Sapelo Voices


Book Description




Sapelo


Book Description

Sapelo, a state-protected barrier island off the Georgia coast, is one of the state’s greatest treasures. Presently owned almost exclusively by the state and managed by the Georgia Department of Natural Resources, Sapelo features unique nature charac­teristics that have made it a locus for scientific research and ecological conservation. Beginning in 1949, when then Sapelo owner R. J. Reynolds Jr. founded the Sapelo Island Research Foundation and funded the research of biologist Eugene Odum, UGA’s study of the island’s fragile wetlands helped foster the modern ecology movement. With this book, Buddy Sullivan covers the full range of the island’s history, including Native American inhabitants; Spanish missions; the antebellum plantation of the innovative Thomas Spalding; the African American settlement of the island after the Civil War; Sapelo’s two twentieth-century millionaire owners, Howard E. Coffin and R. J. Reynolds Jr., and the development of the University of Georgia Marine Institute; the state of Georgia acquisition; and the transition of Sapelo’s multiple African American communities into one. Sapelo Island’s history also offers insights into the unique cultural circumstances of the residents of the community of Hog Hammock. Sullivan provides in-depth examination of the important correlation between Sapelo’s culturally significant Geechee communities and the succession of private and state owners of the island. The book’s thematic approach is one of “people and place”: how prevailing environmental conditions influenced the way white and black owners used the land over generations, from agriculture in the past to island management in the present. Enhanced by a large selection of contemporary color photographs of the island as well as a selection of archival images and maps, Sapelo documents a unique island history.




Making Gullah


Book Description

During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about "African survivals," bringing with them a curious mix of both influences. The legacy of that body of research is the area's contemporary identification as a Gullah community. This wide-ranging history upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by refocusing the observational lens on those who studied them. Cooper uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people's heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades.




Sapelo Island's Hog Hammock


Book Description

Hog Hammock, located on Georgia's Sapelo Island, is only accessible by ferry or private boat. It is one of the last island-based Gullah-Geechee communities in America--a living connection to West African languages, folkways, and spiritual traditions. With its dirt roads and tin-roofed houses, Hog Hammock is the site of a social hall, two historic Baptist churches, and a former schoolhouse, all built by descendants of slaves. The nearby Behavior Cemetery has burial sites that date back 200 years. Much has been written about the people of Hog Hammock and Sapelo Island, mostly documenting their lives as slaves and then as landowning free people working for millionaires who reshaped Sapelo Island into their own personal retreats. But there is another part of the island's story, one filled with entrepreneurs, skilled craftsmen, and community leaders, that is told here in Images of America: Sapelo Island's Hog Hammock.




God, Dr. Buzzard, and the Bolito Man


Book Description

"In this memoir, Sapelo Island native Cornelia Walker Bailey tells the history of her threatened Georgia homeland." "Off the coast of Georgia, a small close-knit community of African Americans traces their lineage to enslaved West Africans. Living on a barrier island in almost total isolation the people of Sapelo have been able to do what most others could not: They have preserved many of the folkways of their forebears in West Africa, believing in "signs and spirits and all kinds of magic."" "Cornelia Walker Bailey, a direct descendant of Bilali, the most famous and powerful enslaved African to inhabit the island, is the keeper of cultural secrets and the sage of Sapelo. In words that are poetic and straight to the point, she tells the story of Sapelo - including the Geechee belief in the equal power of God, "Dr. Buzzard" (voodoo), and the "Bolito Man" (luck)." "But her tale is not without peril, for the old folkways are quickly slipping away. The elders are dying, the young must leave the island to go to school and to find work, and the community's ability to live on the land is in jeopardy. The State of Georgia owns nine-tenths of the land and the pressure on the inhabitants is ever-increasing." "Cornelia Walker Bailey is determined to save the community, but time will tell whether the people of Sapelo will be able to retain the land, and the treasured culture which their forebears bestowed upon them more than two hundred years ago."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Georgia Voices


Book Description

Published in 1966, this documentary history examines the history of Georgia from the first appearance of Spanish explorers to the hardships of the Civil War and Reconstruction. Through the accounts of those who experienced the events firsthand, Spencer Bidwell King Jr. allows the reader to experience colonialism, Revolution, and statehood. Within these distinctive eras, King discusses society, education, religion, literature, and the economic and cultural pursuits of the people. He combines extensive quotes from primary sources with historical information to create a continuous narrative. By using the voices of Georgians, King reveals the state's unique character and individuality.




New Perspectives on Language Variety in the South


Book Description

An outgrowth of the Language Variety in the South III symposium, New Perspectives on Language Variety in the South: Historical and Contemporary Approaches comprises forty-five original essays on a range of topics regarding the languages and dialects of the American South. Book jacket.




Central City's Joy and Pain


Book Description

With Central City’s Joy and Pain, Jerome E. Morris explores complex social issues through personal narrative. He does so by blending social-science research with his own memoir of life in Birmingham, Alabama. As someone who lived in the Central City housing project for two transitional decades (1968–91) and whose family continued to reside there until 1999, when the city razed the community, the author provides us with the often unexplored bottom-up perspective on Black public-housing residents’ experiences. As Morris’s experiential and authoritative narrative voice unfolds in the pages of Central City’s Joy and Pain, both the scholarly and lay reader are brought on a journey of what life is like for people who live and die at the intersection of race and poverty in a rapidly evolving southern urban center. The setting of a historic public-housing community provides a rich canvas on which to paint a world through the author’s personal experience of growing up there—and his later observations as a researcher and academic. Through its syncopation of personal stories and scholarly research, Central City's Joy and Pain captures what it means to be Black, poor, and full of dreams. In this setting, dreams are realized by some and swallowed up for others in the larger historical, social, economic, and political context of African Americans' experiences during and after the civil rights movement.




Sapelo's People


Book Description

In this moving and original work, William S. McFeely, one of this country's most distinguished historians, retells the history—and enters into the current-day lives—of the people who inhabit Sapelo's Island off the coast of Georgia, descendants of slaves who once worked its huge cotton plantations. It is at once a richly detailed work of historical reconstruction, a sensitive portrait of the lives of black Americans in this particular place and in our own time, and a moving meditation on race by a writer who has made its painful dilemmas his life's work as a historian.




Cast No Stones


Book Description

African Americans are beautifully different and more than the skin that they are in. We are human beings who deserve equality. The stones that we cast at each other come from Western societies' divisions and judgements that have proven problematic to our culture. Some blacks have forgotten how to see the beauty and intelligence in one another. Judgement is not the purpose of this book, rather a reminder of our history of community, the village, in order to unite in a divisive society. It will be a mirror for some to look at how they can shift to a community mindset which originates out of our African ancestry. It means not immulating those who appear to be in control of our narrative. It will be an awareness that as we are is divine. To heal we must appreciate our history, not solely the slave narrative but the African culture prior to slavery. The judgements that we project on each other comes from colorism, politics, economics, even religion fused with historical trauma. There is a rise in racism and if we do not learn to appreciate one another and our differences we will be swallowed by the divisiveness and judgements that come from Western society. We must begin to define ourselves for ourselves to better guide our children who are the future.