Saint Christopher Wall Paintings in English and Welsh Churches, C.1250-c.1500


Book Description

This thesis is a comprehensive reassessment of the role of Saint Christopher wall paintings in English (and Welsh) churches. Although the study focuses primarily on parish churches (where the majority of mural paintings survive), it also considers cathedrals, abbeys and other medieval buildings where such imagery is extant or documented. Welsh churches are also examined where appropriate, though there are only a few surviving Saint Christopher images in this geographical area. The investigation spans the period from the emergence of Saint Christopher representations in illumination (c.1250), to the beginning of the sixteenth century, when wall painting depictions of the saint were at their zenith (c.1500 for sake of convenience). The thesis begins with an examination and assessment of universal image function and reception in medieval church and society. This is a central issue to the study of churches, and it is therefore necessary to dedicate a whole chapter to the subject. Through the examination of individual paintings and documents relating to specific churches, the thesis then goes on to focus on three main themes related to Saint Christopher and his cult. First, it considers the role of Saint Christopher wall paintings (and other types of images where appropriate), secondly, the location of Saint Christopher murals within church buildings, and thirdly, the different methods of patronage associated with the wall paintings. The survey also establishes a long-overdue and revised chronology of the entire corpus of Saint Christopher wall paintings based on an examination of architectural, documentary and visual evidence, and on comparisons with other types of media from England and the Continent (such as sculpture, illumination and woodcuts). Most murals can be dated to within the nearest quarter or third of a century (and to the nearest century if the date of execution is uncertain).




Medieval Wall Paintings


Book Description

The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.







Meteorological Disasters in Medieval Britain (AD 1000‒1500)


Book Description

When high-magnitude meteorological hazards impact vulnerable human populations, disasters are the inevitable consequence. Through archaeological and historical evidence, this book investigates how these sudden and unpredictable events affected British medieval populations (AD 1000-1500). Medieval society understood disasters in a practical sense and took steps to minimise risk by constructing flood defences and reinforcing structures damaged by storms. At the same time, natural hazards were widely interpreted through a framework of religious and superstitious beliefs and a wide variety of measures were followed to secure protection against the dangers of the natural world. Disasters, therefore, were interpreted through a duality of understanding in which their occurrence could be the result of spiritual or superstitious triggers but practical solutions were a key component in mitigating their tangible impacts. In evaluating this duality, this book focuses on specific case studies and considers both their diverse historical contexts as well as their consequences for society against the backdrop of significant demographic and climatic change--as a result of the Black Death and the transition to the Little Ice Age.




Westminster Part I: The Art, Architecture and Archaeology of the Royal Abbey


Book Description

The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter. Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.




Roots of Reform: Contextual Interpretation of Church Fittings in Norfolk During the English Reformation


Book Description

This volume provides a thorough examination of the impact of the English Reformation through a detailed analysis of medieval and early modern church fittings surviving at parish churches located throughout the county of Norfolk in England.




Westminster


Book Description

Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor's enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III's vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott's impact as the Abbey's greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret's Church, and the remarkable buildings of Westminster school, created within the remains of the monastery in the 17th and 18th centuries.