Sacred Song in America


Book Description

In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.




The Makers of the Sacred Harp


Book Description

This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.




How Sweet the Sound


Book Description

Stowe traces the evolution of sacred music from colonial times to the present, from the Puritans to Sun Ra, and shows how these cultural encounters have produced a rich harvest of song and faith.




If You Don't Go, Don't Hinder Me


Book Description

Examines different genres of African American sacred music of the twentieth century, emphasizing the role migration of blacks in the United States played in nurturing and spreading the evolution of gospel music.




The Sacred Harp


Book Description




Christian Sacred Music in the Americas


Book Description

Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.




Sacred Song of the Hermit Thrush


Book Description

Long ago, when the birds had no songs, only man could sing. When the Great Spirit walked on the Earth, he noticed a great silence. He realized the birds had no songs. He devised a challenge and told the birds who ever could fly the highest, would receive a very beautiful song. But not all the birds were honest. In his desire to win the game, the small hermit thrush jumped on the back of the great eagle. The eagle flew higher than any of the birds, but when he came back to land, the Great Spirit said the hermit thrush had gone the highest since he was on eagle’s back. Hermit Thrush was awarded a beautiful song, but in his shame for not being honest, he flew into the deep woods. To this day, you may hear the lovely song of the hermit thrush, but you may not ever see him.




The Sacred Harp


Book Description

On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.




Parish Book of Chant


Book Description




We Shall Overcome


Book Description

EVERYTHING you think you know about the song, "We Shall Overcome..".is WRONG. This is the Shocking, Untold Story of the iconic freedom-song, We Shall Overcome and its TRUE author, Louise Shropshire - a sharecropper's daughter and self-proclaimed "nobody," who through love and dedication to God, Gospel-music and the African-American Church, overcomes racism and poverty to find herself in the inner-circle of Rev. Dr. Martin Luther King Jr., Rev. Fred Shuttlesworth, Rev. Thomas A. Dorsey and the Civil Rights Movement. Along her way, Shropshire composes and copyrights a popular Gospel-hymn, which is secularized and hijacked by Pete Seeger and his powerful associates known to insiders as the "Folk Mafia." The sacred song is then unlawfully copyrighted by Seeger and his associates then peddled for untold millions all over the globe by Pete Seeger, Bob Dylan, Joan Baez, Bruce Springsteen and countless others. Featuring more than 160 extraordinary photographs, this well sourced and cited compendium not only describes the disturbing details surrounding the misappropriation of Louise Shropshire's sacred hymn, but also explores the historical attitudes of Black-exploitation, subjugation and racism in America by non culture-bearers. -Attitudes that enabled such an unthinkable act to occur in the first place, and remain unchallenged for half a century. Although the US Library of Congress has called We Shall Overcome; "The Most Powerful Song of the 20th Century..".a song that raked in untold millions in royalties for its hijackers, Louise Shropshire would die penniless and unrecognized.