Hagar, Sarah, And Their Children


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She Reads Truth


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Born out of the experiences of hundreds of thousands of women who Raechel and Amanda have walked alongside as they walk with the Lord, She Reads Truth is the message that will help you understand the place of God's Word in your life.




Genesis


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Who is this God we believe in, and does He really care about us? Genesis is more than a description of creation, it is God_s invitation to get to know Him and the people He calls His own.Story by story, God introduces His family. Walk under the starry sky of a defeated Abraham. Hide behind locked doors with Lot and his terrified daughters. Listen in on Rebekah_s whispered kitchen instructions to her favorite son, Jacob, as they cook up a stew of trouble. Find out there_s more to Joseph than a spoiled little brother_s designer coat. More often than not, you_ll discover it_s the _good guys_ going down the wrong path with blood on their sandals.These aren_t the stories you thought you knew. This isn_t the God you thought you knew. He is not quietly floating in the heavens looking on. He_s standing in the middle of His rebellious children, reaching out with open arms and a bar of soap to wash them clean.God has been dealing with the mess of flawed and broken people from the very beginning. Through these intimate small stories from Genesis, we find the heart of a very Big God.




Genesis


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Many today find the Old Testament a closed book. The cultural issues seem insurmountable and we are easily baffled by that which seems obscure. Furthermore, without knowledge of the ancient culture we can easily impose our own culture on the text, potentially distorting it. This series invites you to enter the Old Testament with a company of guides, experts that will give new insights into these cherished writings. Features include • Over 2000 photographs, drawings, maps, diagrams and charts provide a visual feast that breathes fresh life into the text. • Passage-by-passage commentary presents archaeological findings, historical explanations, geographic insights, notes on manners and customs, and more. • Analysis into the literature of the ancient Near East will open your eyes to new depths of understanding both familiar and unfamiliar passages. • Written by an international team of 30 specialists, all top scholars in background studies.




Hagar


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Ancient Sisterhood


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In this fascinating piece of scholarly detective work, biblical scholar Savina J. Teubal peels away millenia of patriarchal distortion to reveal the lost tradition of biblical matriarchs. In Ancient Sisterhood: The Lost Traditions of Hagar and Sarah (originally published as Hagar the Egyptian), she shows that Hagar, the mother of Ishmael, was actually lady-in-waiting to the priestess Sarah and participated in an ancient Near Eastern custom of surrogate motherhood. Ancient Sisterhood cites evidence that Hebrew women actually enjoyed the privileges and sanctity of their own religious practices. These practices, however, were gradually eroded and usurped by the establishment of patriarchal monarchies that were based on militaristic conquest and power. Teubal examines the figures of Hagar and Sarah from a feminist perspective that combines thorough scholarship with an informed and detailed understanding of the cultural and religious influences from which the mysterious biblical figure of Hagar emerged. She looks at Hagar's important role in the genesis of Hebrew culture, her role as mother of the Islamic nations, and her power as a matriarch as opposed to her apparent status as a concubine. Teubal posits two distinct sources for the Hagar episodes: Hagar as companion to Sarah and an unknown woman whom she refers to as the desert matriarch. She explores whether Hagar was a slave to Abraham or Sarah, the differences between Hagar and the desert matriarch, and the obscurantism of these important elements in biblical texts. Teubal sheds considerable light on two central figures of these world religions and "the disassociation of woman from her own female religious experience."




