Sanskrit Drama & Dramatists
Author : Kr̥shṇājī Pāṇḍuraṅga Kulakarṇī
Publisher :
Page : 250 pages
File Size : 13,40 MB
Release : 1927
Category : Sanskrit drama
ISBN :
Author : Kr̥shṇājī Pāṇḍuraṅga Kulakarṇī
Publisher :
Page : 250 pages
File Size : 13,40 MB
Release : 1927
Category : Sanskrit drama
ISBN :
Author : R. N. Dutta
Publisher :
Page : 150 pages
File Size : 41,68 MB
Release : 1912
Category : Sanskrit drama
ISBN :
Author : A. C. Woolner
Publisher : Motilal Banarsidass
Page : 396 pages
File Size : 10,28 MB
Release : 2015-01-01
Category : Religion
ISBN : 8120809084
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1. Pratijnayaugandharayana, 2. Svapnavasavadatta, 3. Carudatta, 4. Pancaratra, 5. Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now issued in view of a persistent demand of scholars. Pandit Ganapati Sastri attributed all thirteen plays to Bhasa, a famous dramatist earlier than Kalidasa. Some verses are ascribed to Bhasa by medieval anthologies, but only ten with unanimity. We are told that he composed a Svapnavasavadattam (his best play) and that in another play the device of the wooden elephant was used. Characteristic features of his work are described by Bana, and other poets evidently held him in high estimation. One or two verses from his plays are quoted by writers on poetics. Otherwise, the text of BhasaÍs numerous plays had completely disappeared. The learned editor of the Trivandrum plays found that they contained a Svapnavasavadattam (the best play in the collection), and, in the Pratijna-Yaugandharayanam, a scene dealing with the wooden elephant. He noticed also certain peculiarities in the technique of the plays which he regarded as signs of antiquity. All these points confirmed the opinion that Bhasa was the author.
Author : Biswanath Bhattacharya
Publisher :
Page : 464 pages
File Size : 19,65 MB
Release : 1994
Category : Sanskrit drama
ISBN :
Sanskrit Poetry is traditionally divided into two types, viz. that which is capable of being presented on board and that which is capable of being read out and heard. The first type springs from the role played by visual effect in appreciation of a specimen of Poetic Art and is called Drama . Sanskrit Dramaturgy is required to analyse in details the plot and its divisions in a drama and the different stages in its development. It is also required to analyse the different techniques of acting, that are to be employed for presentation of different types of plays, projecting diverse pre-dominant emotional moods.Sanskrit Dramaturgy has been considered as an essential component of Sanskrit Poetics, because, while Sanskrit Poetics in general has tried to emphasise the process of Aesthetic Experience presented through the medium of Poetry in general, Sanskrit Dramaturgy has attempted to expound the process when presented through the medium of Drama, where apart from the music of sound and sense, the visual effect makes itself felt to a great extent. Though much been said of Sanskrit Poetics through the medium of English and the concepts projected by Sanskrit Poetics have been made known to the Western world through the efforts of P.V. Kane, S.K. De, V. Raghavan, and such other stalwarts, the area of Sanskrit 'Dramaturgy has remained in the cool shade of neglect for a pretty long time and sufficient number of serious attempts have not been made to project these concepts and to trace the similarity and distinction between the concepts presented by Indian Dramaturgy and those by Western Dramaturgy, available in the works of Aristotle and Butcher. The author has chosen a comprehensive analysis of Sanskrit Dramaturgy as the subject matter of the present work and has presented all the concept tackled by numerous writers on Indian Dramaturgy. His deep penetration into all the original texts dealing with Indian Dramaturgy and Western Dramaturgy has helped him in making this comparative analysis as clear as possible.
Author : Bhāsa
Publisher : Penguin Books India
Page : 164 pages
File Size : 39,74 MB
Release : 2008
Category : Fiction
ISBN : 9780143104308
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Author : Shekhar
Publisher : BRILL
Page : 254 pages
File Size : 37,82 MB
Release : 1960-12
Category : History
ISBN : 9004645497
Author : Don Rubin
Publisher : Taylor & Francis
Page : 540 pages
File Size : 19,97 MB
Release : 2001
Category : Drama
ISBN : 9780415260879
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Volume 5 covers Asia/Pacific. Entries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin.
Author : E. W. Marasinghe
Publisher :
Page : 602 pages
File Size : 27,89 MB
Release : 1989
Category : Literary Criticism
ISBN :
Author : Shubha Tiwari
Publisher : Atlantic Publishers & Dist
Page : 150 pages
File Size : 18,98 MB
Release : 2007
Category : Indic drama (English)
ISBN : 9788126908714
The Book Is A Commentary On Indian Dramatic Theory And Some Selected Contemporary Indian Plays. Drama Is An Active Literary Art Form. Although Films And Television Have Become Very Vital In Our Times, Still Direct Experience Of The Theatre Cannot Be Replaced. The Book Provides General Commentary On Plays By Karnad, Tendulkar, And Ezekiel. The Reader Is Expected To Get An Insight Into Bharat Muni S Views On The Art Of Drama As Well As Some Very Popular Plays Of Our Times. Needless To Say That The Book Is In Series Of Many Such Other Books Where The Editor And The Contributors Believe Indian English Studies To Have Come Of Age. The Book, Among Such Others, Trumpets The Victory Of Indian English Studies In India. This Is Indeed A Welcome Change From Previously Held Puritan View Of English Studies Being Totally Alien. Magic Is Produced When English As A Language Weds The Indian Soil Or When We Apply Indigenous Tools To Study English Literary Texts.
Author : V. K. Chari
Publisher : Motilal Banarsidass Publ.
Page : 324 pages
File Size : 35,99 MB
Release : 1993
Category : Literature
ISBN : 9788120809567
This innovative study develops a unified theory of literature by critically evaluating the categories of sanskrit poetics from a single theoretical standpoint that of rasa the theory that holds that poety is essentially emotive discourse. Literature Chariargues is defined not by the use of any formal linguistic devices but rather by the emotive meaning embodied is therefore the proper aim and the common denominator of all literary works.