Sapphic Hues


Book Description

"Sapphic Hues" is a delightful coloring book honoring the beauty and diversity of love within the lesbian community. Featuring enchanting illustrations of lesbian couples, this book invites you to express your creativity while celebrating love in all its forms. Each page offers a canvas to fill with vibrant colors, showcasing the richness of lesbian love and pride. Whether you're looking for a relaxing activity or a way to celebrate your identity, "Sapphic Hues" promises to inspire joy, empowerment, and self-expression.




Clit Notes


Book Description




Haunted Hearths & Sapphic Shades


Book Description

Early ghost stories are filled with characters that can be read as coded lesbians--maiden aunts and spinsters--lurking at the fringe of mortal life. In this collection, 17 authors have spun lesbian ghost stories that vary from the eerie to the romantic. (Adult Fiction)




Clit Notes


Book Description

An Obie award-winning performance artist and playwright takes readers on a personal tour of controversial arenas across America, where she "scrapes away decades of encrusted decorum from a subject (female sexuality) that is too often treated with a hushed sentimentality" (The New York Times).




Sapphic Slashers


Book Description

On a winter day in 1892, in the broad daylight of downtown Memphis, Tennessee, a middle class woman named Alice Mitchell slashed the throat of her lover, Freda Ward, killing her instantly. Local, national, and international newspapers, medical and scientific publications, and popular fiction writers all clamored to cover the ensuing “girl lovers” murder trial. Lisa Duggan locates in this sensationalized event the emergence of the lesbian in U.S. mass culture and shows how newly “modern” notions of normality and morality that arose from such cases still haunt and distort lesbian and gay politics to the present day. Situating this story alongside simultaneously circulating lynching narratives (and its resistant versions, such as those of Memphis antilynching activist Ida B. Wells) Duggan reveals how stories of sex and violence were crucial to the development of American modernity. While careful to point out the differences between the public reigns of terror that led to many lynchings and the rarer instances of the murder of one woman by another privately motivated woman, Duggan asserts that dominant versions of both sets of stories contributed to the marginalization of African Americans and women while solidifying a distinctly white, male, heterosexual form of American citizenship. Having explored the role of turn-of-the-century print media—and in particular their tendency toward sensationalism—Duggan moves next to a review of sexology literature and to novels, most notably Radclyffe Hall’s The Well of Loneliness. Sapphic Slashers concludes with two appendices, one of which presents a detailed summary of Ward’s murder, the trial, and Mitchell’s eventual institutionalization. The other presents transcriptions of letters exchanged between the two women prior to the crime. Combining cultural history, feminist and queer theory, narrative analysis, and compelling storytelling, Sapphic Slashers provides the first history of the emergence of the lesbian in twentieth-century mass culture.




3-Book Bundle


Book Description

Three exciting stories of steamy sapphic llove. Colors of Love Poetic, sensual, erotic sapphic love, this novelette of 12,200+-words is the love story of two lesbian artists, Anne and Casey, who meet in Serenity Cove. They start an art studio called Colors of Love that promotes LGBTQ+ inclusion and empowerment. This is a journey of self-discovery, community, found family, pride, queerness, consent, and staying true to ourselves. Despite prejudice, Anne and Casey inspire others through creativity and mentoring. They leave behind a vital record of their impassioned lives through art and storytelling. First Sapphic Love Follow the heartfelt, sensual tale of Tess, as she navigates the complexities of self-discovery and first lesbian love with Sarah, and new, exploration of BDMS with Zara. In a story of chance encounters and serendipitous connections, find yourself swept away in a sapphic romance that proves love knows no boundaries. Contemporary romance, erotic romance, lesbian romance, sensual romance, BDMS lesbian themes. Unbroken Bonds We discovered that our fears and doubts were no match for the love we shared. Willowbrook, once the backdrop to our friendship, became the canvas for our love story. The culmination of our journey took place on a warm summer day, with the lake as our witness and our friends and family gathered around. Riley and I exchanged vows, promising to cherish and support each other for the rest of our lives. Under the clear blue sky, I held Riley's hand, knowing that we had taken the greatest leap of all-from best friends to lovers. We had found our happily ever after in each other's arms, and I knew, without a doubt, that our love was unbreakable, our bond unshakable, and our story just beginning. And as we sealed our love with a kiss, I whispered to Riley, "Our love is like this lake, deep, beautiful, and timeless. I will always cherish it, and I will always cherish you." With a smile that reached her sparkling green eyes, she replied, "And I will always cherish you, Alex, my best friend, my love, my forever." This is our story.




