Scotland, CEMA and the Arts Council, 1919-1967


Book Description

A case study of the relationship between arts and cultural policy and nationalism, Scotland, CEMA and the Arts Council, 1919-1967: Background, Politics and Visual Art Policy examines the overlooked significance of Scotland in the development of British arts policy and institutions. This study is broadly relevant in an era of political devolution, which continues to pose questions for the constituent nations of Britain and their sense of self- and collective identities. Euan McArthur provides a clear account of the background to and evolution of the Council for the Encouragement of Music and the Arts (CEMA) and the Arts Council of Great Britain (ACGB) in Scotland up to the formation of the Scottish Arts Council (SAC) in 1967. He also presents a study of Scottish visual art policy and activities between 1940 and 1967, assessing the successes and failures of visual art policy in Scotland, including the degree to which it evolved differently from England. This development, leading to the re-naming of the Scottish Committee of the ACGB as the SAC, prepared the way for the expansion of activities that marked the 1970s and after. Based on extensive archival research, this book brings to light previously unavailable material, not covered in existing accounts of CEMA/ACGB.




Before the Arts Council


Book Description

This book explores the hitherto neglected history of the campaign for state funding of the arts. By focusing on the important but forgotten movements for music and drama subsidy before and during WWII, Howard Webber makes an important contribution to the history of arts subsidy. Before the Arts Council rediscovers three forgotten but influential campaigns for state support of the arts in Britain in the 1930s and wartime. Webber's impressive historical excavation challenges existing scholarship, which argues that arts subsidy was the result of the war, and instead re-situates the campaign's origins in the pre-war years. Webber does so by drawing on correspondence from influential figures including Ralph Vaughan Williams, John Maynard Keynes and J.B Priestley, along with extensive use of government papers. Before the Arts Council is a lively, compelling and scrupulously researched account of a subject consistently misunderstood and misrepresented. It changes our understanding of an aspect of British cultural history we thought we knew well. It will appeal to students of twentieth century social and political history and to anyone with a general interest in the arts and in this period.




Theatre with a Purpose


Book Description

This study of British amateur theatre in the inter-war period examines five different but interwoven examples of the belief, common in theatrical and educational circles at the time, that amateur drama had a purpose beyond recreation. Amateur theatre was at the height of its popularity as a cultural practice between the wars, so that by 1939 more British people had practical experience of putting on plays than at any time before or since. Providing an original account of the use of drama in adult education projects in deprived areas, and of amateur theatre in government-funded centres for the unemployed in the 1930s, it discusses repertoires, participation by working- class people and pioneering techniques of play-making. Amateur drama festivals and competitions were intended to raise standards and educate audiences. This book assesses their effect on play-making, and the use of innovative one-act plays to express contentious material, as well as looking at the Left Book Club Theatre Guild as an attempt to align the amateur theatre movement with anti-fascist and anti-war movements. A chapter on the Second World War rectifies the neglect of amateur theatre in war-time cultural studies, arguing that it was present and important in every aspect of war-time life. Don Watson builds on current scholarship and makes use of archival sources, local newspapers, unpublished scripts and the records of organizations not usually associated with the theatre. His work explores the range and diversity of amateur drama between the wars and the contributions it made to British theatre.




British Literature in Transition, 1940-1960: Postwar


Book Description

Examines debates central to postwar British culture, showing the pressures of reconstruction and the mutual implication of war and peace.




Patrick Geddes's Intellectual Origins


Book Description

Patrick Geddes is one of Scotland's most remarkable thinkers of the late-nineteenth century. His environmental and cultural message endures today, yet the distinctively Scottish context to his thinking has not been properly acknowledged. This book situates Geddes within his own intellectual background (described by George Davie as 'the democratic intellect') and explores the relevance of that background to Geddes's substantial national and international achievements across a truly impressive range of disciplines. Key Features:Explores Patrick Geddes Scottish intellectual background in depth for the first time;Highlights Geddes's insistence on the importance of arts to sciences and vice versa, and the distinctively Scottish context of this approach;Considers the interdisciplinary achievements of Geddes in Edinburgh, Dundee, Paris, London and India;Pays particular attention to his leadership of the Celtic Revival both from a Scottish perspective and with respect to international links, in particular with Indian cultural revivalists such as Ananda Coomaraswamy.




