The Recognition of Shakœntala


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A well-known Sanskrit drama presented here in a bilingual translation.




Śakoontalá


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ABHIJNANSAKUNTALAM (The Recognition of Sakuntala) Improvised Edition


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The legend of the exquisitely beautiful Shakuntala and the mighty king Dushyant is a thrilling love story from the epic Mahabharata, which the great ancient poet Kalidasa retold in his immortal play Abhijnanashakuntalam. The play was the first Indian drama to be translated into a Western language, by Sir William Jones in 1789. In the next 100 hundred years, there were at least 46 translations in twelve European languages. But translation by Arthur William Ryder (March 8, 1877 - March 21, 1938), a professor of Sanskrit at the University of California, Berkeley, is the best one, adapted in this book.




Śakoontalá


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Sakuntala


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The figure of Sakuntala appears in many forms throughout South Asian literature, most famously in the Mahabharata and in Kalidisa's fourth-century Sanskrit play, Sakuntala and the Ring of Recollection. In these two texts, Sakuntala undergoes a critical transformation, relinquishing her assertiveness and autonomy to become the quintessentially submissive woman, revealing much about the performance of Hindu femininity that would come to dominate South Asian culture. Through a careful analysis of sections from Sakuntala and their various iterations in different contexts, Romila Thapar explores the interactions between literature and history, culture and gender, that frame the development of this canonical figure, as well as a distinct conception of female identity.




Shakuntala Recognized


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Shakuntala Recognized is a translation of the Sanskrit play, Abhijyanashakuntalam, by the great poet and playwright Kalidasa. As a poet of mellifluous charm and as a master of Simile, he indulged in Sringara Rasa (Eros)—the sensuous aspects of human condition. This play is perhaps his most powerful expression of that sensuality. Extolled by Goethe, and German Romanticists and others, the play uniquely weaves a magical fabric of life with the threads of human frailties and tragedies. The plot for this play is based on a tale in the Indian epic Mahaabhaarata. The tale depicts how India came to be called Bharatavarsha or Bharat, a name that is still official in the Indian languages.







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