Secrets of the Forgotten Tapu


Book Description

Secrets of the Forgotten Tapu Please note: this EPub is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux. https://www.edrlab.org/software/thorium-reader When significant landscapes are changed forever it is imperative to understand what has been lost. Past down from generation to generation, stories acted as a means to address loss. Later, images embellished these narratives and then in recent times photographs offered a compelling witness. However, there is often no record, no images, and little documented local stories, that reference the natural features as they once had been and how these landmarks once impacted on local people. Blackhead, near Dunedin, New Zealand, wa­s a dramatic headland with stunning columnar basalt rock formations that projected into the Southern Ocean and was threatened by quarrying. In 1995, artist Lloyd Godman realised that significant areas of the headland were about to disappear forever, and he committed to photograph the details of the landmark as often as he was able, producing a valuable archive of what had once been. At the time, the images were assembled into complex composite images and exhibited at various art galleries, which led to an awareness of the immediate threat to the headland. This stimulated a range of interested people to negotiate how a covenant could be drawn up to protect part of the area, which came to pass. Secrets of the Forgotten Tapu, presents an extensive series of emotive black and white photographs from Godman’s archive that acts as a witness to the sublime basalt bluffs lost forever to quarrying and the areas that have been protected by an eventual Conservation Covenant. The narrative tells the history of the headland from early Māori and their embedded legends to the importance of the place as a special surfing break and place of solace. It outlines the headlands unique geology and botany. Secrets of the Forgotten Tapu offers an insight into the creative process of working as a photographer with film and darkrooms in a pre-digital age. The images and text of Secrets of the Forgotten Tapu allow a destroyed landscape to live again.




Summer Solstice Journeys


Book Description

Please note: This ebook has been specifically designed as an epublication and is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux.https://www.edrlab.org/software/thorium-reader/ Summer Solstice Journeys chronicles photographer Lloyd Godman's eight photographic expeditions on the summer solstice, from 1988 to 2008. Six of these captivating journeys take place in Otago, New Zealand, while the remaining two unfold in Victoria, Australia. Each expedition traces the trajectory of the sun or a shadow, from the break of dawn to twilight. Captured through the lens of a square-format 120 film camera, the frame is deliberately tilted at a 45-degree angle, creating a distinctive diamond-shaped image that captivates the viewer. Just as the sun teeters on the precipice of the summer solstice, poised to transition into shorter daylight hours and the arrival of winter, the camera frame itself delicately balances on a visual fulcrum. The resulting photographs showcase a mesmerizing interplay of intense natural chiaroscuro lighting, presenting stunning black-and-white landscapes that transcend the ordinary clichés of sunrise and sunset photography. Instead, they evoke a sense of performance art with a camera, reminiscent of Richard Long's exploratory walks. Throughout these journeys, the artist immerses himself in silent meditation, forging a deep connection with the planet's natural rhythms and the profound influence of solar forces. The ebb and flow of the tide, the elongation and contraction of shadows in the early morning and at sunset, all unfold as part of this evocative visual odyssey. Initially, Godman invites the reader to delve into the project's conception through a series of enigmatic preliminary landscape photographs, capturing the beach near his residence at that time. The first expedition in 1988 unfolds at Ocean View Beach looking out to Green Island, near Dunedin, New Zealand. The triangular silhouette of the island occupies the upper section of the image, mirroring the corner of the camera frame. Waves gently caress the shore, leaving behind glistening patches of wet sand that reflect the sun. Journey Two, in 1990, centers around the rock formations of the Rock and Pillar range, where Godman tracks the sun's movement in relation to a striking rock formation, occasionally concealed by ethereal fog. Subsequent solstice journeys take us to Akatore Creek in 1996, Moturata in 1999, Bull Creek in 2002, Wilsons Promontory in 2005, and finally St Andrews in 2008.




Rotax


Book Description

Please note: This ebook has been specifically designed as an epublication and is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux.https://www.edrlab.org/software/thorium-reader/ Rotax project 1983 - 2023 is a series of black & white landscape photographs which play visually with the photograph as a means of creating graphic motifs. The project moves beyond the traditional photograph as a single frame, and instead, photographs of a particular scene are taken in a landscape format and then the same scene is captured again in a portrait format. The two images are printed twice, and the resulting four images are assembled as an intriguing mandala. While there are artists who have utilized this technique via Photoshop in recent times, very few artists used the concept in the 1980s, when analogue photography required film, darkrooms, and specific skills. Rotax project 1983 - 2023 presents a full suite of images in both landscape and portrait formats. Its monochromatic photographs are bold and graphic, maintaining a delicate balance of gravity and weightlessness, and are infused with a gestalt aesthetic that fuses multiple images into a single entity to offer a new insight of the landscape we live in.




