Sargent's Women: Four Lives Behind the Canvas


Book Description

A New York Times Book Review Editors’ Choice Selection “[Lucey] delivers the goods, disclosing the unhappy or colorful lives that Sargent sometimes hinted at but didn’t spell out.”—Boston Globe In this seductive, multilayered biography, based on original letters and diaries, Donna M. Lucey illuminates four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny intuition, Sargent hinted at the mysteries and passions that unfolded in his subjects’ lives. These women inhabited a rarefied world of wealth and strict conventions—yet all of them did something unexpected, something shocking, to upend society’s rules.




Sargent's Women


Book Description

A unique loan exhibition revealing a new perspective on the early career of John Singer Sargent, and features many works never before reproduced.




The Portrait of a Lady


Book Description

This book is a celebration of the famous painting which launched Sargent as a fashionable portrait painter and made Lady Agnew's name as a society celebrity. The story of Sargent and Lady Agnew is recounted in the essay and catalogue by Julia Rayer Rolfe, Librarian at the National Gallery of Scotland. Three leading scholars in the fields of fine art, history and music have contributed essays which serve to put the portrait into a wider context: Kenneth McConkey, Professor of Art History at the University of Northumbria at Newcastle; David Cannadine, Professor of History at Columbia University, New York, and Wilfrid Mellers, Emeritus Professor of Music at the University of York.




Flat Earth Clues


Book Description

The Flat Earth Clues book gives you 14 compelling reasons why you should rethink the globe model that you have been taught. Before you were born, before your parents, your grandparents, before you even had a family line… there was the illusion, the trick, the lie... That you lived on a small spinning rock, flying through space. What if, after centuries of preaching the globe as a religious icon, "the powers that be" found out that it was actually not a sphere, but instead something much different? Would they risk unravelling 500 years of science doctrine by informing the public? Could a government still retain it's authority if there were actually proof of a higher power? It's about proving the Flat Earth, but more importantly, it's about disproving the globe, and that shouldn't be possible, but there are several big questions which science has a difficult time with. Why was there only one blue marble image used for 43 years? Where are the videos of the earth rotating from space? Astronauts can't turn around in space with the camera running? Not even by accident? Are the Van Allen radiation belts dangerous? Why does the Orion Trial by Fire video exist? Why was the space shuttle program cancelled? Why does the Mars mission keep getting postponed? Why are they closing down the ISS? Why is Psalm 19:1 on Werner Von Braun's headstone? Why is the moon generating a light that is sometimes 12 degrees colder than the moon shade? How is that possible if it's reflecting the suns rays? And if the moon is generating it's own light source, then what was that dark grey thing we landed on? We can beam back crystal clear photos of Pluto, but the Global Positioning System doesn't track planes in the Southern oceans? And why does this topic, compared to ANY other, conspiracy or not, make people excited, angry, or scared? Some of you are getting anxious just listening! Why? Because it's the greatest trick of all, and we all fell for it. You should be excited, because it's going to change the world. You should be angry, because you were fooled your entire life, and you should be a little scared, because this is uncharted territory. This is the Flat Earth theory, that the world is easy to understand, more intimate, and very deliberate. It didn't just happen, it was built, and more importantly built for you. Open your eyes and smile. You have never been alone. Published by Booglez Limited, UK - Flat Earth Clues is digestible nuggets of information broken down in a very reader-friendly way. Author Mark Sargent is located in the USA. He features in the Netflix documentary Behind The Curve (2018). Mark runs a regular radio show on Truth Frequency Radio where you can phone in and discuss the topic.




Journey Proud


Book Description




Strapless


Book Description

The subject of John Singer Sargent's most famous painting was twenty-three-year-old New Orleans Creole Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home. Drawing on documents from private collections and other previously unexamined materials, and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is a tale of art and celebrity, obsession and betrayal.




First Lady of Letters


Book Description

Judith Sargent Murray (1751-1820), poet, essayist, playwright, and one of the most thoroughgoing advocates of women's rights in early America, was as well known in her own day as Abigail Adams or Martha Washington. Her name, though, has virtually disappeared from the public consciousness. Thanks to the recent discovery of Murray's papers—including some 2,500 personal letters—historian Sheila L. Skemp has documented the compelling story of this talented and most unusual eighteenth-century woman. Born in Gloucester, Massachussetts, Murray moved to Boston in 1793 with her second husband, Universalist minister John Murray. There she became part of the city's literary scene. Two of her plays were performed at Federal Street Theater, making her the first American woman to have a play produced in Boston. There as well she wrote and published her magnum opus, The Gleaner, a three-volume "miscellany" that included poems, essays, and the novel-like story "Margaretta." After 1800, Murray's output diminished and her hopes for literary renown faded. Suffering from the backlash against women's rights that had begun to permeate American society, struggling with economic difficulties, and concerned about providing the best possible education for her daughter, she devoted little time to writing. But while her efforts diminished, they never ceased. Murray was determined to transcend the boundaries that limited women of her era and worked tirelessly to have women granted the same right to the "pursuit of happiness" immortalized in the Declaration of Independence. She questioned the meaning of gender itself, emphasizing the human qualities men and women shared, arguing that the apparent distinctions were the consequence of nurture, not nature. Although she was disappointed in the results of her efforts, Murray nevertheless left a rich intellectual and literary legacy, in which she challenged the new nation to fulfill its promise of equality to all citizens.




Boston's Apollo


Book Description

In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962) a young African American elevator attendant at Boston's Hotel Vendome. McKeller became the principal model for Sargent's murals in the new wing of the Boston's Museum of Fine Arts, among the painter's most ambitious works. Sargent's nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent's iconic American paintings. Essays offer the first biography of Thomas McKeller and a window into African America life in early 20th century Roxbury. They address the artist's sexuality, his models, and consider questions of race and gender.




John Singer Sargent & Chicago's Gilded Age


Book Description

"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--




John Singer Sargent Watercolors


Book Description

John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.