Schubert: Die Schöne Müllerin


Book Description

This guide to Schubert's much-loved song cycle explores both the music and the poetry from a variety of perspectives. It includes biography and cultural history, literary interpretation, source studies, and musical analysis. The genesis of both Wilhelm Müller's poetry, which began as a literary salon game in 1816, and the music, composed soon after Schubert discovered that he had contracted syphilis, is discussed in the first two chapters, which also include little-known information about the poet, the premier of the cycle, and Eduard Hanslick's critiques later in the nineteenth century. The chapters on the poetry discuss Müller's uneasy relationship to the tenets of Romanticism; the influence of Goethe, folk poems, and medieval poetry on Die schöne Mullerin; and provide a reading of each of the poems, which are reproduced in German and English translation. The last and lengthiest chapter consists of brief analytical commentary on each of the twenty songs in Schubert's masterpiece.




Schubert, Müller, and Die Schöne Müllerin


Book Description

The collaboration of Schubert and the poet Wilhelm Müller produced some of the best loved of nineteenth-century lieder - in particular the song cycle Die schöne Müllerin. Professor Youens shows us how this archetypal tale of love and rejection, which has its origins in medieval romance, Minnesong and popular German legend, is reflected in the poet's own experience, the realms of art and life intertwining. Professor Youens considers other poets' explorations of the theme of a miller maid and her suitors, and looks at other musical settings of Müller's mill poems. But above all she examines Müller's permutation of the literary legends as an exploration of erotic obsession, delusion, frenzy, disillusionment and death and the way in which Schubert crucially altered Müller's vision when the poetic cycle became a musical text.




Schubert's Winterreise


Book Description

This book/CD package guides readers and listeners on a journey through Franz Schubert's Winterreise song cycle, in which the composer set the poetry of Wilhelm Muller to music. The complete text of the 24 poems is presented in both German and English, with 116 b&w photographs of winter scenes on the facing pages. An introductory essay by Susan Youens (musicology, U. of Notre Dame) offers a critical examination of the song cycle. The music CD features a new recording of Winterreise, performed by baritone Paul Rowe and pianist Martha Fischer. Oversize: 10.25x10.25". Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).




Schubert's Poets and the Making of Lieder


Book Description

A re-examination of the life and work of four poets and Schubert's settings of their verse.




Wilhelm Müller's Lyrical Song-Cycles


Book Description

The poetry of Wilhelm Muller, to whom Heine expressed indebtedness for his renewal of the forms of the German Volkslied, had rarely been discussed in depth prior to this volume originally published in 1970. Cottrell's study is an interpretation of Muller's three most successful song-cycles: Die schone Mullerin, Die Winterreise, and Fruhlingskranz. The first two, interpreted in chapters one and two, are famed through Schubert's musical settings. Chapter three offers an interpretation of the Fruhlingskranz. A last chapter considers Muller's poetic imagination. Full texts of the poems discussed are included in the Appendix and are indexed by titles and first lines.




Retracing a Winter's Journey


Book Description

Youens addresses the different aspects of the Winterreise: its cultural milieu, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.




Schubert's Winter Journey


Book Description

An exploration of the world’s most famous and challenging song cycle, Schubert's Winter Journey (Winterreise), by a leading interpreter of the work, who teases out the themes—literary, historical, psychological—that weave through the twenty-four songs that make up this legendary masterpiece. Completed in the last months of the young Schubert’s life, Winterreise has come to be considered the single greatest piece of music in the history of Lieder. Deceptively laconic—these twenty-four short poems set to music for voice and piano are performed uninterrupted in little more than an hour—it nonetheless has an emotional depth and power that no music of its kind has ever equaled. A young man, rejected by his beloved, leaves the house where he has been living and walks out into snow and darkness. As he wanders away from the village and into the empty countryside, he experiences a cascade of emotions—loss, grief, anger, and acute loneliness, shot through with only fleeting moments of hope—until the landscape he inhabits becomes one of alienation and despair. Originally intended to be sung to an intimate gathering, performances of Winterreise now pack the greatest concert halls around the world. Drawing equally on his vast experience performing this work (he has sung it more than one hundred times), on his musical knowledge, and on his training as a scholar, Bostridge teases out the enigmas and subtle meanings of each of the twenty-four lyrics to explore for us the world Schubert inhabited, his biography and psychological makeup, the historical and political pressures within which he became one of the world’s greatest composers, and the continuing resonances and affinities that our ears still detect today, making Schubert’s wanderer our mirror.




Schubert's Dramatic Lieder


Book Description

This book explores the way in which Schubert revolutionised the Lied, transforming folk song into art song through the mixture of dramatic and lyrical vocal genres. By introducing dramatic poetry and musical traits within solo song settings, he turned the Lied into a highly expressive musical medium capable of conveying the complexities and nuances of the new Romantic poetry. In so doing, he created an art form which attracted nearly every subsequent composer of the period. Schubert's numerous dramatic songs have baffled critics from his day to our own. Their unusual stylistic characteristics - through composed form, progressive tonal structures, declamatory vocal lines, illustrative accompaniments - fly in the face of traditional conceptions of the Lied. Dr Hirsch's discussion and analysis of selected dramatic Lieder illuminate Schubert's compositional innovation.




The Cambridge Companion to Schubert's ‘Winterreise'


Book Description

An accessible multi-disciplinary exploration of Franz Schubert's haunting late song cycle Winterreise (1827) that combines context and different analytical approaches.




The Nineteenth-Century German Lied


Book Description

The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.