Science, Technology and the German Cultural Imagination


Book Description

This volume of conference papers highlights the connections between developments in technology and scientific thought since the 16th century on the one hand, and the ways in which the creative imagination of literary writers has responded to those developments on the other.




Robert Musil and the NonModern


Book Description

Musil's novel The Man Without Qualities is widely recognized as a monument of modernist literature alongside Remembrance of Things Past and Ulysses. But while Musil is a major scholarly industry in the German-speaking world, critical attention from English-speaking scholars remains disproportionately small. Moreover, there has been little engagement with Musil's contribution to cultural theory from those working outside literary studies. Freed brings Musil into dialogue with such critics of the modern as Nietzsche, Heidegger, Derrida, and Lyotard and argues that Musil's theory and literary performance of essayism constitutes a strategy of nonmodernity: that is, an engagement with the problems of modernity that does not re-inscribe the distinctions on which modernism grounded itself. This book not only offers an understanding of Musil's essayism made possible by Latour's account of modernity: it also articulates what the discursive and cultural project of nonmodernity might look like. The book thereby introduces Musil scholars and those working in the problematics of postmodernism to one another's interests.




W. G. Sebald


Book Description

The novelist, poet, and essayist W. G. Sebald (1944 – 2001) was perhaps the most original German writer of the last decade of the 20th century (“Die Ausgewanderten”, “Austerlitz”, “Luftkrieg und Literatur”). His writing is marked by a unique ‘hybridity’ that combines characteristics of travelogue, cultural criticism, crime story, historical essay, and dream diary, among other genres. He employs layers of literary and motion picture allusions that contribute to a sometimes enigmatic, sometimes intimately familiar mood; his dominant mode is melancholy. The contributions of this anthology examine W. G. Sebald as narrator and pensive observer of history. The book includes a previously unpublished interview with Sebald from 1998.




Literature of the Global Age


Book Description

In an age of world citizenship, literary scholarship is focusing increasingly on texts which communicate effectively over cultural lines. Advocating a planetary approach to contemporary literature, this critical text examines eight novels from eight cultures. The writers discussed are Julian Barnes, Magda Szabo, Abraham B. Yehoshua, Ian McEwan, W.G. Sebald, Murakami Haruki, Jonathan Safran Foer, and Azar Nafisi. Focusing on the authors' encouragement to meditate on life's most pressing issues, the essays here invite us to reevaluate postmodernism as a current category.




W.G. Sebald and the Writing of History


Book Description

Summary: "W.G. Sebald, frequently mentioned in the same breath as Franz Kafka and Vladimir Nabokov, is one of the most important European writers of recent decades. He has been lauded by such major cultural commentators as Susan Sontag and Paul Auster, and he has combined wide public appeal with universal critical acclaim. His work is concerned with questions of memory, exile, representation, and, above all else, history. But his approach to history is strikingly different from conventional historiographical writing on the one hand, and from the historical novel on the other. His texts are hybrid in nature, mixing fiction, biography, historiography, travel-writing and memoir, and incorporating numerous photographic images. This volume seeks to respond to the complexities of Sebaldʼs image of history by presenting essays by a team of international scholars, all of whom are acknowledged Sebald experts. It offers a unique and exciting perspective on the dazzling work of one of the major literary figures of our times."--Publisher description.




Traces of Trauma in W. G. Sebald and Christoph Ransmayr


Book Description

"Both W. G. Sebald (1944-2001) and the Austrian author Christoph Ransmayr (1954-) were born too late to know directly the violence of the Second World War and the Holocaust, but these traumatic events are a persistent presence in their work. In a series of close readings of key prose texts, Dora Osborne examines the different ways in which the traces of a traumatic past mark their narratives. By focusing on the authors' use of visual and topographical tropes, she shows how blind spots and inhospitable places configure signs of past violence, but, ultimately, resist our understanding. Whilst links between the two authors are well-documented, this book offers the first full-length study of Sebald and Ransmayr and their complicated relation to the traumatic traces of National Socialism. Dora Osborne is Lecturer in German at the University of Nottingham."




W. G. Sebald - Image, Archive, Modernity


Book Description

W. G. Sebald is widely acknowledged as one of the most significant writers to have emerged onto the global literary scene in recent decades, and is frequently mentioned in the same breath as Nabokov, Kafka, Borges, Calvino, Proust, and Primo Levi. W. G. Sebald-Image, Archive, Modernity offers a unique and original reading of Sebald's dazzling oeuvre, arguing that his work is concerned first and foremost with the problem of modernity. It focuses in particular on the numerous archival institutions and processes that lie at the very heart of modernity and are repeatedly thematised throughout Sebald's work.Adopting a broad definition of the archive to encompass a wide range of material practices, the book analyses the function of photography, museums, libraries, and other systems of knowledge to which Sebald's texts obsessively return. Following Foucault, such systems are seen as central to the exercise of power and the constitution of subjectivity in modernity. By undertaking a differentiated analysis that is attuned to the formal complexities of Sebald's texts, this book shows that Sebald's engagement with structures of power-knowledge is characterised by a melancholy struggle to assert autonomous selfhood in the face of the institutional and discursive determinants of subjectivity.




Kafka and Photography


Book Description

Franz Kafka was fascinated by photography, a medium which for him came to encapsulate both the attractions and the pitfalls of modern life. In the first detailed study of photography in Kafka's work, which includes more than 20 illustrations, Carolin Duttlinger gives close readings of the most important prose works, as well as the letters and diaries.




J. M. Coetzee?s The Childhood of Jesus


Book Description

Since the controversy and acclaim that surrounded the publication of Disgrace (1999), the awarding of the Nobel Prize for literature and the publication of Elizabeth Costello: Eight Lessons (both in 2003), J. M. Coetzee's status has begun to steadily rise to the point where he has now outgrown the specialized domain of South African literature. Today he is recognized more simply as one of the most important writers in the English language from the late 20th and early 21st century. Coetzee's productivity and invention has not slowed with old age. The Childhood of Jesus, published in 2013, like Elizabeth Costello, was met with a puzzled reception, as critics struggled to come to terms with its odd setting and structure, its seemingly flat tone, and the strange affectless interactions of its characters. Most puzzling was the central character, David, linked by the title to an idea of Jesus. J.M. Coetzee's The Childhood of Jesus: The Ethics of Ideas and Things is at the forefront of an exciting process of critical engagement with this novel, which has begun to uncover its rich dialogue with philosophy, theology, mathematics, politics, and questions of meaning.




W.G. Sebald’s Hybrid Poetics


Book Description

This book offers a new critical perspective on the perpetual problem of literature's relationship to reality and in particular on the sustained tension between literature and historiography. The scholarly and literary works of W.G. Sebald (1944–2001) serve as striking examples for this discussion, for the way in which they demonstrate the emergence of a new hybrid discourse of literature as historiography. This book critically reconsiders the claims and aims of historiography by re-evaluating core questions of the literary discourse and by assessing the ethical imperative of literature in the 20th and 21st centuries. Guided by an inherently interdisciplinary framework, this book elucidates the interplay of epistemological, aesthetic, and ethical concerns that define Sebald's criticism and fiction. Appropriate to the way in which Sebald's works challenge us to rethink the boundaries between discourses, genres, disciplines, and media, this work proceeds in a methodologically non-dogmatic way, drawing on hermeneutics, semiotics, narratology, and discourse theory. In addition to contextualizing Sebald within postwar literature in German, the book is the first English-language study to consider Sebald's œuvre as a whole. Of interest for Sebald experts and enthusiasts, literary scholars and historians concerned with the problematic of representing the past.