Sacrilege and Redemption in Renaissance Florence


Book Description

In Florence, in the summer of 1501, a man named Antonio Rinaldeschi was arrested and hanged after throwing horse dung at an outdoor painting of the Virgin Mary. His punishment was severe, even for the times, and the crimes with which he was formally charged, gambling, blasphemy and attempted suicide, did not normally warrant the death penalty. Sacrilege and Redemption in Renaissance Florence unveils a series of newly discovered sources concerning this striking episode. The authors show how the political and religious context of Renaissance Florence resulted both in Rinaldeschi's death sentence and in the creation by the followers of Savonarola of a new religious devotion, in the heart of the city, commemorating the event. -- Amazon.com.




Biographies of Drink


Book Description

The burgeoning field of drinking studies, often ranging across and between disciplinary boundaries, explores the place of alcohol in human societies from a very diverse range of perspectives. Whilst some scholars have examined the cultural meanings and social practices associated with alcohol consumption, and its relationship to various forms of identity and community formation, others have focused on attempts to regulate or tax it, its role as a trade commodity, or its medical and psychological effects on consumers. The sheer diversity of issues upon which the study of alcohol and drinking can shed light is undoubtedly part of the strength of the field of drinking studies. At the same time, however, it can make it difficult for these different strands to consistently and fully engage with one another. This book offers an innovative methodology that will help to facilitate fruitful interactions between scholars approaching the study of alcohol from different perspectives: the “biographies of drink” approach. Drawing inspiration from, but also going beyond, work on the “social lives of things,” this collection of essays showcases an approach in which each author constructs a “biography” of a particular drink, drinking place, or idea associated with drink, in a tightly-focused historical context. The “biographies” included range from the drinking vessels of Roman Britain to a whisky advertising campaign in 1950s America, and deal with diverse themes, from the associations between alcohol and national identity to the relationship between drinking and Existentialism. The book brings together scholarly approaches from classics, design theory, literary studies and history within the “biographies” framework. This allows for the emergence of important areas of comparison and contrast, as well as several overarching themes, such as the close associations between different drinking patterns and notions of tradition and modernity that occur in a wide range of cultural and historical contexts. Not only, then, does this book provide fascinating case studies of interest to scholars working in particular fields or particular contexts, but it also showcases a productive new methodology which offers insights of relevance to anyone interested in the role of alcohol in any society.




Acts Against God


Book Description

Blasphemy is a phenomenon that spans human experience, from the ancient world right up to today’s ferocious religious debates. Acts Against God is the first accessible history of this crime—its prosecution, its impact, and its punishment and suppression. While acknowledging blasphemy as an act of individuals, Acts Against God also considers the act as a widespread and constant presence in cultural, political, and religious life. Beginning in ancient Greece and the genesis of blasphemy’s link with the state, David Nash moves on to explore blasphemy in the medieval world, where it was used both as an accusation against outsiders and as a method of crusading for piety in the West. He considers how the medieval world developed the concept of heresy as a component of disciplining its populations, the first coherent phase in state control of belief. This phenomenon reached its full flowering in the Reformation, where conformity became a fixation of confessional states. The Enlightenment created agendas of individual rights where room for religious doubt pushed blasphemy into the twilight as modern humankind hoped for its demise. But, concluding in the twenty-first century, Nash shows how individuals and the state alike now seek to adopt blasphemy as a cornerstone of identity and as the means to resist the secularization and globalization of culture.




Florence and Beyond


Book Description

This volume celebrates John M. Najemy and his contributions to the study of Florentine and Italian Renaissance history. Over the last three decades, his books and articles on Florentine politics and political thought have substantially revised the narratives and contours of these fields. They have also provided a framework into which he has woven innovative new threads that have emerged in Renaissance social and cultural history. Presented by his many students and friends, the essays aim to highlight his varied interests and to suggest where they may point for future studies of Florence and, indeed, beyond. -- Amazon.com.




"Death, Torture and the Broken Body in European Art, 1300?650 "


Book Description

Bodies mangled, limbs broken, skin flayed, blood spilled: from paintings to prints to small sculptures, the art of the late Middle Ages and early modern period gave rise to disturbing scenes of violence. Many of these torture scenes recall Christ?s Passion and its aftermath, but the martyrdoms of saints, stories of justice visited on the wicked, and broadsheet reports of the atrocities of war provided fertile ground for scenes of the body?s desecration. Contributors to this volume interpret pain, suffering, and the desecration of the human form not simply as the passing fancies of a cadre of proto-sadists, but also as serving larger social functions within European society. Taking advantage of the frameworks established by scholars such as Samuel Edgerton, Mitchell Merback, and Elaine Scarry (to name but a few), Death, Torture and the Broken Body in European Art, 1300-1650 provides an intriguing set of lenses through which to view such imagery and locate it within its wider social, political, and devotional contexts. Though the art works discussed are centuries old, the topics of the essays resonate today as twenty-first-century Western society is still absorbed in thorny debates about the ethics and consequences of the use of force, coercion (including torture), and execution, and about whether it is ever fully acceptable to write social norms on the bodies of those who will not conform.




Art and Miracle in Renaissance Tuscany


Book Description

Miraculous images are the focus for an exploration of art and devotion in Renaissance Italy.




Beholding Violence in Medieval and Early Modern Europe


Book Description

Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?




Reason and Experience in Renaissance Italy


Book Description

Political life in Renaissance Italy was held together by political principles which underlay, or were used to justify, political proposals and decisions in practice. This wide-ranging comparative survey examines these political principles, as expressed in sources such as council debates, preambles to legislation and official correspondence, in the mid-fifteenth to the mid-sixteenth century Italy. Focusing especially on the five republics - Florence, Venice, Genoa, Siena and Lucca - the book also considers princes and signori, and the principles underlying relations between states, particularly relations between major and minor powers. Many of the ideas articulated by those confronting practical political problems ranged beyond the questions dealt with in formal treatises of political thought and philosophy. Drawing on extensive archival research, Christine Shaw explores the relationship between 'reason and experience' in the conduct of political affairs in Renaissance Italy, and the gap between theory and practice.




Printed Icon


Book Description

Lisa Pon examines the cultural biography of the city of Forlì's miraculous woodcut, the Madonna of the Fire.




The Ugly Renaissance


Book Description

The Ugly Renaissance is a delightfully debauched tour of the sordid, gritty reality behind some of the most celebrated artworks and cultural innovations of all time. Tourists today flock to Italy by the millions to admire the stunning achievements of the Renaissance—paintings, statues, and buildings that are the legacy of one of the greatest periods of cultural rebirth and artistic beauty the world has ever seen. But beneath the elegant surface lurked a seamy, vicious world of power politics, perversity, and corruption. In this meticulously researched and lively portrait, Renaissance scholar Alexander Lee illuminates the dark and titillating contradictions that existed alongside the enlightened spirit of the time: the scheming bankers, greedy politicians, bloody rivalries, murderous artists, religious conflicts, rampant disease, and indulgent excess without which many of the most beautiful monuments of the Renaissance would never have come into being.