Sacha Guitry, cinéaste
Author : Philippe Arnaud
Publisher : Yellow now
Page : 324 pages
File Size : 31,80 MB
Release : 1993
Category : Actors
ISBN :
Author : Philippe Arnaud
Publisher : Yellow now
Page : 324 pages
File Size : 31,80 MB
Release : 1993
Category : Actors
ISBN :
Author : Antoine De Baecque
Publisher : Knopf
Page : 681 pages
File Size : 17,49 MB
Release : 2022-02-23
Category : Biography & Autobiography
ISBN : 0593535693
One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.
Author : James Harding
Publisher : London : Methuen
Page : 262 pages
File Size : 18,81 MB
Release : 1968
Category : Actors
ISBN :
Author : Cynthia Lucia
Publisher : University of Texas Press
Page : 393 pages
File Size : 41,61 MB
Release : 2017-11-01
Category : Performing Arts
ISBN : 1477313435
Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no “material” prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: “Film Criticism in America Today” (2000), “International Film Criticism Today” (2005), “Film Criticism in the Age of the Internet” (2008), “Film Criticism: The Next Generation” (2013), “The Art of Repertory Film Exhibition and Digital Age Challenges” (2010), and “Film Preservation in the Digital Age” (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom (“Joe Bob Briggs”), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.
Author : David Bordwell
Publisher : Harvard University Press
Page : 338 pages
File Size : 27,60 MB
Release : 1997
Category : History
ISBN : 9780674634299
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
Author : David Bordwell
Publisher : Univ of California Press
Page : 336 pages
File Size : 20,73 MB
Release : 2005-03
Category : Performing Arts
ISBN : 9780520241978
Staging and style -- Feuillade, or, Storytelling -- Mizoguchi, or, Modulation -- Angelopoulos, or, Melancholy -- Hou, or, Constraints -- Staging and stylistics.
Author : John J. Michalczyk
Publisher : Philadelphia : Art Alliance Press ; London : Associated University Presses
Page : 216 pages
File Size : 46,10 MB
Release : 1980
Category : Performing Arts
ISBN :
Author : Philip Watts
Publisher : Oxford University Press
Page : 217 pages
File Size : 37,84 MB
Release : 2016
Category : Literary Criticism
ISBN : 0190277556
Roland Barthes' Cinema offers the first systematic English-language critical treatment of Barthes' writing on cinema, reassessing the relevance of his work for a new generation of readers and filmgoers.
Author : Colin Crisp
Publisher : Indiana University Press
Page : 342 pages
File Size : 27,81 MB
Release : 2015-06-29
Category : Performing Arts
ISBN : 0253017033
This invaluable resource by one of the world's leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929–1939 and Volume 2: 1940–1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958–1974, is forthcoming.
Author : Robert J. Berg
Publisher : Yale University Press
Page : 313 pages
File Size : 27,37 MB
Release : 2010-07-27
Category : Performing Arts
ISBN : 0300158718
À la rencontre du cinéma français: analyse, genre, histoire is intended to serve as the core textbook in a wide variety of upper-level undergraduate and graduate French cinema courses. In contrast to content-, theme-, or issue-based approaches to film, Professor Berg stresses “the cinematically specific, the warp and fabric of the film itself, the stuff of which it is made.' Sufficient proficiency in French is the sole prerequisite: “No previous background in film studies is assumed, nor is any prior acquaintance with French cinema. It will help, of course, to like movies, and to have seen quite a few…' (from the preface).