Tillandsimania


Book Description

Please note: This ebook has been specifically designed as an epublication and is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux.https://www.edrlab.org/software/thorium-reader/ The Tillandsimainia Species F – M ebook offers a valuable resource for anyone interested in growing Tillandsia species (air plants). It is part of a larger series of on airplants that offers detailed information on the plants. It presents richly detailed photographs for each plant entry including close-up microscope images. The more than 360 pages of the volume, contain 117 plant entries on specific hybrid plants and combined with the accompanying 1144 photographs, each entry endeavours to offer information on the hybrid seed and pollen parents, the hybridizer, dates, plant form, leaves, flowers, and growing conditions. The Tillandsias in the volume are all from the author’s collection and his experience propagating Tillandsias where he lives near Melbourne, Australia. The EBook gives an insight into a range of plants he is experimenting with for his installation within the built environment.




Tillandsimania Hybrids A to K


Book Description

Please note: This ebook has been specifically designed as an epublication and is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux.https://www.edrlab.org/software/thorium-readereb The ebook offers a valuable resource for anyone interested in growing Tillandsias, air plants. It is part of a larger series of ebooks produced by the author on airplants that offers detailed information on these amazing airplants. It presents richly detailed photographs for each Tillandsia plant entry including close-up microscope images which offer detail of the trichome leaf cells, the inflorescence and the flowers. The more than 330 pages of the volume, contain 123 plant entries on specific hybrid plants and combined with the accompanying 959 photographs, each entry endeavors to offer information on the Tillandsia hybrid seed and pollen parents, the hybridizer, dates, plant form, leaves, flowers, and growing conditions. The Tillandsia plants in the volume are all from the author’s collection and his experience propagating Tillandsias where he lives near Melbourne, Australia. The EBook gives an insight into a range of plants he is experimenting with for his installation within the built environment.




When Light Turns to Dust


Book Description

WHEN LIGHT TURNS TO DUST Please note: this EPub is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux. https://www.edrlab.org/software/thorium-reader Artist Lloyd Godman lived in the same house at Brighton Dunedin New Zealand for nearly 30 years, but it was only during the summer of 2002-3, that he discovered a series of old photographic negatives on the ground in the cellar left by a previous owner. The silver gelatin images that might hold a reference to past lives and events had however decayed and been replaced largely by dust and dirt. At first, they appeared to have no aesthetic or cultural value. To a photographer, dust and dirt are a nuisance that degrades the image and needs to be avoided; but all that was left was dust. The silver image that had been formed by the action of light had been replaced by dust. However, as a photographer, that he discovered a series of old negatives on the ground in the dark cellar left by a previous owner seemed to hold significance. So Godman took the fragmented negatives and treated them as photographic artefacts and printed the abstract patterns formed by the dust as one would for a normal black and white photographic negative. The negatives were placed in a large format enlarger that allowed a generous black boarder to be created around the negative. The visual results are an enigmatic series of photographic prints that seem part photograph, part photogram or Clich'e verre. Rich patterns and intricate textures created by the process of decay in nature during the passing of time are given a new life and obscure meanings that only each viewer can invent are suggested in the gestalt. In placed reference appears of the frame lines. The project was symbolic of his marriage break up, move to Melbourne, where he now lives at the Bladessin Press, and his creative evolution to work with plants as an art medium where he has created xeric vertical gardens with Tillandsia plants.




Working with Plants


Book Description

WORKING WITH PLANTS Please note: this EPub is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux. https://www.edrlab.org/software/thorium-reader In the mid 1990s, Lloyd Godman made the connection that the process of taking photographs with photographic film and growing plants was analogous - both use light and water - plants are in fact an abstract form of photography. In 1996 he began by growing simple images into the leaves of Bromeliad plants as a form of bio-imprinting, which in turn led to sophisticated interactive installations of tillandsia plants ( airplants ) in galleries and other spaces in New Zealand, Australia, and the USA. Rather than stay with passive mediums like photography, drawing and sculpture that he had worked with for decades, his concern for the environment moved him to work with a living medium that was environmentally active, and captured CO2. Working with plants as a living art medium informed him to conceive the planet as a huge photosensitive emulsion. The largest photosensitive emulsion we know of is the planet earth. As vegetation grows, dies back, changes colour with the seasons, the "photographic image" that is our planet alters. Increasingly human intervention plays a larger role in transforming the image of the globe we inhabit. Lloyd Godman ecological artist - 2006 Working with plants traces the development of this work, it is rich in ideas and well documented with images and offers an insight into how he evolved into a leader at integrating plants into architecture in a sustainable manner working with Tillandsias ( air plants ). Lloyd Godman's twin careers of serious and successful organic gardener and practicing artist of great creative energy converge in new and constantly surprising ways to make art about the ecological concerns that underly his gardening. Over almost three decades his art has widened out from relatively traditional landscape photography to include elements of performance, audience participation art and multimedia installation to explore the tensions between electronic consumer society and the ecosystem. Artlink magazine - Ecology: Everyone's Business - Vol 25 no 4 - Dec - Jan 2006




