SACRED MEMORIES


Book Description

We have been advised to “Keep a history . . . of all things that transpire” (D&C 85:1). I hope that my record will have longterm value for our children, their spouses, grandchildren, and great-grandchildren. I have tried to express my gratitude and goals, and deep love, for each member of this remarkable family. I have described our beliefs, traditions, successes, challenges, and the special miracles that we have experienced. We have been blessed, with many great events in our lives and at times in which we have felt divine guidance and infl uence, for which we are very grateful. This history has given me an opportunity to relive memorable experiences and learn more about myself and what I consider to be the most important aspects of mortal life and my eternal potential. I hope that my history helps those that I love understand me better and infl uences their lives.




Sacred Memories


Book Description

Sexual abuse is a nightmare no child or adult should experience. However, this horror continues to exist, and the terrifying part is that the perpetrators are individuals the victims thought they could trust. La-Rhonda Courtney courageously shares her experiences as a victim of sexual abuse in the hands of those she thought would never hurt her. At the age of six, she was molested by her then thirteen-year-old cousin, and it happened in a place where she felt safe and secure, in a trusted relative’s house. Enduring the pain alone, she was transformed from a bubbly child into a neurotic individual, helpless and full of rage. But she realized she didn’t have to suffer in silence and it was not the end of the world, as she found solace in the knowledge that God is always with her. Now she makes it her life’s mission to aid victims like her to get back on their feet and take control of their life once again.




Gold in Your Memories


Book Description

Macrina Wiederkehr shares a wealth of effective ways to awaken the golden memories each of us has. Her use of creative rituals, personal symbols, and pilgrimages to hallowed places invites us to make similar journeys to our past.




Alan Jackson - Precious Memories (Songbook)


Book Description

(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.




Spaces for the Sacred


Book Description

In Spaces for the Sacred, Philip Sheldrake brilliantly reveals the connection between our rootedness in the places we inhabit and the construction of our personal and religious identities. Based on the prestigious Hulsean Lectures he delivered at the University of Cambridge, Sheldrake's book examines the sacred narratives which derive from both overtly religious sites such as cathedrals, and secular ones, like the Millennium Dome, and it suggests how Christian theological and spiritual traditions may contribute creatively to current debates about place.




The End of Memory


Book Description

Winner of the Christianity Today Book Award in Christianity and Culture How should we remember atrocities? Should we ever forgive abusers? Can we not hope for final reconciliation, even if it means redeemed victims and perpetrators spending eternity together? We live in an age that insists that past wrongs—genocides, terrorist attacks, bald personal injustices—should never be forgotten. But Miroslav Volf here proposes the radical idea that letting go of such memories—after a certain point and under certain conditions—may actually be a gift of grace we should embrace. Volf’s personal stories of persecution and interrogation frame his search for theological resources to make memories a wellspring of healing rather than a source of deepening pain and animosity. Controversial, thoughtful, and incisively reasoned, The End of Memory begins a conversation that we avoid to our great detriment. This second edition includes an appendix on the memories of perpetrators as well as victims, a response to critics, and a James K. A. Smith interview with Volf about the nature and function of memory in the Christian life.




Theologies of the Gospel in Context


Book Description

Many preachers and teachers of preaching talk about the gospel; few name it. Theologies of the Gospel in Context assembles a gifted group of homileticians who think that preachers need to be able to articulate the gospel not "in general," but in a certain time and place, in context. They consider what gospel sounds like for people under oppression, in capitalist economies, in neocolonial contexts, for survivors of trauma, and for disestablished mainline churches marred by racism. Preachers will appreciate these preacher/scholars' desire to articulate the gospel with clarity, especially since the term is so often left unexplained. Homileticians will see a new genre of doing their work as teachers and researchers in preaching: a vision that helps preaching see itself not just as an adjunct to exegesis or communication, but a place of doing theology. In these pages homiletics is more than technique, it is a truly theological discipline.




Independence Hall in American Memory


Book Description

Independence Hall is a place Americans think they know well. Within its walls the Continental Congress declared independence in 1776, and in 1787 the Founding Fathers drafted the U.S. Constitution there. Painstakingly restored to evoke these momentous events, the building appears to have passed through time unscathed, from the heady days of the American Revolution to today. But Independence Hall is more than a symbol of the young nation. Beyond this, according to Charlene Mires, it has a long and varied history of changing uses in an urban environment, almost all of which have been forgotten. In Independence Hall, Mires rediscovers and chronicles the lost history of Independence Hall, in the process exploring the shifting perceptions of this most important building in America's popular imagination. According to Mires, the significance of Independence Hall cannot be fully appreciated without assessing the full range of political, cultural, and social history that has swirled about it for nearly three centuries. During its existence, it has functioned as a civic and cultural center, a political arena and courtroom, and a magnet for public celebrations and demonstrations. Artists such as Thomas Sully frequented Independence Square when Philadelphia served as the nation's capital during the 1790s, and portraitist Charles Willson Peale merged the arts, sciences, and public interest when he transformed a portion of the hall into a center for natural science in 1802. In the 1850s, hearings for accused fugitive slaves who faced the loss of freedom were held, ironically, in this famous birthplace of American independence. Over the years Philadelphians have used the old state house and its public square in a multitude of ways that have transformed it into an arena of conflict: labor grievances have echoed regularly in Independence Square since the 1830s, while civil rights protesters exercised their right to free speech in the turbulent 1960s. As much as the Founding Fathers, these people and events illuminate the building's significance as a cultural symbol.




Cultural Memory and Popular Dance


Book Description

This book focuses on the myriad ways that people collectively remember or forget shared pasts through popular dance. In dance classes, nightclubs, family celebrations, tourist performances, on television, film, music video and the internet, cultural memories are shared and transformed by dancing bodies adapting yesterday’s steps to today’s concerns. The book gathers emerging and seasoned scholarly voices from a wide range of geographical and disciplinary perspectives to discuss cultural remembering and forgetting in diverse popular dance contexts. The contributors ask: how are Afro-diasporic memories invoked in popular dance classes? How are popular dance genealogies manipulated and reclaimed? What is at stake for the nation in the nationalizing of folk and popular dances? And how does mediated dancing transmit memory as feelings or affects? The book reveals popular dance to be vital to cultural processes of remembering and forgetting, allowing participants to pivot between alternative pasts, presents and futures.




Questions Preachers Ask


Book Description

"How do we preach in a way that affirms Christian theology while also honoring the insights of other faith traditions?" "How do we preach about and help create genuine Christian community in a social networking culture?" Questions Preachers Ask examines many questions that are on the minds of preachers today, questions that focus on how to preach the gospel in a culture where biblical knowledge cannot be presumed and where the Bible is often viewed as untrustworthy. Well-known preachers, scholars, and authors, including Barbara Brown Taylor, Gail O'Day, Anna Carter Florence, Richard Lischer, and Thomas Lynch, provide the answers. This book, compiled to honor writer, preacher, teacher, and scholar Thomas G. Long at the end of his teaching career, addresses practical questions such as "How do we proclaim the good news to young adults who are on the margins of church or have left it?" and "How do we preach to faith communities that are highly diverse?" Perfect for preachers at any stage of their ministry, these essays offer hope and guidance for handling the difficult task of preaching in today's congregations.