en La dictadura perpetua siguen teniendo total vigencia en el presente: «¿A dónde van a parar los principios democráticos, a dónde las instituciones liberales, a dónde los derechos de los pueblos, a dónde la justicia, a dónde el pundonor, a dónde la dignidad humana, a dónde la libertad, a dónde la esperanza?» «¡Desdichado, por otra parte, el pueblo donde la revolución viniese a ser imposible!»