Seventeenth-Century Dutch and Flemish Painting


Book Description

A catalogue of 128 paintings produced during this period in which the art of portraiture was transformed, religious imagery dynamized, and new genres such as flower painting were established. The art of Holland's Golden Age is perennially popular with collectors and gallery visitors alike and this book provides a new insight into this unique private collection. In his introduction Ivan Gaskill considers the extremely varied character of Dutch and Flemsih seventeenth century art. It ranges from minutely observed scens of everyday life to portraits, religious works and intimate still-life compositions. The Thyssen-Bornemisza Collection is especially rich in landscapes, a subject which had emerged as a seperate genre in the Netherlands in the previous century. The author outlines the development of painting on both sides of the border, placing it in its social and historical context, and goes on to discuss the taste for Dutch and Flemish art from the seventeenth century to the present day and spotlights some of the earlier collectors. This detailed catalogue of 128 paintings is the result of meticulous researchin British, Dutch and American libraries and archives. The entries are arranged in ten groups by subject so that thematic similarities can be conveniently examined. Amongst the most celebrated works is Frans Hal's monumental "Family Portrait" - once the most expensive painting in the world. All the paintings are illustrated in colour and are accompanied by comparative illustrations and technical photographs.




Dutch Paintings of the Seventeenth Century


Book Description

Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.




Dutch and Flemish Paintings


Book Description




A History of the Iziko South African National Gallery


Book Description

In South Africa, with its highly contested and changing understandings of national identity, its National Gallery is no less a contested space. A History of the Iziko South African National Gallery considers questions of artistic and cultural identity, from the late 19th century to the present day. It explores how the gallery has understood its function and its public, as a ‘national’ gallery from 1930 and, before that, the chief gallery of the Cape Colony. This question is investigated through a study of the gallery’s administration, collection and exhibition practices over the last 150 years. What is understood by and expected of a national gallery varies considerably worldwide. Should it regard itself as part of a broad international cultural discourse, or should it be representative of a specifically national – or even regional – identity? The gallery is a microcosm of the greater debate: how the South African nation relates to the larger world and how, if at all, it understands the concept of a shared culture. In the last 20 years, Museum Studies have become a major part of the field of Cultural Studies. There is a vast literature on what might be called the ‘history’ museum, but far less on the art museum or gallery. To date, there has been no large-scale historical inquiry into the Iziko SANG, the country’s national gallery. The absence of such a history marks a serious gap in the literature, which this study aims to fill.










Old Masters Worldwide


Book Description

As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.




Dutch and Flemish Newspapers of the Seventeenth Century, 1618-1700 (2 Vols.)


Book Description

Winner of the 2019 Menno Hertzberger Encouragement Prize for Book History and Bibliography In Dutch and Flemish Newspapers of the Seventeenth Century Arthur der Weduwen presents the first comprehensive account of the early newspaper in the Low Countries. Composed of two volumes, this survey provides detailed introductions and bibliographical descriptions of 49 newspapers, surviving in over 16,000 issues in 84 archives and libraries. This work presents a crucial overview of the first fledgling century of newspaper publishing and reading in one of the most advanced political cultures of early modern Europe. Seventy years after Folke Dahl’s Dutch Corantos first documented early Dutch newspapers, Der Weduwen offers a brand-new approach to the bibliography of the early modern periodical press. This includes, amongst others, a description of places of correspondence listed in each surviving newspaper. The bibliography is accompanied by an extensive introduction of the Dutch and Flemish press in the seventeenth century. What emerges is a picture of a highly competitive and dynamic market for news, in which innovative publishers constantly adapt to the changing tastes of customers and pressures from authorities at home and abroad.




The Art of Anthonie Palamedes (1602-1673)


Book Description

This book is the first complete study of the life and work of the 17th-century Dutch painter Anthonie Palamedes (1602-1673). Palamedes was active in Delft, one of the most important cities during the Dutch Golden Age, alongside Vermeer. Unlike his famous compatriot Vermeer, Anthonie Palamedes was a successful painter. He was socially acceptable, was recognized and appreciated by his colleagues, painted hundreds of pictures and achieved financial success that allowed him to live comfortably. Palamedes is therefore the embodiment of the successful painter in the Dutch "Golden Age". The book includes a biography of the painter as well as a systematic and comparative iconographical and stylistic study of his work, with an attached critical oeuvre catalogue.