Adze to Coda


Book Description

ADZE TO CODA Please note: this EPub is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux. https://www.edrlab.org/software/thorium-reader. The project uses photographic images to explore the concept of object, land and archaeology where the intricate patterns of both photograph and photogram sit against a stark black background. In Adze to Coda, Lloyd Godman uses the photogram technique to explore concepts of the intersection of nature and culture. The works are photographically complex and challenging to create. Combining both photographs and photograms on the same sheet of photographic paper they demand high dark room skill and patience. Four separate exposures are needed to create each unique image, and each require a great deal of experimentation, failure but ultimately success. The culmination of the project presents a huge composite photogram of a waka (canoe). A large waka (Canoe) sculpture created by sculptor Jeff Thompson at the Aotearoa New Zealand Association of Art Educators, (NZAAE) conference Auckland 2003, was used as an object for the [photogram. The large waka was laid on over 50 sheets of photo paper and participants of a photogram workshop helped process the sheets of paper. ..paradox is explored further in Adze to Coda: an archaeology of device ( 1993 2004). Photographic images from the “estate of Wilderness” - native bush at Piha, on the Auckland west coast, rock formations at port Pegasus on Stewart Island in the far south - are accompanied by shaped photograms. The shapes are of simple tools - Maori fishhooks, adze heads, patu, Pakeha hammers, saws, spanners, while contained within them are photograms of layers of old gears, broken blades, corroded screws - tools of the past, returning to nature through rust and rot, ‘an archaeology of implements that reference their own history’. The series ends with 1’s and 0’s instead of tools, for with the ‘soft tools’ of the computer age we are left with binary codes rather than physical remains, and the tactility of the object is denied. Lawrence Jones




New Zealand and the Sea


Book Description

As a group of islands in the far south-west Pacific Ocean, New Zealand has a history that is steeped in the sea. Its people have encountered the sea in many different ways: along the coast, in port, on ships, beneath the waves, behind a camera, and in the realm of the imagination. While New Zealanders have continually altered their marine environments, the ocean, too, has influenced their lives. A multi-disciplinary work encompassing history, marine science, archaeology and visual culture, New Zealand and the Sea explores New Zealand’s varied relationship with the sea, challenging the conventional view that history unfolds on land. Leading and emerging scholars highlight the dynamic, ocean-centred history of these islands and their inhabitants, offering fascinating new perspectives on New Zealand’s pasts. ‘The ocean has profoundly shaped culture across this narrow archipelago . . . The meeting of land and sea is central in historical accounts of Polynesian discovery and colonisation; European exploratory voyaging; sealing, whaling and the littoral communities that supported these plural occupations; and the mass migrant passage from Britain.’ – Frances Steel




di/VISION interiors


Book Description

Please note: This ebook has been specifically designed as an epublication and is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux.https://www.edrlab.org/software/thorium-reader/ From 1989, Lloyd Godman explored the visual strategy of what he termed di/VISION, where two camera frames are shot of a scene, one frame above the other, but with elements repeating in the resulting composite diptych. It is a binocular photographic perspective where strong geometric elements sometimes align in a persuasive gestalt, yet at other times fracture in a disjunctive visual. The images evolved from a previous series di/VISION architecture that centres on the exterior of buildings. Godman sees them as his holiday snaps. “Often the images are taken when we are on holiday and yet my creative mid wants to explore the built environment.” But the photographs are more than snaps and it is obvious there is a refined visual mind at work. He explored this over several decades in landscapes of both the natural world and the built environment. Godman uses the technique with stealth to exploit the human desire to make sense of what we see - so while the eye sees two images, the mind wants to read a single image, there is a visual fusion of the two. In this series he confronts architectural interiors and offers new visions of internal architectural space. There is a play with the simplicity or complexity of geometry and decoration within. As the frames are shot with a wide- angle lens, a strange perspective ensues that often suggests the dimensions and geometry of a new space, an unreal space, where an Escher-like quality emerges. The di/VISION series of works centered around constructed spaces and architecture sits as a marker to the living work he is experimenting with - the integration of plants and architecture. Photographing architecture with a binocular view offers not only new ways of seeing existing structures but potential for how plants can inhabit these spaces.