Masada Myth


Book Description

In 73 A.D., legend has it, 960 Jewish rebels under siege in the ancient desert fortress of Masada committed suicide rather than surrender to a Roman legion. Recorded in only one historical source, the story of Masada was obscure for centuries. In The Masada Myth, Israeli sociologist Nachman Ben-Yehuda tracks the process by which Masada became an ideological symbol for the State of Israel, the dramatic subject of movies and miniseries, a shrine venerated by generations of Zionists and Israeli soldiers, and the most profitable tourist attraction in modern Israel. Ben-Yehuda describes how, after nearly 1800 years, the long, complex, and unsubstantiated narrative of Josephus Flavius was edited and augmented in the twentieth century to form a simple and powerful myth of heroism. He looks at the ways this new mythical narrative of Masada was created, promoted, and maintained by pre-state Jewish underground organizations, the Israeli army, archaeological teams, mass media, youth movements, textbooks, the tourist industry, and the arts. He discusses the various organizations and movements that created “the Masada experience” (usually a ritual trek through the Judean desert followed by a climb to the fortress and a dramatic reading of the Masada story), and how it changed over decades from a Zionist pilgrimage to a tourist destination. Placing the story in a larger historical, sociological, and psychological context, Ben-Yehuda draws upon theories of collective memory and mythmaking to analyze Masada’s crucial role in the nation-building process of modern Israel and the formation of a new Jewish identity. An expert on deviance and social control, Ben-Yehuda looks in particular at how and why a military failure and an enigmatic, troubling case of mass suicide (in conflict with Judaism’s teachings) were reconstructed and fabricated as a heroic tale.




The Politics of Culture in Quattrocento Europe


Book Description

A study of Rene of Anjou, a French prince and exiled king of Naples, and how he engaged his Italian network in a programme of cultural politics conducted with an eye towards a return to power in the peninsula, this volume seeks to understand the politics of culture in early Renaissance Europe through the lens of Italian humanism and art.




From Hittite to Homer


Book Description

This book takes a bold new approach to the prehistory of Homeric epic, arguing for a fresh understanding of how Near Eastern influence worked.




Postoral Homer


Book Description

"Milman Parry's comparative study of Homer and Southslavic oral song had demonstrated the existence of an oral tradition behind and within the Homeric Epic, thus establishing an indisputable link between Homer and oral poetry. Yet its exact nature has remained a moot point. For equally indisputable is the fact of the coexistence of oral and literate features within the Homeric Epic. Thus not behaving as either a straight oral song or as a straight literate text tout court, the Homeric Epic calls into question the prevailing Parryist axiom of the oral Homer. The link between Homer and oral poetry has thus become an open question again: it is, in fact, the New Homeric Question that turns on the roles of orality and literacy in the genesis of the Homeric Epic.To clarify it this book experiments with a third term: postorality. As a postoral poet, having initially been trained as an oral bard absorbing the Hellenic oral tradition, Homer would have acquired literacy in the course of his career as an oral singer. It enabled him to widen, deepen, and refine his epic art, thereby giving rise to an epic as complex and unique, in terms of structure, characterization, and intellectual substance, as the Iliad."--




Text and Intertext in Greek Epic and Drama


Book Description

This collection presents 19 interconnected studies on the language, history, exegesis, and cultural setting of Greek epic and dramatic poetic texts ("Text") and their afterlives ("Intertext") in Antiquity. Spanning texts from Hittite archives to Homer to Greek tragedy and comedy to Vergil to Celsus, the studies here were all written by friends and colleagues of Margalit Finkelberg who are experts in their particular fields, and who have all been influenced by her work. The papers offer close readings of individual lines and discussion of widespread cultural phenomena. Readers will encounter Hittite precedents to the Homeric poems, characters in ancient epic analysed by modern cognitive theory, the use of Homer in Christian polemic, tragic themes of love and murder, a history of the Sphinx, and more. Text and Intertext in Greek Epic and Drama offers a selection of fascinating essays exploring Greek epic, drama, and their reception and adaption by other ancient authors, and will be of interest to anyone working on Greek literature.




Classics and Classicists


Book Description

This collection of articles published between 1964 and 2000 represents a panoramic view of Greek and Roman literature and philosophy, ranging from detailed discussions of texts to general literary and philosophical issues. It also delves into problems in the transmission of ancient works and their reception in modern contexts, including modern English literature. These articles will appeal mainly to Classical scholars and students of ancient philosophy, as well as to lovers of literature and of the intellectual history of Western Europe. All articles have been republished in their original form, with an emphasis on basing every discussion firmly on the available evidence.




From Hellenism to Islam


Book Description

This book considers how languages, peoples and cultures in the Near East interacted over the millennium between Alexander and Muhammad.




Shaping the Canons of Ancient Greek Historiography


Book Description

The main focus of this book is the ancient formation and development of the canons of Greek historiography. It takes a fresh look on the modern debate on canonical literature and deals with Greek historiographical traditions in the works of ancient rhetors and literary critics. Writings on historiography by Cicero, Quintilian, and Dionysius of Halicarnassus are chiefly taken into account to explore the canons of Greek historians in Hellenistic and Roman Imperial Ages. Essential in canon-formation was the concept of classicism which took shape in the Age of Augustus, but whose earlier developments can be traced back to Isocrates, a model rhetor according to Dionysius at the end of the 1st century BC. The analysis explores also late-antique authors of school treatises and progymnasmata, a field where historiography had a pedagogical function. Previous studies on canonical literature have rarely considered historiography. This book examines not only the works of ancient historians and their legacy, but also the relationship between historiography, literary criticism, and the rhetorical tradition.