The Essentialist Villain


Book Description

Since his first publications in the late 1950s, Leo Bersani's work has influenced numerous scholarly fields, from studies of French modernism and realist fiction to psychoanalytic criticism and film theory. It has occasionally helped precipitate the emergence of new disciplinary fields, such as queer theory in the late 1980s. The Essentialist Villain is the first book-length study of this impressively rich oeuvre. Mikko Tuhkanen tracks the unfolding of Bersani's onto-ethics/aesthetics, paying particular attention to his persistent references to "essence," a concept central to classical speculative philosophy, which has fallen into distinct disfavor since the emergence of deconstructive thought. Because of his early influences—particularly Gilles Deleuze's philosophy—Bersani remains an ontologist through decades when deconstruction seems to have all but disallowed any thought of being. Tuhkanen also locates Bersani's thought amidst numerous literary, artistic, and philosophical interlocutors, including Deleuze, Freud, Proust, Laplanche, Beckett, Baudelaire, Genet, Leibniz, and others.




Subversion and Desire


Book Description

This book presents the importance of subversion in psychotherapy and revaluates the positive role of desire as an integrating force in the individual and collective psyche. The text provides a solid philosophical frame which helps to expand the scope of contemporary psychotherapy at a time when it is being curtailed by a reductionist neoliberal zeitgeist. The latter emphasizes cognition over motivation, behaviour over emotion, consciousness over the unconscious, the self over the organism, and tends to reframe psychotherapeutic practice as a reprogramming of individuals. In response, this book outlines concerted acts of "soft subversion" which can undermine the status quo and open new possibilities of individual and collective transformation. The author also retraces and reassesses some of the more inspiringly subversive legacies in psychoanalysis, with a view to sketching a life-affirming psychology wedded to broadminded political engagement. Covering psychotherapy, politics, art and literature, and social and cultural theory, this book will appeal to anyone interested in understanding how psychotherapy and philosophy can be more radical and subversive endeavours.




Seductions and Enigmas


Book Description

In a career spanning more than five decades the distinguished French psychoanalyst Jean Laplanche (1924-2012) elaborated a distinctive methodology for the reading of Freud's corpus and evolved, in connection with it, a radical new metapsychology - one that critically recast Freud's early 'seduction' theory of trauma and placed at the heart of psychic life a particular model of 'enigmatic signification.' Seductions and Enigmas is a volume dedicated to the implications of Laplanche's thought for reading and interpretation. It collects papers that elaborate Laplanche's unique method for the interpretation of Freud, with its attention to the decentering and recentering movements of thought that structure the psychoanalytic field, and explore how the metapsychological developments arising from the implementation of that method open up new horizons for the psychoanalytic reading of other texts and oeuvres in the cultural domain. The volume comprises essays by Laplanche as well as by clinicians and scholars whose work takes inspiration from his research. Authors variously establish, develop or consolidate Laplanche's critical methodology as such, or work through aspects of his major theoretical innovations as points of departure for the reading of cultural works of different kinds: fiction, drama, painting, visual and sound installations, and film. These theoretical innovations cover a breadth of topics including seduction, sublimation, gender, femininity, the functions of binding and unbinding, masochism and the role of the enigmatic. In their range, the texts brought together here are a testament to the vitality and fertility of Laplanche's theoretical endeavour, for anyone concerned with the re-reading of Freud or with continuing to recalibrate and advance the parameters of critical interpretation in light of Freud's legacy.




Leo Bersani


Book Description

For the past 60 years, Leo Bersani has inspired, resisted, guided, and challenged scholarly work in the fields of literary criticism, queer theory, cultural studies, psychoanalytic theory, and film and visual studies. Moving across an impressive range of sources, Mikko Tuhkanen seeks out the “fundamental notes”-the questions that we find and refind-in Bersani's extensive oeuvre across the decades. The chapters explore Bersani's engagement with psychoanalytic theory (Freud, Laplanche, Klein, Lacan), French and American modernist fiction (Proust, Baudelaire, Mallarmé, James, Beckett), poststructuralist theory (Derrida, Foucault, Deleuze, Guattari, Blanchot), queer theory (Butler, Edelman), and the visual arts (Caravaggio, Almodóvar, Pasolini, Malick, Dumont). This first introduction to Bersani's work provides a chronological overview of his thought and details his contributions to literary studies and critical theory.




