Second Tolstoy


Book Description

Very few if any have devoted more years to practicing and teaching others to practice the precepts of Jesus’s Sermon on the Mount than Leo Tolstoy. He stands apart in the history of interpretation and has had enormous influence on others and other countries. Yet, Gandhi or others often get the glory. Tolstoy is remembered as a great writer, but his religious and philosophical works are by and large unknown or disparaged, even in scholarly Tolstoyan circles. His contribution is substantially under-appreciated and misunderstood. In Second Tolstoy: The Sermon on the Mount as Theo-tactics, Steve Hickey captures the particulars and dynamics of Tolstoy’s interpretation of the Sermon on the Mount from a deliberately sympathetic vantage point. Underlying this project is shared belief with Tolstoy that the Sermon on the Mount is liveable and to be lived. While from the vantage point of traditional orthodoxy Tolstoy got much wrong, there remains a lack of appreciation for what he got right—radical obedience to the teachings of Jesus. A new vocabulary is proposed to more precisely capture Tolstoyan lived theology, namely the political and social expressions of Tolstoyan Christianity, with the hope that these theories and practices will gain a wider consideration, understanding, and following.




Tolstoy and the Genesis of "War and Peace"


Book Description

Kathryn B. Feuer offers remarkable insights into Leo Tolstoy's creative process while he wrote War and Peace. She follows the novel through countless drafts and notes, illuminating its connection to earlier, unpublished, novels and to crucial new sources, both European and Russian. A novelist herself, Feuer explores the problems of character development, narrative voice, genre, and structure that Tolstoy ultimately resolved so brilliantly.




Tolstoy’s Family Prototypes in "War and Peace"


Book Description

What were the consequences of Tolstoy’s unusual reliance on members of his family as source material for War and Peace? Did affection for close relatives influence depictions of these real prototypes in his fictional characters? Tolstoy used these models to consider his origins, to ponder alternative family histories, and to critique himself. Comparison of the novel and its fascinating drafts with the writer’s family history reveals increasing preferential treatment of those with greater relatedness to him: kin altruism, i.e., nepotism. This pattern helps explain many of Tolstoy’s choices amongst plot variants he considered, as well as some of the curious devices he utilizes to get readers to share his biases, such as coincidences, notions of “fate,” and aversion to incest.




Tolstoy's Major Fiction


Book Description

"Edward Wasiolek, after much valuable work on Dostoevsky, has now written one of the best books on Tolstoy in recent decades. This may be in part because of his preoccupation with Tolstoy's most challenging contemporary, and the resulting sense of their unlikeness in a common pursuit. But there are other, unspeculative reasons. Few studies of Tolstoy have been so carefully pondered and so firmly organized to convince; and not so many show the flexibility and variety of its approach. Wasiolek proposes an essentially simple and consistent reading, but he advances it with subtlety and discretion."—Henry Gifford, Times Literary Supplement




Tolstoy As Man and Artist with an Essay on Dostoyevsky


Book Description

Tolstoy as Man and Artist with an Essay on Dostoevsky (1901) is a work of literary criticism by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. In this collection of essays on Tolstoy and Dostoevsky, Merezhkovsky explores the spiritual dimensions of the written word by examining the interconnection of being and writing for two of Russian literature’s most iconic writers. For Dmitriy Merezhkovsky, an author who always wrote with philosophical and spiritual purpose, the figure of the artist as a human being is a powerful tool for understanding the quality and focus of that artist’s work. Leo Tolstoy, author of such classics as War and Peace and Anna Karenina, developed a reputation as an ascetic, deeply spiritual man who envisioned his art as an extension of his political and religious beliefs. Dostoevsky, while perhaps more interested in the psychological aspects of human life, pursued a similar path in such novels as The Brothers Karamazov and Crime and Punishment. In Merezhkovsky’s view, these writers came to embody in their lives and works the particularly Russian conflict between truths both human and divine. Tolstoy as Man and Artist with an Essay on Dostoevsky is an invaluable text both for its analysis of its subjects and for its illumination of the philosophical concepts explored by Merezhkovsky throughout his storied career. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s Tolstoy as Man and Artist with an Essay on Dostoevsky is a classic work of Russian literature reimagined for modern readers.




Tolstoy's Art and Thought, 1847-1880


Book Description

"My aim is to present Tolstoy's work as he may have understood it himself," writes Donna Orwin. Reconstructing the intellectual and psychic struggles behind the masterpieces of his early and middle age, this major study covers the period during which he wrote The Cossacks, War and Peace, and Anna Karenina. Orwin uses the tools of biography, intellectual and literary history, and textual analysis to explain how Tolstoy's tormented search for moral certainty unfolded, creating fundamental differences among the great novels of the "pre-crisis" period. Distinguished by its historical emphasis, this book demonstrates that the great novelist, who had once seen a fundamental harmony between human conscience and nature's vitality, began eventually to believe in a dangerous rift between the two: during the years discussed here, Tolstoy moved gradually from a celebration of life to instruction about its moral dimensions. Paying special attention to Tolstoy's reading of Rousseau, Goethe, Schopenhauer, and the Russian thinker N. N. Strakhov, Orwin also explores numerous other influences on his thought. In so doing, she shows how his philosophical and emotional conflicts changed form but continued unabated--until, with his religious conversion of 1880, he surrendered his long attempt to make sense of life through art alone.




