Sacred Monsters, Sacred Masters


Book Description

Item consists of essays or articles about artists and people from the art world.




Sacred Monsters


Book Description

Dragons, unicorns, mermaids ... all the famous creatures of myth and legend are to be found in the Torah, Talmud and Midrash. But what are we to make of them? Do they really exist? Did the Torah scholars of old believe in their existence? And if not, why did they describe these creatures? Sacred Monsters is a thoroughly revised and vastly expanded edition of the bestselling book Mysterious Creatures. Rabbi Natan Slifkin, the famous "Zoo Rabbi," revisits all the creatures of that work as well as a host of new ones, including werewolves, giants, dwarfs, two-headed mutants, and the enigmatic shamir-worm. Sacred Monsters explores these cases in detail and discusses a range of different approaches for understanding them. Aside from the fascinating insights into these cryptic creatures, Sacred Monsters also presents a framework within which to approach any conflict between classical Jewish texts and the modern scientific worldview. Complete with extraordinary photographs and fascinating ancient illustrations, Sacred Monsters is a scholarly yet stimulating work that will be a treasured addition to your bookshelf




The Trip


Book Description

"From the author of Strapless and Guest of Honor, a book about a little-known road trip Andy Warhol took from New York to LA in 1963, and how that journey - and the numerous artists and celebrities he encountered - profoundly affected his life and art"--




The Letters of T. S. Eliot Volume 6: 1932–1933


Book Description

Despairing of his volatile, unstable wife, T. S. Eliot, at 44, resolves to put an end to the torture of his eighteen-year marriage.He breaks free from September 1932 by becoming Norton Lecturer at Harvard. His lectures will be published as The Use of Poetry and the Use of Criticism (1933). He also delivers the Page-Barbour Lectures at Virginia (After Strange Gods, 1934). At Christmas he visits Emily Hale, to whom he is 'obviously devoted'. He gives talks all over - New York, California, Missouri, Minnesota, Chicago - and the letters describing encounters with F. Scott Fitzgerald, Edmund Wilson and Marianne Moore ('a real Gillette blade') brim with gossip. High points include the première at Vassar College of his comic melodrama Sweeney Agonistes (1932). The year 'was the happiest I can ever remember in my life . . . successful and amusing.'Returning home, he hides out in the country while making known to Vivien his decision to leave her. But he is exasperated when she buries herself in denial: she will not accept a Deed of Separation. The close of 1933 is lifted when Eliot 'breaks into Show Business'. He is commissioned to write a 'mammoth Pageant': The Rock. This collaborative enterprise will be the proving-ground for the choric triumph of Murder in the Cathedral (1935).




Vita Sackville-West: Selected Writings


Book Description

Aristocrat, novelist, essayist, traveler, and lover of Virginia Woolf, Vita Sackville-West lived a fascinating and daring life on the periphery of the Bloomsbury circle. She wrote in an astounding variety of genres, including travel narrative, historical and literary studies, poetry, fiction, and essays, and is probably best known or her novels, The Edwardians and All Passion Spent, and incomparable writings about English country houses and gardens. Here, for the first time, is an anthology that represents the full expanse of her interests and styles. Over half of the works, including intimate diaries and a dream notebook, have never been published. Edited by a foremost expert on the Bloomsbury circle, Vita Sackville-West: Selected Writings provides the best and most accessible introduction to this unique writer.




The Sorcerer's Apprentice


Book Description

"John Richardson's riveting memoir about growing up in England and, at twenty-five, beginning his twelve-year adventure with the controversial art collector Douglas Cooper. With a new introduction by Jed Perl, here is John Richardson's richly entertaining memoir of his life with the brilliant but difficult British art expert Douglas Cooper--a fiendish, colorful, Evelyn Waugh-like figure who single-handedly assembled the world's most important private collection of Cubist paintings. John Richardson tells the story of their ill-fated but comical association, which began in London in 1949 when Richardson was twenty-five and moved onto the Chãateau de Castille, the famous colonnaded folly in Provence that they restored and filled with masterpieces by Picasso, Braque, Lâeger, and Juan Gris. Richardson unfurls a fascinating adventure through twelve years, encompassing famous artists and writers, collectors and other celebrities--Francis Bacon, Jean Cocteau, Luis Miguel Dominguâin, Dora Maar, Peggy Guggenheim, and Henri Matisse, to name only a few. And central to the book is Richardson's close friendship with Picasso, which coincided with the emergence of the artist's new mistress, Jacqueline Roque, and gave Richardson an inside view of the repercussions she would have on Picasso's life and work. With an eye for detail, an ear for scandal, and a sparkling narrative style, Richardson has written a unique, fast-paced saga of modernism behind the scenes."--provided by publisher.




Mistress of Modernism


Book Description

Dearborn's unprecedented access to Guggenheim's family, friends, and papers contributes rich insight to her traumatic childhood in New York, her self-education in the ways of art and artists, her battles with other art-collecting Guggenheims, and her legendary sexual appetites.




Heiresses


Book Description

New York Times bestselling author Laura Thompson returns with Heiresses, a fascinating look at the lives of heiresses throughout history and the often tragic truth beneath the gilded surface. Heiresses: surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife’s inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions. Heiresses tells the stories of these million dollar babies: Mary Davies, who inherited London’s most valuable real estate, and was bartered from the age of twelve; Consuelo Vanderbilt, the original American “Dollar Heiress”, forced into a loveless marriage; Barbara Hutton, the Woolworth heiress who married seven times and died almost penniless; and Patty Hearst, heiress to a newspaper fortune who was arrested for terrorism. However, there are also stories of independence and achievement: Angela Burdett-Coutts, who became one of the greatest philanthropists of Victorian England; Nancy Cunard, who lived off her mother's fortune and became a pioneer of the civil rights movement; and Daisy Fellowes, elegant linchpin of interwar high society and noted fashion editor. Heiresses is about the lives of the rich, who—as F. Scott Fitzgerald said—are ‘different’. But it is also a bigger story about how all women fought their way to equality, and sometimes even found autonomy and fulfillment.




Georges Braque


Book Description

After Picasso and Matisse, Braque is the third man of modern art. Together with Picasso, he pioneered the greatest revolution in Western ways of seeing since the Renaissance, and if an ism' can be said to be invented by a person, Cubism was invented by Braque. In life, a combination of heroic soldier and Zen master, he seemed to survive everything even the shattering of his skull on the Western Front in 1915 but, in death, his story remains untold. To reveal Braque, as Alex Danchev does here, is to revise Picasso and to illuminate one of the most influential figures in modern art.




On Art and War and Terror


Book Description

This book, a collection of Alex Danchev's essays on the theme of art, war and terror, offers a sustained demonstration of the way in which works of art can help us to explore the most difficult ethical and political issues of our time: war, terror, extermination, torture and abuse.It takes seriously the idea of the artist as moral witness to this realm, considering war photography, for example, as a form of humanitarian intervention. War poetry, war films and war diaries are also considered in a broad view of art, and of war. Kafka is drawn upon to address torture and abuse in the war on terror; Homer is utilised to analyse current talk of 'barbarisation'. The paintings of Gerhard Richter are used to investigate the terrorists of the Baader-Meinhof group, while the photographs of Don McCullin and the writings of Vassily Grossman and Primo Levi allow the author to propose an ethics of small acts of altruism.This book examines the nature of war over the last century, from the Great War to a particular focus on the current 'Global War on Terror'. It investigates what it means to be human in war, the cost it exacts and the ways of coping. Several of the essays therefore have a biographical focus.