Feminisms, Technology and Depth Psychology


Book Description

Feminisms, Technology and Depth Psychology explores the intersection of a variety of feminist thought with technology through the lens of depth psychology, and investigates how current approaches to technology impact female life globally – from internet use, to biotechnology, to how female creators imagine life. This thought‐provoking collection is a discussion on changing female capacities and creativity. It questions whether female oppression is becoming more easily enabled within the context of technology use, touching on topics of manipulation, ecological awareness, female decision making, and more. Part One is a three‐chapter investigation on queer history, birthing, and reproductive technologies in science fiction novels. Part Two explores images of females and technology in a variety of cultural products ranging from science fiction films to contemporary TV dramas and novels. Part Three looks at the political impact of technology on female worlds, and Part Four examines perspectives on the creative process behind writing science fiction and fantasy. Feminisms, Technology and Depth Psychology will appeal to Jungian analysts and psychotherapists, and analytical psychologists. It also offers insightful perspectives to academics and students of psychology, gender studies, and politics.




Introducing Contemporary Psychodynamic Counselling and Psychotherapy: the Art and Science of the Unconscious


Book Description

Dr Alistair Ross is a University of Oxford academic whose previous work has been described by Ruby Wax as ‘very, very smart’. This new introductory book strikes an easy balance between theory and practice. It takes the reader from the field’s Freudian roots to its contemporary applications, skills and insights. Over the last 30 years, important new theoretical ideas, skills and clinical practices have emerged in counselling and psychotherapy. While key Freudian concepts like transference, counter-transference and the influence of the past on the present remain vital to psychodynamic work, research drawn from infant development, neuroscience, the role of the sacred, and intersubjective approaches to relationships has changed the way therapists understand and work with clients. Either in its own right or as part of an integrative approach, psychodynamic counselling and psychotherapy have an important role to play in developments to come. The book’s features include: • A re-discovery of the importance and relevance of Freud for present-day therapeutic relationships. • An encounter with the breadth and depth of our understanding about, and experience of, the unconscious. • An introduction to research that has evolved after Freud, revealing new ways of applying his ideas. • A contemporary perspective on traditional counselling and psychotherapy skills, illustrated by vignettes and personal insights from Alistair Ross’s professional practice. • An encouragement to develop new skills for relating at depth with our clients’ past, present and future, motivated by revealing how life-changing therapy can be. This book is a must-read for trainee and practising (psychodynamic or integrative) therapists who want an overview of new thinking and practice or might benefit from greater insight into psychodynamic practice, applying Freud’s theoretical world to improving the lives of real people today. ‘It is good to see Alistair, a valued student of mine and now an equally valued colleague, taking up the torch for psychodynamic counselling and psychotherapy for a new generation. He has written a book that collates much of the valuable writing to date and at the same time adds new dimensions that should not be overlooked.’ Michael Jacobs, Visiting Professor, University of Leeds and Bournemouth University, UK




Psychoanalysis, Gender, and Sexualities


Book Description

Transcending the sex and gender dichotomy, rethinking sexual difference, transgenerational trauma, the decolonization of gender, non-Western identity politics, trans*/feminist debates, embodiment, and queer trans* psychoanalysis, these specially commissioned essays renew our understanding of conventionally held notions of sexual difference. Looking at the intersections between psychoanalysis, feminism, and transgender discourses, these essays think beyond the normative, bi-gender, Oedipal, and phallic premises of classical psychoanalysis while offering new perspectives on gender, sexuality, and sexual difference. From Freud to Lacan, Kristeva, and Laplanche, from misogyny to the #MeToo movement, this collection brings a timely corrective that historicizes our moment and opens up creative debate. Written for professionals, scholars, and students alike, this book will also appeal to psychoanalysts, psychologists, and anyone in the fields of literature, film and media studies, gender studies, cultural studies, and social work who wishes to grapple with the theoretical challenges posed by gender, identity, sexual embodiment, and gender politics.