Tolstoy's Quest for God


Book Description

The religious dimension of Tolstoy's life is usually associated with his later years following his renunciation of art. In this volume, Daniel Rancour-Laferriere demonstrates instead that Tolstoy was preoccupied with a quest for God throughout all of his adult life. Although renowned as the author of War and Peace, Anna Karenina, The Death of Ivan Ilych, and other literary works, and for his activism on behalf of the poor and the downtrodden of Russia, Tolstoy himself was concerned primarily with achieving personal union with God.Tolstoy suffered from periodic bouts of depression which brought his creative life to a standstill, and which intensified his need to find comfort in the embrace of a personal God. At times he was in such psychic pain he wanted to die. Yet Tolstoy felt that he deserved to suffer, and he learned to welcome suffering in masochistic fashion. Rancour-Laferriere locates the psychological underpinnings of Tolstoy's suffering in a bipolar illness that led him actively to seek suffering and self-humiliation in the Russian tradition of holy foolishness. With voluntary suffering, and Jesus Christ as his model, Tolstoy advocated nonresistance to evil, and in his daily life he strove never to return evil actions or words with physical or verbal resistance. On the other hand, being bipolar, Tolstoy in some situations would drift in a manic direction, indulging in delusions of grandeur. Indeed, the aging Tolstoy occasionally went so far as to equate himself with God, as can be seen from his diaries and personal correspondence.The pantheistic world view which Tolstoy achieved at the end of his life meant that God was within himself and within all people and all things in the entire universe. By this time Tolstoy was also utilizing images of a mother to represent his God. With this essentially maternal God so conveniently available, there was nowhere Tolstoy could be without Her. For, in the end, Tolstoy's quest for God was a




The Tolstoy Estate


Book Description

Epic in scope, ambitious and astonishingly good, The Tolstoy Estate proclaims Steven Conte as one of Australia's finest writers. From the winner of the inaugural Prime Minister's Literary Award, Steven Conte, comes a powerful, densely rich and deeply affecting novel of love, war and literature 'Grave, moving, engaging ... full of the flash and fire of dramatic incident, but also full of real feeling, humour and poignancy, and equipped with plenty of panache ... It deserves the widest possible readership.' The Saturday Paper In the first year of the doomed German invasion of Russia in WWII, a German military doctor, Paul Bauer, is assigned to establish a field hospital at Yasnaya Polyana - the former grand estate of Count Leo Tolstoy, the author of the classic War and Peace. There he encounters a hostile aristocratic Russian woman, Katerina Trubetzkaya, a writer who has been left in charge of the estate. But even as a tentative friendship develops between them, Bauer's hostile and arrogant commanding officer, Julius Metz, becomes erratic and unhinged as the war turns against the Germans. Over the course of six weeks, in the terrible winter of 1941, everything starts to unravel... From the critically acclaimed and award-winning author, Steven Conte, The Tolstoy Estate is ambitious, accomplished and astonishingly good: an engrossing, intense and compelling exploration of the horror and brutality of conflict, and the moral, emotional, physical and intellectual limits that people reach in war time. It is also a poignant, bittersweet love story - and, most movingly, a novel that explores the notion that literature can still be a potent force for good in our world. Shortlisted for the 2021 Walter Scott Prize Shortlisted for the Age Book of the Year Award 2021 Longlisted for the 2021 ARA Historical Novel Prize Longlisted for the 2021 Colin Roderick Award Longlist Longlisted for the 2021 Indie Book Awards 'Breathtaking ... an intelligent cinematic blockbuster. celebrating the power of literature to dissolve barriers and forge connections.' The West Australian 'Reading a book that is such a complete world, evoked in such fine detail, is almost wickedly satisfying ... Elegant, intelligent, utterly engrossing and immersive ... He reminds us that travel is always possible in the imagination even when reality goes dark and that literature always leads us towards the light.' Caroline Baum 'Steven Conte has written a sweeping historical saga spanning the second world WAR and the frigid decades of PEACE that followed; an essential novel about essential things - love's triumphs and failures, the redoubtable human spirit, and the power of literary art itself. Tolstoy, of course, is at the novel's heart, and in its very soul.' Luke Slattery, author, journalist, Books Editor of Australian Financial Review 'A riveting story of war, love and literature - Conte's prose does not miss a beat.' Jane Gleeson-White, award-winning author of Classics and Double Entry




Tolstoy


Book Description

This biography of the brilliant author of War and Peace and Anna Karenina “should become the first resort for everyone drawn to its titanic subject” (Booklist, starred review). In November 1910, Count Lev Tolstoy died at a remote Russian railway station. At the time of his death, he was the most famous man in Russia, more revered than the tsar, with a growing international following. Born into an aristocratic family, Tolstoy spent his existence rebelling against not only conventional ideas about literature and art but also traditional education, family life, organized religion, and the state. In “an epic biography that does justice to an epic figure,” Rosamund Bartlett draws extensively on key Russian sources, including fascinating material that has only become available since the collapse of the Soviet Union (Library Journal, starred review). She sheds light on Tolstoy’s remarkable journey from callow youth to writer to prophet; discusses his troubled relationship with his wife, Sonya; and vividly evokes the Russian landscapes Tolstoy so loved and the turbulent times in which he lived.




Tolstoy's 'What is Art?'


Book Description

With its demand that works of art be judged according to the their morally didactic content, Tolstoy’s reviled aesthetics has seemed to exclude from the canon far too many works widely accepted as masterpieces, including Shakespeare and Beethoven. This book, first published in 1985, argues that these are not mere oversights on the part of Tolstoy: he knew full well the consequences of his line of reasoning. The author contends that, even if we disagree with and eventually reject much of what Tolstoy concludes, his account of the nature and purpose of art is nevertheless worth consideration. Diffey’s argument by no means accepts all of ‘What is Art?’, but by suggesting that the work is best interpreted as a counterpoint to the amoral aestheticism prevalent in Russia at the time, he does much to restore it to a status deserving attention, particularly in today’s climate of extreme relativism.