Serenade D Major for Full Orchestra, Op. 11
Author : Johannes Brahms
Publisher :
Page : 0 pages
File Size : 34,86 MB
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ISBN :
Author : Johannes Brahms
Publisher :
Page : 0 pages
File Size : 34,86 MB
Release :
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Author : Johannes Brahms
Publisher :
Page : pages
File Size : 19,15 MB
Release : 2005
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Author : Johannes Brahms
Publisher :
Page : 152 pages
File Size : 43,5 MB
Release : 1978
Category : Suites (Chamber orchestra)
ISBN :
Author : Johannes Brahms
Publisher : Courier Corporation
Page : 259 pages
File Size : 10,48 MB
Release : 1999-01-01
Category : Music
ISBN : 048640854X
Two popular pieces include the 1860 full orchestra revision of Serenade No. 1 in D Major, Op. 11; and Brahms s 1875 revision of Serenade No. 2 in A Major, Op. 16. Authoritative early editions. Instrumentation. "
Author : Johannes Brahms
Publisher :
Page : 160 pages
File Size : 38,42 MB
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Author : Johannes Brahms
Publisher :
Page : 35 pages
File Size : 44,55 MB
Release : 1898
Category : Piano music, Arranged
ISBN :
Author : Johannes Brahms
Publisher : Courier Corporation
Page : 310 pages
File Size : 14,8 MB
Release : 1999-01-01
Category : Music
ISBN : 9780486408545
Two popular pieces include the 1860 full orchestra revision of Serenade No. 1 in D Major, Op. 11; and Brahms s 1875 revision of Serenade No. 2 in A Major, Op. 16. Authoritative early editions. Instrumentation. "
Author : David Daniels
Publisher : Rowman & Littlefield
Page : 1464 pages
File Size : 41,63 MB
Release : 2022-06-30
Category : Music
ISBN : 1442275219
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author : Jacquelyn Sholes
Publisher : Indiana University Press
Page : 276 pages
File Size : 18,51 MB
Release : 2018-05-24
Category : Music
ISBN : 0253033160
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
Author : Hans von Bülow
Publisher : Scarecrow Press
Page : 171 pages
File Size : 28,68 MB
Release : 2012
Category : Biography & Autobiography
ISBN : 0810882159
Hans-Joachim Hinrichsen's Hans von Bülow's Letters to Johannes Brahms, originally published in German in 1994, covers the correspondence between Hans von Bülow and Brahms from 1877 to 1892, with Brahms's replies, where obtainable, included in the commentary. In addition to selected facsimiles of letters, postcards, and concert programs, this research edition of the correspondence of these two giants of classical music includes a thorough commentary explaining individuals, events, and issues discussed in the letters. Authoritatively researched, Hinrichsen's edition of these letters, artfully translated by Cynthia Klohr, brings to life the world of music that Brahms and Bülow inhabited.