Scrapbook (1910-1912)


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Michigan Memories


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Nellie Arnott's Writings on Angola, 1905–1913


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Nellie Arnott’s Writing on Angola, 1905-1913 recovers and interprets the public texts of a teacher serving at a mission station sponsored by the American Board of Commissioners for Foreign Missions in Portuguese West Africa. Along with a collection of her magazine narratives, mission reports, and correspondence, Nellie Arnott’s Writing on Angola offers a critical analysis of Arnott’s writing about her experiences in Africa, including interactions with local Umbundu Christians, and about her journey home to the U.S., when she spent time promoting the mission movement before marrying and settling in California.




The Politics of Urban Beauty


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Since its founding in 1898, the Art Commission of the City of New York has served as the city's aesthetic gatekeeper, evaluating all works of art intended for display on city property. This text is a fascinating history of the Art Commission of the City of New York.




Mencken


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Ever in control, H. L. Mencken contrived that future generations would see his life as he desired them to. He even wrote Happy Days, Newspaper Days, and other books to fit the pictures he wanted: first, the carefree Baltimore boy; then, the delighted, exuberant critic of American life. But he only told part of the truth. Over the past twenty-five years, vital collections of the writer's papers have become available, including his literary correspondence, a 2,100-page diary, equally long manuscripts about his literary and journalistic careers, and numerous accumulations of his personal correspondence. The letters and diaries of Mencken's intimates have been uncovered as well. Now Fred Hobson has used this newly accessible material to fashion the first truly comprehensive portrait of this most original of American originals. NOTE: This edition does not include photographs.




Biotic Borders


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A rich and eye-opening history of the mutual constitution of race and species in modern America. In the late nineteenth century, increasing traffic of transpacific plants, insects, and peoples raised fears of a "biological yellow peril" when nursery stock and other agricultural products shipped from Japan to meet the growing demand for exotics in the United States. Over the next fifty years, these crossings transformed conceptions of race and migration, played a central role in the establishment of the US empire and its government agencies, and shaped the fields of horticulture, invasion biology, entomology, and plant pathology. In Biotic Borders, Jeannie N. Shinozuka uncovers the emergence of biological nativism that fueled American imperialism and spurred anti-Asian racism that remains with us today. Shinozuka provides an eye-opening look at biotic exchanges that not only altered the lives of Japanese in America but transformed American society more broadly. She shows how the modern fixation on panic about foreign species created a linguistic and conceptual arsenal for anti-immigration movements that flourished in the early twentieth century. Xenophobia inspired concerns about biodiversity, prompting new categories of “native” and “invasive” species that defined groups as bio-invasions to be regulated—or annihilated. By highlighting these connections, Shinozuka shows us that this story cannot be told about humans alone—the plants and animals that crossed with them were central to Japanese American and Asian American history. The rise of economic entomology and plant pathology in concert with public health and anti-immigration movements demonstrate these entangled histories of xenophobia, racism, and species invasions.




W. C. Fields from Burlesque and Vaudeville to Broadway


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W. C. Fields was a virtuoso comedian, often called a comic genius, legendary iconoclast, and "Great Man," who brought so much laughter to millions while enduring so much anguish. This book explores his little-known, long stage career from 1898 to 1930, which had a major influence on his comedy and screen presence.




New Perspectives on the History of the Twentieth-Century American High School


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The growth of the American high school that occurred in the twentieth century is among the most remarkable educational, social, and cultural phenomena of the twentieth century. The history of education, however, has often reduced the institution to its educational function alone, thus missing its significantly broader importance. As a corrective, this collection of essays serves four ends: as an introduction to the history of the high school; as a reevaluation of the power of narratives that privilege the perspective of school leaders and the curriculum; as a glimpse into the worlds created by students and their communities; and, most critically, as a means of sparking conversations about where we might look next for stories worth telling.




First Citizen


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In 1919, the doors of Youngstown's Butler Institute of American Art were opened for the first time. Dubbed "the lighthouse of culture," both the beautiful marble museum and the artwork inside were the gift of 19th-century industrialist Joseph G. Butler, Jr., in what was the crowning achievement of a long life. Butler earned his successes with hard work, a competitive spirit and business savvy. He earned a fortune in the iron and steel industry crowded by such figures as Andrew Carnegie, Henry Frick and Charles Schwab. Butler also took on politicians, promoted American interests, preserved American history and spearheaded projects to improve his community. To friends and admirers, he was affectionately referred to as "Uncle Joe." This biography chronicles Butler's early life through his career in the iron and steel industry, detailing his contributions to the art world, his philanthropic endeavors and his accomplishments as an author and historian.




Sir Andrew Macphail


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Macphail's writing - characterized by clarity of expression and support for unpopular positions - allowed him to develop and document many of the important political, social, and intellectual themes of his time. He argued for the reorganization of the British Empire to reflect the growing importance of Canada and against such modern trends and movements as utilitarian education, feminism, industrialization, and urbanization. A strong advocate for the rejuvenation of rural life, he carried out agricultural experiments on his native Prince Edward Island. When it became apparent that it was impossible to return to rural ideals, Macphail celebrated the world of his rural past in his most memorable work - the posthumously published The Master's Wife.