Sacred Music, Religious Desire and Knowledge of God


Book Description

Many people find sacred choral music profound and deeply evocative, even in societies that seem to be turning away from religious belief. In this book, Julian Perlmutter examines how, in light of its wide appeal, sacred music can have religious significance for people regardless of their religious convictions. By differentiating between doctrinal belief and the desire for God, Perlmutter explores a longing for the spiritual that is compatible with both belief and 'interested non-belief'. He describes how sacred music can elicit this kind of longing, thereby helping the listener to grow in religious openness. The work of Thomas Merton is also analyzed in order to show that musically-elicited desire for God can be incorporated into the Christian practice of contemplative prayer, aimed ultimately at a union of love with God. By exploring connections between desire, knowledge and religious practice, this engaging account illustrates how sacred music can have a transformative effect on one's wider spiritual life. Of particular interest to philosophers and theologians, the book makes a novel contribution to several topics including religious epistemology, the philosophy of emotion and aesthetics.




Sacred Music, Religious Desire, and Knowledge of God


Book Description

1. Introduction -- 2.Sacred music, longing and openness -- 3. Desire and knowledge -- 4. Music and affect -- 5. Sacred music and knowledge by desire: The account applied -- 6. Religious desire and contemplative prayer -- 7. General conclusion.




Sacred Music, Religious Desire and Knowledge of God


Book Description

Many people find sacred choral music profound and deeply evocative, even in societies that seem to be turning away from religious belief. In this book, Julian Perlmutter examines how, in light of its wide appeal, sacred music can have religious significance for people regardless of their religious convictions. By differentiating between doctrinal belief and the desire for God, Perlmutter explores a longing for the spiritual that is compatible with both belief and 'interested non-belief'. He describes how sacred music can elicit this kind of longing, thereby helping the listener to grow in religious openness. The work of Thomas Merton is also analyzed in order to show that musically-elicited desire for God can be incorporated into the Christian practice of contemplative prayer, aimed ultimately at a union of love with God. By exploring connections between desire, knowledge and religious practice, this engaging account illustrates how sacred music can have a transformative effect on one's wider spiritual life. Of particular interest to philosophers and theologians, the book makes a novel contribution to several topics including religious epistemology, the philosophy of emotion and aesthetics.




A Spiritual Geography of Early Chinese Thought


Book Description

It is widely claimed that notions of gods and religious beliefs are irrelevant or inconsequential to early Chinese (“Confucian”) moral and political thought. Rejecting the claim that religious practice plays a minimal philosophical role, Kelly James Clark and Justin Winslett offer a textual study that maps the religious terrain of early Chinese texts. They analyze the pantheon of extrahumans, from high gods to ancestor spirits, discussing their various representations, as well as examining conceptions of the afterlife and religious ritual. Demonstrating that religious beliefs in early China are both textually endorsed and ritually embodied, this book goes on to show how gods, ancestors and afterlife are philosophically salient. The summative chapter on the role of religious ritual in moral formation shows how religion forms a complex philosophical system capable of informing moral, social, and political conditions.




Why God Must Do What is Best


Book Description

The idea that God, understood as the most perfect being, must create the best possible world is often underacknowledged by contemporary theologians and philosophers of religion. This book clearly demonstrates the rationale for what Justin J. Daeley calls Theistic Optimism and interacts with the existing literature in order to highlight its limitations. While locating Theistic Optimism in the thought of Gottfried Leibniz, Daeley argues that Theistic Optimism is consistent with divine freedom, aseity, gratitude, and our typical modal intuitions. By offering plausible solutions to each of the criticisms levelled against Theistic Optimism, he also provides a vigorous and original defence against the charge that it deviates from the Christian tradition. Engaging with both the Christian tradition and contemporary theologians and philosophers, Why God Must Do What is Best positions the idea of Theistic Optimism firmly within the language of contemporary philosophy of religion.




Spiritual Lives of the Great Composers


Book Description

This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.




The Evolutionary Argument against Naturalism


Book Description

Contemporary discussions in metaphysics, epistemology and philosophy of mind are dominated by the presupposition of naturalism. Arguing against this established convention, Jim Slagle offers a thorough defence of Alvin Plantinga's Evolutionary Argument against Naturalism (EAAN) and in doing so, reveals how it shows that evolution and naturalism are incompatible. Charting the development of Plantinga's argument, Slagle asserts that the probability of our cognitive faculties reliably producing true beliefs is low if ontological naturalism is true, and therefore all other beliefs produced by these faculties, including naturalism itself, are self-defeating. He critiques other well-known epistemological approaches, including those of Descartes and Quine, and deftly counters the many objections against the EAAN to conclude that metaphysical naturalism should be rejected on the grounds of self-defeat. By situating Plantinga's argument within a wider context and showing that science and evolution cannot entail naturalism, Slagle renders this most common metaphysical view irrational. As such, the book advocates an important reconsideration of contemporary thought at the intersection of philosophy, science and religion.