The Practice of Folklore


Book Description

Winner of the 2020 Chicago Folklore Prize CHOICE Outstanding Academic Title for 2020 Despite predictions that commercial mass culture would displace customs of the past, traditions firmly abound, often characterized as folklore. In The Practice of Folklore: Essays toward a Theory of Tradition, author Simon J. Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life. Bronner proposes a distinctive “praxic” perspective that will answer the pressing philosophical as well as psychological question of why people enjoy repeating themselves. The significance of the keyword practice, he asserts, is the embodiment of a tension between repetition and variation in human behavior. Thinking with practice, particularly in a digital world, forces redefinitions of folklore and a reorientation toward interpreting everyday life. More than performance or enactment in social theory, practice connects localized culture with the vernacular idea that “this is the way we do things around here.” Practice refers to the way those things are analyzed as part of, rather than apart from, theory, thus inviting the study of studying. “The way we do things” invokes the social basis of “doing” in practice as cultural and instrumental. Building on previous studies of tradition in relation to creativity, Bronner presents an overview of practice theory and the ways it might be used in folklore and folklife studies. Demonstrating the application of this theory in folkloristic studies, Bronner offers four provocative case studies of psychocultural meanings that arise from traditional frames of action and address issues of our times: referring to the boogieman; connecting “wild child” beliefs to school shootings; deciphering the offensive chants of sports fans; and explicating male bravado in bawdy singing. Turning his analysis to the analysts of tradition, Bronner uses practice theory to evaluate the agenda of folklorists in shaping perceptions of tradition-centered “folk societies” such as the Amish. He further unpacks the culturally based rationale of public folklore programming. He interprets the evolving idea of folk museums in a digital world and assesses how the folklorists' terms and actions affect how people think about tradition.




Reading Hilary Mantel


Book Description

From the ghosts which reside in Midlands council houses in Every Day is Mother's Day to the resurrected historical dead of the Booker Prize-winning Wolf Hall and Bring up the Bodies, the writings of Hilary Mantel are often haunted by supernatural figures. One of the first book-length studies of the writer's work, Reading Hilary Mantel explores the importance of ghosts in the full range of her fiction and non-fiction writing and their political, social and ethical resonances. Combining material from original interviews with the author herself with psychoanalytic, historicist and deconstructivist critical perspectives, Reading Hilary Mantel is a landmark study of this important and popular contemporary novelist.




Literary Seductions


Book Description

We have all surrendered ourselves to the world that writing creates. Eudora Welty once observed that her mother read the works of Charles Dickens in the same spirit with which she would have eloped with him. Some of us remember our first novel with more pleasurable vividness than our first kiss. Many of us go to on-line chat rooms, looking for love with our keyboard. And most of us have tried to seduce with words--reciting that Shakespeare sonnet or composing that Valentine's Day poem with tremulous hope. All writing seeks to ensnare the reader in its embrace. As Frances Wilson also proves in this engaging, enlightening, and provocative new book, writing can also ensnare the writers themselves. Highlighting the lives and loves of celebrated literary couples, Literary Seductions reveals the depth of their passion for language--their own as well as their partner's. Taking as a point of departure the legendary courtship of Robert Browning and Elizabeth Barrett, a courtship conceived on the printed page, Wilson explores how easily, how seductively, literary desire becomes sexual desire and vice versa. "Literary seductions," she writes, are "violent, extreme, and irreversible." Not all reading seduces, not all writing inflames. But when they do, what is written ceases to be merely an arrangement of symbols on a page. The word has been made flesh. Lady Caroline Lamb and Lord Byron, Anaïs Nin and Henry Miller, Laura Riding and Robert Graves, Osip and Nadzheda Mandelstam, W. B. and Georgie Yeats were all in the grip of a compulsion for writing and reading, enmeshed in words. Miller called his relationship with Nin, a "literary fuck-fest"; for Riding and Graves, it took on the self-destructive (and self-conscious) melodrama of a Russian novel; for the Mandelstams, it was a life-giving (if self-sacrificing) bond in a precarious world; for George and W. B. Yeats, it offered sexual stimulus. The couplings of verbs and nouns do more than precede coupling; they comprise it. Literary Seductions is itself a seductive book. The elegant power of Wilson's arguments, the rigor of her research, and the delights of her prose enthrall the reader. Here is intellectual engagement and readerly pleasure rolled into one.