Dziga Vertov


Book Description

For 60 years, the Soviet filmmaker Dziga Vertov, creator of the famed Man with a Movie Camera (1929), has been recognized as a founding figure of documentary, avant-garde, and political-propaganda film. This book addresses Vertov's formative years in prerevolutionary and Soviet Russia, alongside his interests in music, poetry and technology.




João Maria Gusmão + Pedro Paiva


Book Description

Monographie de référence du duo d'artistes portugais.




A Primer for Cadavers


Book Description

One of the most widely celebrated artists of his generation, Atkins makes videos, draws and writes, exploiting and subverting the conventions of moving image and literature. A Primer for Cadavers collects his fictions for the first time.




Allan Sekula


Book Description

This publication intersperses essays from scholars, historians, and thinkers with a selection of Allan Sekula's seminal texts and excerpts from his private notebooks. The title is a reference to Okeanos -- son of Gaia, the Greek goddess of the earth -- who ruled over the oceans and water. Made and written across the decades, Sekula's sketches and texts focus on maritime space and the material, economic, and ecological implications of globalization. In projects such as his magnum opus Fish Story (1989-95), or films like Lottery of the Sea (2006) and The Forgotten Space (2010), Sekula provided a view from and of the sea. This publication expands on these oceanic themes, seeking to honor the scope and complexity of the late artist-theorist's work, and situate his ideas in current political, social, and environmental discourses. The book is divided thematically: the section “Containerization” focuses on the sea as a site of infrastructural complication; Sekula's work Black Tide / Marea negra (2002-3) is also revisited, which explores environmental violence and contamination as well as their social implications; a selection from Sekula's personal drawings are accompanied by an essay by photo historian Sally Stein; various essays readdress Sekula's legacy in the age of the Anthropocene; and a number of case studies by contemporary artists, writers, and thinkers examine ideas that overlap with Sekula's and expand on his interests




Manual for a Future Desert


Book Description

The desert and desertification are concepts with unstable, unfixed definitions that haunt current politics and aesthetics. Manual for a future desert proposes a full-spectrum scanning of the desert and its multiple implications across cultural, technological, political, and ecological concerns. Emerging from an artistic research program conducted in the Chihuahuan Desert on western Texas, this book is a time-space capsule; it collects routes, tools, and understandings on the desert in order to address and act upon issues that shape present and future realities. It is a manual for tapping into the exigency of the desert; it determines the coordinates for finding a future desert without deserting the future --




Subject to Change


Book Description

This is a history of "guerilla television", a form of TV which was part of an alternative media tide sweeping the United States in the 1960s. Inspired by the fracturing issues of the decade and the theories and writings of various exponents, guerilla television put forth "utopian" programming.




Nick Darmstaedter


Book Description

New York-based artist Nick Darmstaedter (born 1988) was born and bred in a postmodern age. The Los Angeles transplant, part of the infamous Still House Group, states that gathering and sorting are a crucial part of his practice; he uses a variety of methods to create paintings, installations and sculptures. This is his first monograph.




Documentary Testimonies


Book Description

This volume examines documentary films that compel us to bear witness, move us to anger or tears, and possibly mobilize us to action. The essays gathered here analyze questions regarding the usefulness and legitimacy of documentary testimony: What is the value of the historical archive the televised public hearings or activist online videos constitute? Is it made part of the official record, or dismissed as renegade or ephemeral? To what extent can documentary bring about social change? How do the documentary testimonies compensate for or account for the frailty of memory?