Essays on Fielding Miscellanies


Book Description

Henry Fielding's Miscellanies, three volumes of poetry, essays, and satires, have never been studied in detail. Uneven in quality, often highly personal, they offer important insights into the concerns and growth of the English novelist. Mr. Miller has provided a reference guide to the First volume of the three, analyzing the writings and the intellectual traditions in which Fielding worked. Included in Volume One are poetry, formal essays, a translation from the Greek, and several satirical sketches and Lucianic dialogues. Here is Fielding experimenting with literary styles; adumbrated here are many of the themes and methods of the later novels, Tom Jones and Amelia in particular. In recording Fielding's intense moral concerns, his comic genius, and his ironic, incisive portraits of man and society, Volume One of the Miscellanies is a microcosm of his intellectual world. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.













Miscellanies by Henry Fielding, Esq


Book Description

Contains the fantasy, A Journey from This World to the Next, and two plays: the farce Eurydice, and The Wedding Day, a revision of an early intrigue comedy. Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The History of the life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the 'thief-taker' and gangleader of that name who has hanged in 1725, but in Fielding's hands the history of Wild is transformed into a mock-historical work of sustained irony aimed at all who would be 'great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common and since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volumes of the Wesleyan Edition, this provides a critical, unmodernized text, based on the Greg-Bowers 'Rationale of Copy-text'. The version is that of the first edition, with an appendix giving al variants in wording and presentation of the 1754 revision. In his introduction the textual editor lays out the rationale for his choice version. This volume also includes, for the first time in a modern edition, Fielding's list of subscribers to the Miscellanies, along with detailed biographical notes and an analysis of the subscription list by textual author.