Edinburgh Festivals


Book Description

This book explores the 'culture wars' of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza.




The Concept of the 'master' in Art Education in Britain and Ireland, 1770 to the Present


Book Description

This collection explores the student-master relationship in case studies ranging chronologically from 1770 to 2013, and geographically over the national art schools of England, Ireland, Scotland and Wales. Essays explore the manner in which the Old Masters were deployed in education; fuelled the individual genius of art teachers and students; were used as a rhetorical tool for promoting cultural projects in the core and periphery of the British Isles; and united as well as divided opinions in response to changing expectations in discourse on art and education. Case studies examined in this book include the sophisticated tradition of 'academic' inquiry of establishment figures, like Joshua Reynolds and Frederic Leighton, as well as examples of radical reform undertaken by key individuals in the history of art education, such as Edward Poynter and William Coldstream.




Setting the Scene


Book Description

During the twentieth century, an increasingly diverse range of buildings and spaces was used for theatre. Theatre architecture was re-formed by new approaches to staging and performance, while theatre was often thought to have a reforming role in society. Innovation was accompanied by the revival and reinterpretation of older ideas. The contributors to this volume explore these ideas in a variety of contexts, from detailed discussions of key architects’ work (including Denys Lasdun, Peter Moro, Cedric Price and Heinrich Tessenow) to broader surveys of theatre in West Germany and Japan. Other contributions examine the Malmö Stadsteater, ’ideal’ theatres in post-war North America, ’found space’ in 1960s New York, and Postmodernity in 1980s East Germany. Together these essays shed new light on this complex building type and also contribute to the wider architectural history of the twentieth century.




Leisure, Voluntary Action and Social Change in Britain, 1880-1939


Book Description

In the final decades of the nineteenth century modernizing interpretations of leisure became of interest to social policy makers and cultural critics, producing a discourse of leisure and voluntarism that flourished until the Second World War. The free time of British citizens was increasingly seen as a sphere of social citizenship and community-building. Through major social thinkers, including William Morris, Thomas Hill Green, Bernard Bosanquet and John Hobson, leisure and voluntarism were theorized in terms of the good society. In post-First World War social reconstruction these writers remained influential as leisure became a field of social service, directed towards a new society and working through voluntary association in civic societies, settlements, new estate community-centres, village halls and church-based communities. This volume documents the parallel cultural shift from charitable philanthropy to social service and from rational recreation to leisure, teasing out intellectual influences which included social idealism, liberalism and socialism. Leisure, Robert Snape claims, has been a central and under-recognized organizing force in British communities. Leisure, Voluntary Action and Social Change in Britain, 1880-1939 marks a much needed addition to the historiography of leisure and an antidote to the widely misunderstood implications of leisure to social policy today.




Western Corporations and Covert Operations in the early Cold War


Book Description

This book examines the Vogeler/Sanders espionage case that ruptured ties between the US and UK and Hungary in 1949, and analyses this as an example of Western covert operations in the early Cold War. The work focuses on the 1949 case of ITT in Hungary, where two of its executives, the American Robert A. Vogeler and the Briton Edgar Sanders, were arrested by the secret police, tortured, forced to confess, put on a public show trial, and found guilty of espionage. This happened at a time that the US and the UK were cooperating in numerous operations to undermine the credibility of the communist regime and to encourage local resistance by “all means short of war.” Using the case as a lens to examine the dynamics of the early Cold War, the book integrates business history, diplomatic history and intelligence history, and thereby traces the impact of the case on Anglo-Hungarian, American-Hungarian, and Anglo-American relations during the critical period of 1949-1956. Vogeler’s case had a strong impact on the growing criticism of the Truman Administration’s containment policies and contributed to the demand for a more activist policy of ‘liberation of captive peoples’. His experiences also rallied the business community, especially trade associations such as the National Foreign Trade Council, the US Chamber of Commerce, and the National Association of Manufacturers, to support the anti-communist crusade both abroad and at home. Vogeler’s wife also waged a personal campaign to secure her husband’s release and exemplifies the activism of conservative and Catholic women who waged their own anti-communist crusade. The book thus tells the “rest of the story” often omitted in traditional works. This book will be of much interest to students of Cold War history, intelligence studies and European political history.