Fearless Femininity by Women in American Theatre, 1910s to 2010s


Book Description

In this unprecedented, fascinating book which covers women in theatre from the 1910s to the 2010s, author Lynne Greeley notes that, for the purposes of this study, "feminism" is defined as the political impulse toward economic and social empowerment for females or the female-identified, a position perceived by many feminists as oppositional to ideas of femininity that they see as personally and politically constraining and that "femininity" comprises social behaviors and practices that mean as "many different things as there are women," some of which are empowering and others of which are not. This book illuminates how throughout the twentieth century and into the twenty-first, playwrights and artists in American theatre both embodied and disrupted the feminine of their times. Through approaches as wide ranging as performing their own recipes, energizing silences, raging against war and rape, and inviting the public to inscribe their naked bodies, theatre artists have used performance as a site to insert themselves between the physicality of their female presence and the liminality of their disrupting the role of the feminine. Capturing that place of liminality, a neither-here-nor-there place that is often unsafe, where the established order is overturned by acts as banal as raising a plant, women have written and performed and disrupted their way through one hundred years of theatre history, even within the constraints of a variably rigid and usually unsympathetic social order. Creating a feminist femininity, they have reinscribed their place in the culture and provided models for their audiences to do the same. This comprehensive tome, part of the Cambria Contemporary Global Performing Arts headed by John Clum (Duke University) is an essential addition for theater studies and women's studies.




Roman Receptions of Sappho


Book Description

Sappho, a towering figure in Western culture, is an exemplary case in the history of classical receptions. There are three prominent reasons for this. Firstly, Sappho is associated with some of the earliest poetry in the classical tradition, which makes her reception history one of the longest we know of. Furthermore, Sappho's poetry promotes ideologically challenging concepts such as female authority and homoeroticism, which have prompted very conspicuous interpretative strategies to deal with issues of gender and sexuality, revealing the values of the societies that have received her works through time. Finally, Sappho's legacy has been very well explored from the perspective of reception studies: important investigations have been made into responses both to her as poet-figure and to her poetry from her earliest reception through to our own time. However, one of the few eras in Sappho's longstanding reception history that has not been systematically explored before this volume is the Roman period. The omission is a paradox. Receptions of Sappho can be traced in more than eighteen Roman poets, among them many of the most central authors in the history of Latin literature. Surely, few other Greek poets can rival the impact of Sappho at Rome. This important fact calls out for a systematic approach to Sappho's Roman reception, which is the aim of Roman Receptions of Sappho that focuses on the poetry of the central period of Roman literary history, from the time of Lucretius to that of Martial.




Algernon Charles Swinburne


Book Description

Algernon Charles Swinburne (1837–1909), dramatist, novelist and critic, was late Victorian England’s unofficial Poet Laureate. Swinburne was admired by his contemporaries for his technical brilliance, his facility with classical and medieval forms, and his courage in expressing his sensual, erotic imagination. He was one of the most important Victorian poets, the founding figure for British aestheticism, and the dominant influence for fin-de-siècle and many modernist poets. This collection of eleven new essays by leading international scholars offers a thorough revaluation of this fascinating and complex figure. It situates him in the light of current critical work on cosmopolitanism, politics, form, Victorian Hellenism, gender and sexuality, the arts, and aestheticism and its contested relation to literary modernism. The essays in this collection reassess Swinburne’s work and reconstruct his vital and often provocative contribution to the Victorian cultural debate.




H.D. and Sapphic Modernism 1910-1950


Book Description

Diana Collecott proposes that Sappho's presence in H. D.'s work is as significant as that of Homer in Pound's and of Dante in Eliot's.