Sentient Flesh


Book Description

In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive force of ontology that still holds us in thrall. Erudite and capacious, Sentient Flesh offers a major intervention in the black study of life.




My Sentient Fleshlight and Me


Book Description

A true friends with benefits situation...A professional sex toy reviewer tests a fleshlight - a sex toy shaped unnervingly like female genitals that have been forced into a flashlight casing. But he realises that this is no ordinary fleshlight - it's sentient!The fleshlight explains its unusual backstory and the two of them have an adventure they won't soon forget.My Sentient Fleshlight and Me is a surreal mix of black comedy, horror, and dare I say... erotica? It's certainly unique, if you consider that a selling point at all.




Peter Watts Is An Angry Sentient Tumor


Book Description

With over fifty unpredictable, scathing, hilarious, and more-than-occasionally moving essays about science, politics, family, pop culture, religion and more, Peter Watts — Hugo Award-winning author, former marine biologist, and “angry sentient tumor” (via Annalee Newitz, author of Autonomous) — shows why he is the savage dystopian optimist whom you can’t look away from ... even when you probably should. [STARRED REVIEW] “Irreverent, self-depreciating, profane, and funny, showcasing a Hunter S. Thompson–esque studied rage and dissatisfaction with the status quo combined with the readability and humor of John Scalzi.” —Booklist Which of the following is true? Peter Watts is banned from the U.S. Watts almost died from flesh-eating bacteria. A schizophrenic man living in Watts’s backyard almost set the house on fire. Watts was raised by Baptists who really sucked at giving presents. Peter Watts said to read this book. Or else. With Watts's infamous penchant for blunt, honest, and deep reflection, these retrospective essays provide a view inside his head and even into his heart.




All Flesh Is Grass


Book Description

Long before Under the Dome, this novel of a town trapped within an invisible force field earned a Nebula Award nomination for the author of Way Station. Nothing much ever happens in Millville, a small, secluded Middle-American community—until the day Brad Carter discovers he is unable to leave. And the nearly bankrupt real estate agent is not the only one being held prisoner; every resident is confined within the town’s boundaries by an invisible force field that cannot be breached. As local tensions rapidly reach breaking point, a set of bizarre circumstances leads Brad to the source of their captivity, making him humanity’s reluctant ambassador to an alien race of sentient flora, and privy to these jailers’ ultimate intentions. But some of Millville’s most powerful citizens do not take kindly to Carter’s “collaboration with the enemy,” even under the sudden threat of global apocalypse. Decades before Stephen King trapped an entire town in Under the Dome, science fiction Grand Master Clifford D. Simak explored the shocking effects of communal captivity on an unsuspecting population. Nominated for the Nebula Award, All Flesh Is Grass is a riveting masterwork that brilliantly reinvents the alien invasion story.




Tender Is the Flesh


Book Description

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.







Black or Right


Book Description

Black or Right: Anti/Racist Campus Rhetorics explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.




The Sentient Archive


Book Description

The Sentient Archive gathers the work of scholars and practitioners in dance, performance, science, and the visual arts. Its twenty-eight rich and challenging essays cross boundaries within and between disciplines, and illustrate how the body serves as a repository for knowledge. Contributors include Nancy Goldner, Marcia B. Siegel, Jenn Joy, Alain Platel, Catherine J. Stevens, Meg Stuart, André Lepecki, Ralph Lemon, and other notable scholars and artists. Hardcover is un-jacketed.




Decolonial Puerto Rican Women's Writings


Book Description

This book explores representations of sentient-flesh — flesh that holds consciousness of being — in Puerto Rican women’s literature. It considers how different literary devices can participate in the decolonization of the flesh as it is obfuscated by mappings of the 'body' from the Enlightenment era and colonial endeavors. Drawing on studies of cognitive development and epigenetics to identify how sentient-flesh creates knowledge of power and navigates methods of subversion for social justice, this book grapples with the question of how Puerto Rican women, living in the nation of their colonizer, manifest an identity that exists beyond the scope of colonization. It makes the case for a change in perspective that illustrates the conceptual shift from survivors to thrivers to educators. To do so, it draws upon Cherríe Moraga and Gloria Anzaldúa’s theory in the flesh; Iris Lopez’s theories of trauma-knowledge; and María Lugones’s concept of 'world travelers' to retain the corporeal flesh and physical location in Latinas’ attempts to write subversion under U.S. colonization across racial, cultural, and ethnic boundaries, as well as the gendered-sexuality barriers identified by Emma Pérez. This project builds on their work to frame Latina literature within a new discussion of how corporeal, memory, and sentient experiences of identity must center sentient-flesh as the source of decolonial consciousness rather than relapsing into discourses of the 'body'.




Doctor Who: All Flesh is Grass


Book Description

Even a Time Lord can’t change the past. A wasteland. A dead world... No, there is a biodome, rising from the ash. Here, life teems and flourishes, with strange and lush plants, and many-winged insects with bright carapaces – and one solitary sentient creature, who spends its days watering the plants, talking to the insects, and tending this lonely garden. This is Inyit, the Last of the Kotturuh. In All Flesh is Grass we are transported back to The Dark Times. The Tenth Doctor has sworn to stop the Kotturuh, ending Death and bringing Life to the universe. But his plan is unravelling – instead of bringing Life, nothing has changed and all around him people are dying. Death is everywhere. Now he must confront his former selves – one in league with their greatest nemesis and the other manning a ship of the undead...