Traditional Samoan Music


Book Description

This companion volume to Moyle's acclaimed 1987 book Tongan Music provides the most comprehensive published account of the music of western Polynesia's largest island group. Combining extensive fieldwork and exhaustive coverage of historical sources and museum holdings, the book features a thorough examination of songs, song texts and translations, dances, children's songs, and musical instruments.




Samoan Traditional Music


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Pese Samoa [kit]


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Fa'a-Sāmoa


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Samoan Art and Artists


Book Description

"The book has a broad sweep, covering all facets of the Samoan arts, including canoe and housebuilding, siapo (tapa), weaving, tattooing, oratory, adornment, all forms of performance art, the visual arts and literature"--Inside front cover.




The Oxford Handbook of Musical Repatriation


Book Description

The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives. The Handbook provides a dynamic and richly layered collection of stories and critical questions for anyone engaged or interested in repatriation or archival work. Repatriation often is overtly guided by an ethical mandate to "return" something to where it belongs, by such means as working to provide reconnection and Indigenous control and access to cultural materials. Essential as these mandates can be, this remarkable volume reveals dimensions to repatriation beyond those which can be understood as simple acts of "giving back" or returning an archive to its "homeland." Musical repatriation can entail subjective negotiations involving living subjects, intangible elements of cultural heritage, and complex histories, situated in intersecting webs of power relations and manifold other contexts. The forty-eight expert authors of this book's thirty-eight chapters engage with multifaceted aspects of musical repatriation, situating it as a concept encompassing widely ranging modes of cultural work that can be both profoundly interdisciplinary and embedded at the core of ethnographic and historical scholarship. These authors explore a rich variety of these processes' many streams, making the volume a compelling space for critical analysis of musical repatriation and its wider significance. The Handbook presents these chapters in a way that offers numerous emergent perspectives, depending on one's chosen trajectory through the volume. From retracing the paths of archived collections to exploring memory, performance, research goals, institutional power, curation, preservation, pedagogy and method, media and transmission, digital rights and access, policy and privilege, intellectual property, ideology, and the evolving institutional norms that have marked the preservation and ownership of musical archives-The Oxford Handbook of Musical Repatriation addresses these key topics and more in a deep, richly detailed, and diverse exploration.




Songs from the Second Float


Book Description

This book, based on fieldwork spanning a decade, gives a comprehensive analysis of the musical life of a unique Polynesian community whose geographical isolation, together with a local ban on missionaries and churches, combine to allow its 600 members to maintain a level of traditional cultural practices unique to the region. Takü is arguably the only location where traditional Polynesian religion continues to be practiced. This book explores the many ways in which spirit activities impact on both domestic and ritual life, how group singing and dancing give audible and visible expression to a variety of religious beliefs, and how spirit mediums relay songs and dances from the recent dead. Takü’s community is well able to articulate the significance of their own strong performance tradition, and this book allows expert singers and dancers to speak passionately for themselves on subjects they understand intimately. Musical ethnographies from the Pacific are rare. Like Moyle’s earlier landmark volumes on Samoan and Tongan music, and also his trilogy on Australian Aboriginal music, this work will be of immense value to Pacific studies and will assume a place among the recognized staples of ethnomusicological research.




Coming of Age in Samoa


Book Description

First published in 1928, "Coming of Age in Samoa" is Margaret Mead's classic sociological examination of adolescence during the first part of the 20th century in American Samoa. Sent by the Social Science Research Council to study the youths of a so-called "primitive" culture, Margaret Mead would spend nine months attempting to ascertain if the problems of adolescences in western society were merely a function of youth or a result of cultural and social differences. "Coming of Age in Samoa" is her report of those findings, in which the author details various aspects of Samoan life including, education, social and household structure, and sexuality. The book drew great public interest when it was first published and also criticism from those who did not like the perceived message that the carefree sexuality of Samoan girls might be the reason for their lack of neuroses. "Coming of Age in Samoa" has also been criticized for the veracity of Mead's account, though current public opinion seems to fall on the side of her work being largely a factual one, if not one of great anthropological rigor. At the very least "Coming of Age in Samoa" remains an interesting historical account of tribal Samoan life during the first part of the 20th century. This edition is printed on premium acid-free paper.




Introduction to Samoa


Book Description

Samoa is a Polynesian island country located in the South Pacific Ocean. It consists of two main islands, Upolu and Savai'i, along with several smaller islands. The capital and largest city is Apia, located on the island of Upolu. The population of Samoa is approximately 200,000, with the majority being of Samoan descent. The official languages are Samoan and English, with Samoan being widely spoken in everyday life. Samoa's economy is primarily based on agriculture, tourism, and remittances from Samoans living abroad. The country also has a strong cultural heritage, with traditional Samoan customs and practices still widely observed. One of the most famous aspects of Samoan culture is the fa'a Samoa, which emphasizes respect for family, community, and elders. Samoa is also known for its traditional Samoan dance and music, including the fire knife dance, which is performed by young men using long, sharp knives that are set on fire. Overall, Samoa is a unique and vibrant island nation that is rich in culture and natural beauty.




Samoan Medical Belief and Practice


Book Description

"This is the first comprehensive study of Samoan music. Cluny and La'avasa Macpherson have carried out intensive investigation into the practice and beliefs of contemporary indigenous healers, or fofố, in Western Samoa to produce a fascinating and throughful study. They explain convincingly why traditional Samoan medicine and its skilled practitioners continue to flourish alongside Western medical practice both in Samoa and in Samoan immigrant communities..."--Back cover.