Author : Robert L. Herbert
Publisher : Yale University Press
Page : 216 pages
File Size : 44,59 MB
Release : 2001-01-01
Category : Art
ISBN : 9780300071313
"This collection of the most influential of Herbert's writings on Seurat, long out of print, bear out the praise he has received for "his ability to mix a deep knowledge of paintings and drawings as physical objects with an acute awareness of the way they embody ideas and can be understood as social documents". This book will appeal both to the general reader and to the student of French nineteenth-century art."--BOOK JACKET.
Author : Hajo Düchting
Publisher : Taschen
Page : 106 pages
File Size : 34,19 MB
Release : 2000
Category : Art
ISBN : 9783822858639
Georges Seurat died in 1891, aged only 32, and yet in a career that lasted little more than a decade he revolutionized technique in painting, spearheaded a new movement, Neoimpressionism, and bought a degree of scientific rigour to his investigations of colour that would prove profoundly influential well into the 20th century. As a student at the Ecole des Beaux-Arts, Seurat read Chevreul's 1839 book on the theory of colour and this, along with his own analysis of Delacroix' paintings and the aesthetic observations of scientist Charles Henry, led him to formulate the concept of Divisionism. This was a method of painting around colour contrasts in which shade and tone are built up through dots of paint (pointillism) that emphasise the complex inter-relation of light and shadow.
Author : Michelle Foa
Publisher : Yale University Press
Page : 246 pages
File Size : 23,38 MB
Release : 2015-07-14
Category : Art
ISBN : 0300212828
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.
Author : John Russell
Publisher : Thames & Hudson
Page : 286 pages
File Size : 26,25 MB
Release : 1985
Category : Art
ISBN : 9780500200322
'A lively and most readable account of Seurat's life and artistic development... Mr. Russell contributes some important original insights.' -- The Burlington Magazine
Author : Michelle Foa
Publisher : Yale University Press
Page : 249 pages
File Size : 10,23 MB
Release : 2015-07-14
Category : Art
ISBN : 0300208359
Studie van het werk van de Franse schilder (1859-1891).
Author : Georges Seurat
Publisher :
Page : 0 pages
File Size : 46,26 MB
Release : 2009
Category :
ISBN : 9783775725354
This volume highlights French Post-Impressionist painter and draftsman Georges Seurat's (1859-1891) paintings and graphic works in words and pictures, and presents the artist's inspiration in his numerous preliminary studies for the paintings. Thirty masterpieces are presented in the audio guide in the "Art to Hear" series, and explained with exciting details from the checkered life of the artist. Seurat was a pioneering avant-garde artist who developed the painting technique of pointillism and therewith revolutionized the art world. His apparition-like, alienated appearing figures are in seeming contrast to the charming landscapes the artist sets them in, resulting in a subtle tension. The accompanying audio CD provides information about the pieces included in this book, enabling the reader to pay a "virtual" visit to a Seurat exhibition
Author :
Publisher :
Page : 1052 pages
File Size : 12,18 MB
Release : 1972
Category : Nuclear energy
ISBN :
Author : Paul Smith
Publisher : Yale University Press
Page : 234 pages
File Size : 33,6 MB
Release : 1997-01-01
Category : Art
ISBN : 0300070020
Georges Seurat, one of the most popular and admired of post-Impressionist painters, has been the focus of much attention in recent years. This book by Paul Smith views the artist in a new context and explodes some of the myths that have grown up about him. Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, Smith instead traces the painters involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art. Smith studies contemporary interpretations of Impressionism and analyzes how the groups surrounding Seurat constructed meaning from his art. From this investigation he creates a portrait of Seurat as one who was willing to accept, even encourage, interpretations of his art that he may not have intended. Smith shows, for example, that the "scientific" account of Seurat's color first developed by Félix Fénéon actually represents the theory and practice of Pissaro. He examines Seurat's involvement with anarchist critics and concludes that he merely posed as a painter with left-wing sympathies in order to benefit from the publicity these writers gave him. He explains that Seurat was sympathetic to Symbolism from its very inception and that he and his early Symbolist critics developed a theory of his art that was founded on Schopenhauer and Wagner's ideas on art. And he explores the ways that Seurat focused on the musicality of art and on incorporating certain "musical" features in his work. Beautifully illustrated and engagingly written, this book presents a convincing new interpretation of the work of a major artist.
Author : Robert L. Herbert
Publisher : Metropolitan Museum of Art
Page : 462 pages
File Size : 27,97 MB
Release : 1991
Category : Dots (Art)
ISBN : 0810964104
A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
Author : Richard Thomson
Publisher : Metropolitan Museum of Art
Page : 146 pages
File Size : 42,63 MB
Release : 2017-02-15
Category : Art
ISBN : 1588396150
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.
