Saints & Saint Makers of New Mexico


Book Description

This book covers the art of santos (images of saints) in eighteenth- and nineteenth-century New Mexico-santos were the predominant form of religious images in churches and homes between 1750 and 1850.




Santos and Saints


Book Description

Santos and Saints is a new book, though the title has been around for over twenty years. This new edition provides greater detail and newly available information to illustrate the santero's art and to describe the tradition roles of santos in both religious and secular life. Santos and Saints has served for two decades as the best available guide to the religious folk art of New Mexico. In its new edition, it has become even more valuable to scholars and general readers alike.




Santos


Book Description

This series of line drawings by legendary Santera (saint-maker) Marie Romero Cash, depict many of the popular saints painted by the santeros of the eighteenth and nineteenth centuries in Northern New Mexico. "The saints have always been an integral part of the culture," Marie says, "so much so that in the eighteenth and nineteenth centuries in New Mexico the art of the religious folk art of the santero became a part of its history. In creating this coloring book, my goal was to not only impart knowledge about the santero culture, but to provide images that could be colored in by children or adults, and could also be used for many other purposes, including embroidery or various decorative arts." Each full-page image is suitable for coloring by children at playtime or in a classroom setting. Easy to read information on many popular patron saints is included, as is the feast day of each saint. Teachers will find this coloring book a valuable teaching tool. There is also an author preface and an article about Marie Romero Cash by well-known journalist, Kay Lockridge. Born in Santa Fe, Marie Romero Cash has been a Santera (saint-maker) for over thirty years. Her award-winning works are in major museums and private collections throughout the United States, Mexico, Africa and The Vatican. She has written several books and magazine articles on the culture and religion of Northern New Mexico and has lectured widely on the subject for the New Mexico Endowment for the Humanities.




Making Saints


Book Description

From inside the Vatican, the book that became a modern classic on sainthood in the Catholic Church. Working from church documents, Kenneth Woodward shows how saint-makers decide who is worthy of the church's highest honor. He describes the investigations into lives of candidates, explains how claims for miracles are approved or rejected, and reveals the role politics -- papal and secular -- plays in the ultimate decision. From his examination of such controversial candidates as Archbishop Oscar Romero of El Salvador and Edith Stein, a Jewish philosopher who became a nun and was gassed at Auschwitz, to his insights into the changes Pope John Paul II has instituted, Woodward opens the door on a 2,000-year-old tradition.




The Saint Makers


Book Description

The Saint Makers is a thorough exploration of the contemporary evolution of religious folk art, or santo making, in the American Southwest.




Santos of Spanish New Mexico, a Coloring Book


Book Description

The mystery. The rich heritage. The haunting sorrow and mesmerizing beauty captured in the solemn eyes of the saints. Explore the world of the Northern New Mexican Santo in this coloring book unlike any other. "Santos of Spanish New Mexico" is a perfect introduction for both young and old into the art of carving and painting images of saints that represent the care and love of the community that the Santero (maker of saint images) comes from. The Santero is a self-taught craftsman who utilizes handmade tools, pine, aspen, cedar or cottonwood root to fashion representations, figurines, and objects in honor of the patron deities brought to the New World by their ancestors during the late 16th century. Learn a little about the saints and the various depictions you can recognize anywhere throughout Northern New Mexico. A tradition handed down from generation to generation, the art of making Santos is still very much alive and thriving in this special region of the world. Care has been taken to be faithful to the artistic details of the original works. Like the folk art he has endeavored to reproduce, Al Chapman's drawings in this book are simple and sincere. This book is a good companion to "What is a New Mexico Santo?" by Eluid Levi Martinez and "Santos, A Coloring Book of New Mexico Saints" by Marie Romero Cash, both from Sunstone Press.




Traditional Arts of Spanish New Mexico


Book Description

Through Jonson's masterpieces explores the intimate confluence of visual art and music that defined twentieth-century modernism.




New Mexico Santos


Book Description

Folk artists of New Mexico in the 18th and 19th centuries based the religious images of their art on the small-scale prints found in missals and prayer books imported from Europe. They discarded the rococo detail and invented their own colour schemes for the objects they created for personal devotion. This elegant book presents 42 of the most beloved saints in elegantly rendered pen and ink drawings with accompanying text.




Wooden Saints


Book Description

In the Spanish-speaking world, the word santo normally means "saint" or "holy." By extension, it may also refer to material representations of the saints. In the United States this usage commonly refers specifically to a body of painting and sculpture produced between the middle of the 18th century and the beginning of the 20th by Americans of Spanish descent living in northern New Mexico and southern Colorado. This remarkable folk art came into being when the area was a remote outpost of Spain, and colonists were faced with a chronic shortage of essential imports over the long caravan route from Mexico. It persisted well into the American territorial period, succumbing finally to mass-produced substitutes. It has been called the most important manifestation of folk art in this country, and is in fact the only non-Indian religious art native to it. Santos have been appreciated and collected by Anglo-Americans for half a century; but information available to the general public is scanty and often misleading. The aim of this guide is to present a brief historical sketch of the cultural background, followed by some discussion of the art itself.--From p. 3-4.




Soldiers, Saints, and Shamans


Book Description

The Mexican Revolution gave rise to the Mexican nation-state as we know it today. Rural revolutionaries took up arms against the Díaz dictatorship in support of agrarian reform, in defense of their political autonomy, or inspired by a nationalist desire to forge a new Mexico. However, in the Gran Nayar, a rugged expanse of mountains and canyons, the story was more complex, as the region’s four Indigenous peoples fought both for and against the revolution and the radical changes it bought to their homeland. To make sense of this complex history, Nathaniel Morris offers the first systematic understanding of the participation of the Náayari, Wixárika, O’dam, and Mexicanero peoples in the Mexican Revolution. They are known for being among the least “assimilated” of all Mexico’s Indigenous peoples. It’s often been assumed that they were stuck up in their mountain homeland—“the Gran Nayar”—with no knowledge of the uprisings, civil wars, military coups, and political upheaval that convulsed the rest of Mexico between 1910 and 1940. Based on extensive archival research and years of fieldwork in the rugged and remote Gran Nayar, Morris shows that the Náayari, Wixárika, O’dam, and Mexicanero peoples were actively involved in the armed phase of the revolution. This participation led to serious clashes between an expansionist, “rationalist” revolutionary state and the highly autonomous communities and heterodox cultural and religious practices of the Gran Nayar’s inhabitants. Morris documents confrontations between practitioners of subsistence agriculture and promoters of capitalist development, between rival Indian generations and political factions, and between opposing visions of the world, of religion, and of daily life. These clashes produced some of the most severe defeats that the government’s state-building programs suffered during the entire revolutionary era, with significant and often counterintuitive consequences both for local people and for the Mexican nation as a whole.