The Greenhill Dictionary of Military Quotations


Book Description

An authoritative compilation of military history quotes from 2000 BC to the present day. 'A massive compilation casting light not only upon the pain, suffering and sheer insanity of war, but also upon the unique comradeship and exhilaration of battle... this is a valuable addition to the literature of reference.' - The Spectator Peter Tsouras brings 4,000 years of military history to life through the words of more than 800 soldiers, commanders, military theorists and commentators on war. Quotes by diverse personalities – Napoleon, Machiavelli, Atatürk, 'Che' Guevara, Rommel, Julius Caesar, Wellington, Xenophon, Crazy Horse, Wallenstein, T.E. Lawrence, Saladin, Zhukov, Eisenhower and many more – sit side by side to build a comprehensive picture of war across the ages. Broken down into more then 480 categories, covering courage, danger, failure, leadership, luck, military intelligence, tactics, training, guerrilla warfare and victory, this definitive guide draws on the collected wisdom of those who have experienced war at every level. From the brutality and suffering of war, to the courage and camaraderie of soldiers, to the glory and exhilaration of battle, these quotes offer an insight into the turbulent history of warfare and the lives and deeds of great warriors.







The United States Catalog


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Tommy This an' Tommy That


Book Description

There is nothing new about the military covenant, a freshly minted term for something that's been around for as long as soldiering itself. 'Tommy' may have to make the ultimate sacrifice for his country. But what will his country do for him? Over centuries the covenant has been variously honoured and ignored. Confronted daily with flag-draped coffins, shameful stories of inadequate kit and shocking images of the fighting in Iraq and Afghanistan: what exactly are we doing to honour those who sacrifice all in the service of their country? In Tommy This an' Tommy That Andrew Murrison uses his perspective as a senior Service doctor and frontline politician to set the events of the past ten years in historical context. He charts the ways in which societal and political changes have impacted on the wellbeing of uniformed men and women, and the nation's changing sense of obligation towards the military. Crucially he asks what the future holds for the military covenant.




How the Russians Read the French


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Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was perhaps most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great. In How the Russians Read the French, Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own positions as Russian writers with specifically Russian aesthetic and moral values. Rejecting French sensationalism and what they perceived as a lack of spirituality among Westerners, these three writers attempted to create moral and philosophical works of art that drew on sources deemed more acceptable to a Russian worldview, particularly Pushkin and the Gospels. Through close readings of A Hero of Our Time, Crime and Punishment, and Anna Karenina, Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to foster a genuinely Russian national tradition, free from imitation of Western models. Winner, University of Southern California Book Prize in Literary and Cultural Studies, American Association for the Advancement of Slavic Studies




Napoleon


Book Description

This sophisticated and masterful biography, written by a respected French history scholar who has taught courses on Napoleon at the University of Paris, brings new and remarkable analysis to the study of modern history's most famous general and statesman. Since boyhood, Steven Englund has been fascinated by the unique force, personality, and political significance of Napoleon Bonaparte, who, in only a decade and a half, changed the face of Europe forever. In Napoleon: A Political Life, Englund harnesses his early passion and intellectual expertise to create a rich and full interpretation of a brilliant but flawed leader. Napoleon believed that war was a means to an end, not the end itself. With this in mind, Steven Englund focuses on the political, rather than the military or personal, aspects of Napoleon's notorious and celebrated life. Doing so permits him to arrive at some original conclusions. For example, where most biographers see this subject as a Corsican patriot who at first detested France, Englund sees a young officer deeply committed to a political event, idea, and opportunity (the French Revolution) -- not to any specific nationality. Indeed, Englund dissects carefully the political use Napoleon made, both as First Consul and as Emperor of the French, of patriotism, or "nation-talk." As Englund charts Napoleon's dramatic rise and fall -- from his Corsican boyhood, his French education, his astonishing military victories and no less astonishing acts of reform as First Consul (1799-1804) to his controversial record as Emperor and, finally, to his exile and death -- he is at particular pains to explore the unprecedented power Napoleon maintained over the popular imagination. Alone among recent biographers, Englund includes a chapter that analyzes the Napoleonic legend over the course of the past two centuries, down to the present-day French Republic, which has its own profound ambivalences toward this man whom it is afraid to recognize yet cannot avoid. Napoleon: A Political Life presents new consideration of Napoleon's adolescent and adult writings, as well as a convincing argument against the recent theory that the Emperor was poisoned at St. Helena. The book also offers an explanation of Napoleon's role as father of the "modern" in politics. What finally emerges from these pages is a vivid and sympathetic portrait that combines youthful enthusiasm and mature scholarly reflection. The result is already regarded by experts as the Napoleonic bicentennial's first major interpretation of this perennial subject.




The Dial


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On Art and War and Terror


Book Description

This book, a collection of Alex Danchev's essays on the theme of art, war and terror, offers a sustained demonstration of the way in which works of art can help us to explore the most difficult ethical and political issues of our time: war, terror, extermination, torture and abuse.It takes seriously the idea of the artist as moral witness to this realm, considering war photography, for example, as a form of humanitarian intervention. War poetry, war films and war diaries are also considered in a broad view of art, and of war. Kafka is drawn upon to address torture and abuse in the war on terror; Homer is utilised to analyse current talk of 'barbarisation'. The paintings of Gerhard Richter are used to investigate the terrorists of the Baader-Meinhof group, while the photographs of Don McCullin and the writings of Vassily Grossman and Primo Levi allow the author to propose an ethics of small acts of altruism.This book examines the nature of war over the last century, from the Great War to a particular focus on the current 'Global War on Terror'. It investigates what it means to be human in war, the cost it exacts and the ways of coping. Several of the essays therefore have a biographical focus.