Sagetrieb


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The "winter Mind"


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Through special attention to his uniquely elegant style, this study demonstrates how Bronk has brought together earlier American poetics and philosophy with modern and postmodern notions of being, emptiness, and nothingness.




The Astral H.D.


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Modernist poet H.D. had many visionary and paranormal experiences throughout her life. Although Sigmund Freud worried that they might be 'symptoms,' she rebelled, educating herself in the alternative world of the occult and spiritualism in order to transform the raw material into a mythical autobiography woven throughout her poetry, prose, and life-writing. The Astral H.D. narrates the fascinating story of how she used the occult to transform herself, and provides surprising revelations about her friendships and conflicts with famous figures-such as Sigmund Freud and the Battle of Britain War Hero Hugh Dowding-along the way.




H.D.


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This is a bibliography of the British modernist poet H.D., who has become the subject of renewed interest. It lists all primary and secondary material by and about H.D., including descriptions of all editions and issues of her books.




A Poet's Mind


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Robert Duncan (1919-1988), one of the major postwar American poets, was an adulated figure among his contemporaries, including Robert Creeley, Charles Olson, and Denise Levertov. Lawrence Ferlinghetti remarked that Duncan "had the best ear this side of Dante." His stature is increasingly recognized as comparable to that of Ezra Pound, William Carlos Williams, H.D., and Louis Zukofsky. Like his poetry, Duncan's conversation is generative and multi-directional, pushing out the boundaries of discourse. His recorded reflections are a means of discovery and exploration, and whether talking with a college student or a fellow poet, he was fully engaged and open to new thoughts as they emerged. The exchanges in this book are exciting and lively. His vast and wide-ranging knowledge offers readers an increased understanding of the interrelations of the arts, history, psychology, and science; those who would like to learn about Duncan's own life, his bravery in being an out gay man well before Stonewall, and his friendships with fellow writers, such as Charles Olson, Jack Spicer, and Kenneth Rexroth, will find this book richly rewarding. The six volumes of Duncan's collected writings are being issued by the University of California Press. The collected interviews are an indispensable companion to these books, providing an in-depth exposition of his poetics, which center on the belief that the poem is "a medium for the life of the spirit." In A Poet's Mind, he describes the genesis of some of his works, including that of books, essays, and individual poems, and also discusses gay love and life, along with the many diverse influences on his work. Ducan's fertile creative mind is also evident in these conversations: often coming back to Ezra Pound in these conversations, he gives one of the clearest expositions to be found anywhere on the scope and meaning of The Cantos. This volume also includes a number of photographs never before published.




The New York Quarterly


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Beyond Maximus


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Beyond Maximus shows how field poetics influenced the construction of the public voices of five Black Mountain poets (Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and Ed Dorn) in order to explain their association in the 1950s and 60s as well as their break-up as a result of the political and poetic crises of the Vietnam War era.




Signets


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Signets brings together the best essays of H.D. (Hilda Doolittle). Susan Stanford Friedman and Rachel Blau DuPlessis have gathered the most influential and generative studies of H. D.'s work and complemented them with photobiographical, chronological, and bibliographical portraits unique to this volume. The essays in Signets span H. D.'s career from the origins of Imagism to late modernism, from the early poems of Sea Garden to the novel HER and the epic poems Trilogy and Helen in Egypt. In addition to the editors, the contributors are Diana Collecott, Robert Duncan, Albert Gelpi, Eileen Gregory, Susan Gubar, Barbara Guest, Elizabeth A. Hirsch, Deborah Kelly Kloepfer, Cassandar Laity, Adalaide Morris, Alicia Ostriker, Cyrena N. Pondrom, Perdita Schaffner, and Louis H. Silverstein. Signets is an essential resource for those interested in H. D., modernism, and feminist criticism and writing.




Ezra Pound's Chinese Friends


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No literary figure of the past century - in America or perhaps in any other Western country - is comparable to Ezra Pound in the scope and depth of his exchange with China. To this day, scholars and students still find it puzzling that this influential poet spent a lifetime incorporating Chinese language, literature, history, and philosophy into Anglo-American modernism. How well did Pound know Chinese? Was he guided exclusively by eighteenth to nineteenth-century orientalists inhis various Chinese projects? Did he seek guidance from Chinese peers? Those who have written about Pound and China have failed to address this fundamental question. No one could do so just a few years ago when the letters Pound wrote to his Chinese friends were sealed or had not been found. This bookbrings together 162 revealing letters between Pound and nine Chinese intellectuals, eighty-five of them newly opened up and none previously printed. Accompanied by editorial introductions and notes, these selected letters make available for the first time the forgotten stories of Pound and his Chinese friends. They illuminate a dimension in Pound's career that has been neglected: his dynamic interaction with people from China over a span of forty-five years from 1914 until 1959. This selectionwill also be a documentary record of a leading modernist's unparalleled efforts to pursue what he saw as the best of China, including both his stumbles and his triumphs.