San'ya Blues


Book Description

Over the years, Edward Fowler, an American academic, became a familiar presence in San'ya, a run-down neighborhood in northeastern Tokyo. The city's largest day-labor market, notorious for its population of casual laborers, drunks, gamblers, and vagrants, has been home for more than half a century to anywhere from five to fifteen thousand men who cluster in the mornings at a crossroads called Namidabashi (Bridge of Tears) in hopes of getting work. The day-labor market, along with gambling and prostitution, is run by Japan's organized crime syndicates, the yakuza. Working as a day laborer himself, Fowler kept a diary of his experiences. He also talked with day laborers and local merchants, union leaders and bureaucrats, gangsters and missionaries. The resulting oral histories, juxtaposed with Fowler's narrative and diary entries, bring to life a community on the margins of contemporary Japan.Located near a former outcaste neighborhood, on what was once a public execution ground, San'ya shows a hidden face of Japan and contradicts the common assumption of economic and social homogeneity. Fowler argues that differences in ethnicity and class, normally suppressed in mainstream Japanese society, are conspicuous in San'ya and similar communities. San'ya's largely middle-aged, male day-laborer population contains many individuals displaced by Japan's economic success, including migrants from village communities, castoffs from restructuring industries, and foreign workers from Korea and China. The neighborhood and its inhabitants serve as an economic buffer zone—they are the last to feel the effects of a boom and the first to feel a recession. They come alive in this book, telling urgent stories that personify such abstractions as the costs of modernization and the meaning of physical labor in postindustrial society.




San'ya Blues


Book Description

Over the years, Edward Fowler, an American academic, became a familiar presence in San'ya, a run-down neighborhood in northeastern Tokyo. Working as a day laborer himself, Fowler kept a diary of his experiences. The resulting oral histories, juxtaposed with Fowler's narrative and diary entries, bring to life a community on the margins of contemporary Japan.




Perilous Wagers


Book Description

The lives of the men depicted in Perilous Wagers take place in the squalor of Tokyo's old day-laborer district, San'ya, where they can be found eking out a living from occasional construction work and welfare handouts, permanently displaced from their hometowns to metropolitan Tokyo. Although San'ya has nearly vanished during the past twenty years, its import persists as a black market where its small population of male day-laborers can be contracted for the most undesirable of tasks, without consideration for their health or safety. In this context, Hammering's book examines classic ethnographic themes of labor, exchange, value, honor, shame, temporality, desire, gender, and personhood. It explores how one group of day-laborers embodied a transgressive masculinity intimately intertwined with honorable mobster values of old, and how they created dignity and sociality under abject conditions of life. Perilous Wagers tracks these underdog values across construction sites, non-profit organizations, hospitals, bunkhouses, and illegal gambling dens, giving imaginative life to a stigmatized, forgotten social world.




Popular Music in Japan


Book Description

Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.




Modern Japan, Student Economy Edition


Book Description

This book presents the essential facts of modern Japanese history. It covers a variety of important developments through the 1990s, giving special consideration to how traditional Japanese modes of thought and behavior have affected the recent developments.




Modern Japan


Book Description

Integrating political events with cultural, economic, and intellectual movements, Modern Japan provides a balanced and authoritative survey of modern Japanese history. A summary of Japan's early history, emphasizing institutions and systems that influenced Japanese society, provides a well-rounded introduction to this essential volume, which focuses on the Tokugawa period to the present. The fifth edition of Modern Japan is updated throughout to include the latest information on Japan's international relations, including secret diplomatic correspondence recently disclosed on WikiLeaks. This edition brings Japanese history up to date in the post 9/11 era, detailing current issues such as: the impact of the Gulf Wars on Japanese international relations, the March 2011 earthquake, tsunami, and subsequent nuclear accident, the recent tumultuous change of political leadership, and Japan's current economic and global status. An updated chronological chart, list of prime ministers, and bibliography are also included.




Music and Protest in 1968


Book Description

In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968.




Homesick Blues


Book Description

Homesick Blues explores how artists, fans, amateur practitioners, and others have used music to tell stories of everyday life in Japan from the late 1940s to 2018, a practice that author Scott Aalgaard calls “musical storytelling.” At its core, musical storytelling is a political practice, presenting world-producing potentials as social actors generate and share stories of themselves and others in ways that intersect with and inform social and political life. Sometimes, musical storytelling is used by powerful entities to reinforce dominant geopolitical, cultural, or economic visions. More often, it is deployed as a means of interfering in or redirecting those visions. In all cases, attending to musical storytelling helps reveal the complex and unexpected ways that everyday life has been imagined and critiqued across disparate moments in modern Japanese history. Aalgaard pushes beyond the upheavals of the 1960s and early 1970s, challenging well-established characterizations of these years as fleeting moments when critical politics in Japan reached an apex, and an end. Instead, he asserts that musical storytelling is robust and ongoing, and proposes more nuanced and comprehensive understandings of critical political and cultural engagement in modern Japan. Homesick Blues is comprised of five chapters, each of which addresses specific instances of musical storytelling in the contexts of their own political, economic, and social histories. From postwar jazz to contemporary rock, from 1960s “anti-war folk” to Japanese pops (enka) and the “girls’ rock” of the 1980s, the book explores the political uses of music, reassesses “protest music,” and grapples with the complex political-ness of artists, many of whom have continued to interrogate conditions of everyday life well into the contemporary moment. Homesick Blues assembles a diverse ensemble of voices, some of whom appear in English-language scholarship for the first time, including industry stakeholders, rock stars, fans, newscasters, Kyoto-based folk singers, jazz singers, karaoke enthusiasts, and even US military personnel. An equally diverse selection of scholarship and methodology, from ethnomusicology to literary studies, from philosophy to history, creates a richly interdisciplinary and accessible analysis of musical modes of politics.




Migrant Futures


Book Description

In Migrant Futures Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital’s reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures, and subjectivities that exceed the framework of capitalism.




Yuming's The 14th Moon


Book Description

It is not an exaggeration that Matsutoya Yumi-better known by her stage name Yuming-is one of the most influential figures in Japanese popular music history. A singer-songwriter recognized globally for her songs used in Miyazaki Hayao's beloved animations, Yuming has captured the hearts of listeners of different generations since her debut in the early 1970s. Her fourth album, The 14th Moon, released in 1976, was a milestone in establishing her signature style: the posh, “city” sound that later paved the way to the 1980s City Pop and 1990s J-pop. In addition to examining the album's astonishing stylistic versatility, this book explores how Yuming revolutionized the position of women in Japanese popular music and how her work can help us understand social changes in Japan of the 1970s.