Philosophical Theology and the Knowledge of Persons


Book Description

In the series of essays collected in this book, Eleonore Stump offers reflections that illustrate the nature and importance of learning from the Christian heritage in its development over the ages of the Christian tradition and its continued development in interaction with contemporary philosophy, theology, and science. The essays show the power of this heritage in philosophical theology and in philosophical biblical exegesis. Central to the concerns they address is the Christian conviction that at the foundation of all reality is a God, who is love in a welcoming personal relationship offered to all human beings. The essays explore the nature of God and some puzzles about God’s interactions with human beings; they also examine the nature of human knowledge of God and argue that it can be achieved not only through propositional truths but also through knowledge of persons, and even through apprehension of beauty in nature or the arts. The book closes with an examination of what it is to will in accordance with the will of God for those who long for him.




The Natural Desire to See God According to St. Thomas Aquinas and His Interpreters


Book Description

What kind of natural desire is this? How can there be a natural desire for what can only be supernaturally obtained? How can such a desire be reconciled with the gratuitousness of grace and glory? What are its implications for apologetics? These and similar questions have caused a debate to rage for centuries over the proper interpretation of the natural desire to see God. This work seeks to determine the nature of this desire and its relationship with the supernatural order through an examination of the thought of St. Thomas and some of his most prominent interpreters, including Scotus, Cajetan, Suárez, and Henri de Lubac.




Christian Church Music in the Black Worship Service


Book Description

Mr. John Maxie Bell, the author and guest conductor-clinician for this book/workshop/worship service, is a native Houstonian. Mr. Bell received his formal education from the Houston Public Schools. His early musical training from the late Mrs. Helen K. Woods inspired him to pursue his musical talents while receiving his formal education. The late Ms Mattie E. Thomas and Mrs Joise B. James along with Ms. Mary J. James and Rosetta Burks all who were church musicians at the Good Hope Missionary Baptist Church in Houston, Texas. Also the late Roi Leeland Hopkins who inspired him to write about church music because of his phrase”I could write a book about the church music departments in the black church. The artist holds a B.S. degree and M.Ed. (Educational Administration)degree from Texas Southern University. While attending Texas Southern University Mr. Bell studied piano with Mrs. Thelma O. Bell and studied voice with Mrs. Ruth Schmoll for three years. Mr. Bell successfully attended the Harvard Principal Academy Institute in 1993. Mr. Bell studied church music at University of Houston in the mid 1990’s. In 2011 Mr. Bell became a member of the National Society of Collegiate Scholars- Phi Theta Kappa chapter at Houston Community College while pursuing a music degree at Texas Southern University. Mr. Bell sang with the Houston Symphnoy Chorale for two seasons under the direction of Mrs. Virginia Babikian, and Dr. Charles Hauseman during the early 1990’s. Mr. Bell taught for over twenty-five and has been an elementary classroom teacher, music teacher, Chapter I Coordinator, Assistant Principal and Principal all in the Houston Independent School District. Currently is Director of Bel-Lin's Music Studio in Houston, Texas. Mr. Bell’s avocation and passion for church music has been around four decades where he has served in the Houston and neighboring communities, and frequently serves as musical consultant for local, state and regional religious and civic organizations. He also is the author of an semi-autobiography about growing up in Houston entitled Kid’s Can’t Be Kids Anymore. He has recorded two CD recordings of inspirational music. He has composed one major religious easter cantata work entitled ‘Hear The Word of The Lord' premeire ecumenical performance in 1987 at the Saint Francis Xavier Catholic Church-Houston, Texas and in 1992 at the Good Hope Missionary Baptist Church-Houston. He also is the composer of many songs sung in the black worship service. His favorite and most well-liked is The Lord Is My Shepherd. He has sung with the Houston Symphony Chorale-Chorus under the direction of the late Virgina Babikian and Dr. Charles Hauseman. He received the National Reading is Fundamental Award...Leaders in Literacy Award in 1994 in Houston, Texas. Those who know the author have often described him as being very talented, inquisitive, very ambitious, a computer whiz-enthuiast, an outgoing fellow, very diligent, and energetic. He always wears an incesasant smile, is quite humorous, and is always willing to help others whenever he can. He is very versatile. Mrs. Elnoir Walton of Houston, Texas, says of Mr. Bell, "the author presents himself as a Christian person who has the love of God in him and reflects this in his conversation and actions. He has a pleasing personality that everyone who is around him enjoys." The author is married to the former Linda Joyce Fuller of Houston, Texas, and is the father of RaKeisha Monet’(Son-Inlaw Cedric) and John (II)Jr.. They reside in Southeast Houston. Mr. Bell enjoys several hobbies for both relaxation and inspiration; they are oil painting, cooking, reading, socializing, and traveling. Some of his future aspirations are to have a showing of his oil paintings, to publish a piano course book, and to establish an urban music academy, utilizing some of the latest developments in the music wor