The Tent of Abraham


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In recent years there has been an explosion of curiosity and debate about Islam and about the role of religion, both in the world and in the Arab-Israeli conflict. The numerous books published on these questions speak to issues of politics, history, or global security. None speaks to the heart and the spirit, and yet millions of people experience these issues not as political, economic, or intellectual questions but as questions of deep spiritual, emotional, and religious significance. The Tent of Abraham provides readers with stories that can bring all the faiths together. Written by Saadi Shakur Chishti, a Scottish American Sufi, Rabbi Arthur Waskow, an American Jew, and Joan Chittister, a Benedictine sister, the book explores in accessible language the mythic quality and the teachings of reconciliation that are embedded in the Torah, the Qur'an, and the Bible. It also weaves together the wisdoms of the Jewish, Muslim, and Christian traditions into a deeper, more unified whole. The Tent of Abraham is the first book to tell the whole story of Abraham as found in Jewish, Christian, and Muslim sources and to reenergize it as a basis for peace. "At a time when we have seen too much certainty [of dogmatic faith], The Tent of Abraham reminds us that the kind of confusion, fear, and dismay that so many of us are experiencing can be the start of a new religious quest . . . The Tent of Abraham brings three religious traditions together so that we may all become more familiar with the faiths lived by the strangers around us."--Karen Armstrong, from the Foreword Rabbi Arthur Waskow is the director of The Shalom Center in Philadelphia and author of numerous books, including Seasons of Our Joy (Beacon/ 3611-0/ $18.00 pb) and Down-to-Earth Judaism. Joan Chittister, OSB, is a best-selling writer and lecturer. She lives in Erie, Pennsylvania. Saadi Shakur Chishti (Neil Douglas-Klotz) is an internationally known Sufi scholar and writer. His most recent book is The Sufi Book of Life. hr Rabbi Arthur Waskow, one of the authors of The Tent of Abraham: Stories of Hope and Peace for Jews, Christians, and Muslims is the "weaver" of a new haggadah or "telling" for Passover. It is called "The Passover of Peace: A Seder for the Children of Abraham, Hagar, and Sarah." This Seder is built on the Biblical and Muslim stories of Abraham, Hagar and Sarah, Ishmael and Isaac, rather than on the story of the Exodus from Egypt. It has been and can be used as a context for thought and action toward peace in the Middle East, by Jewish families, congregations, and communities; by groups of Jews and Palestinians or Jews and Muslims: or by groups of all three Abrahamic faiths.




Hagar Poems


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“Mohja Kahf ’s Hagar Poems is brilliantly original in its conception, thrillingly artful in its execution. Its range is immense, its spiritual depth is profound, it negotiates its shifts between archaic and the contemporary with utmost skill. There’s lyricism, there’s satire, there’s comedy, there’s theology of a high order in this book.” —Alicia Ostriker, author of For the Love of God: The Bible as an Open Book “Hagar/ Hajar the immigrant/exile/outcast/refugee mother of a people is given multiple voices and significance in Mohja Kahf’s new book of dramatic monologues, which also reinvents Pharaoh’s daughter, Zuleika, Aïsha, and Mary in poems that are at once lively and learned, agnostic and devout. The sequence on an American mosque, and the poet’s ambivalent love for what it represents, is unique in American poetry.” —Marilyn Hacker, author of A Stranger’s Mirror “‘Where have all the goddesses gone,’ writes Mohja Kahf, ‘I tracked down Isis / incognito on Cyprus. /She told me Ishtar / lived under the radar / in southern Iraq. . . .’ In Hagar Poems, Mohja Kahf’s hallmark qualities—irreverence, imagination, wit, poignancy—are all exuberantly in evidence. A wonderful read.” —Leila Ahmed, author of A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America “This brilliant collection captures all the ‘patient threading of relationship’ between Hagar and Sarah as between women, and then between women and men, between human and God. . . . At every turn of the page [Kahf] refuses complacency and circumstance but opts instead for exposing the tenuousness of threads that tie and bind and then come loose before our eyes.” —From the foreword by Amina Wadud The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam. These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts. Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.




Genesis (Baker Commentary on the Old Testament: Pentateuch)


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Highly regarded Old Testament scholar John Goldingay offers a substantive and useful commentary on the book of Genesis that is both critically engaged and sensitive to the theological contributions of the text. This volume, the first in a new series on the Pentateuch, complements the successful Baker Commentary on the Old Testament: Wisdom and Psalms series (series volumes have sold over 55,000 copies). Each series volume will cover one book of the Pentateuch, addressing important issues and problems that flow from the text and exploring the contemporary relevance of the Pentateuch. The series editor is Bill T. Arnold, the Paul S. Amos Professor of Old Testament Interpretation at Asbury Theological Seminary.




All Aunt Hagar's Children


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In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.