Seventeenth Century Studies
Author : Edmund Gosse
Publisher :
Page : 392 pages
File Size : 47,5 MB
Release : 1897
Category : English poetry
ISBN :
Author : Edmund Gosse
Publisher :
Page : 392 pages
File Size : 47,5 MB
Release : 1897
Category : English poetry
ISBN :
Author : David Freedberg
Publisher : Getty Publications
Page : 458 pages
File Size : 12,14 MB
Release : 1996-07-11
Category : Art
ISBN : 0892362014
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Author : Beth L. Glixon
Publisher : Routledge
Page : 0 pages
File Size : 29,63 MB
Release : 2024-10-14
Category : Art
ISBN : 9781032919157
The past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of dance and scenery, as well as newer disciplines such as studies of patronage, gender, and semiotics. While most of the essays in the volume pertain to Italian opera, others concern opera production in France, England, Spain and the Germanic countries.
Author : Claudia R. Jensen
Publisher : Indiana University Press
Page : 377 pages
File Size : 39,67 MB
Release : 2009-10-05
Category : Music
ISBN : 0253003474
Claudia R. Jensen presents the first unified study of musical culture in the court and church of Muscovite Russia. Spanning the period from the installation of Patriarch Iov in 1589 to the beginning of Peter the Great's reign in 1694, her book offers detailed accounts of the celebratory musical performances for Russia's first patriarch -- events that were important displays of Russian piety and power. Jensen emphasizes music's varied roles in Muscovite society and the equally varied opinions and influences surrounding it. In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.
Author : Robert C. Evans
Publisher : A&C Black
Page : 284 pages
File Size : 44,37 MB
Release : 2010-02-10
Category : Literary Criticism
ISBN : 0826498507
One-stop resource offering complete textbook for courses in seventeenth-century literature - progressing from introductory topics through to overviews of current research.
Author : Laura Estill
Publisher : Rowman & Littlefield
Page : 285 pages
File Size : 34,98 MB
Release : 2015-01-21
Category : Literary Criticism
ISBN : 1611495156
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts into their commonplace books, verse miscellanies, diaries, and songbooks. This is the first book to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays.
Author : Associate Professor of History of Ideas and Science Cecilia Rosengren
Publisher : Seventeenth- And Eighteenth-Ce
Page : 448 pages
File Size : 33,65 MB
Release : 2022-04-12
Category : History
ISBN : 9781526146113
This edited collection, with contributions from literary scholars and art historians, maps how satire became a less genre-driven and increasingly visual medium in the early modern period. It features material on several European countries and demonstrates the range and diversity of satire in the period 1600 to 1830.
Author : Rebecca Herissone
Publisher : Boydell & Brewer Ltd
Page : 374 pages
File Size : 20,17 MB
Release : 2013
Category : Art
ISBN : 1843837404
The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.
Author : Richard Henry Popkin
Publisher : BRILL
Page : 394 pages
File Size : 42,52 MB
Release : 1992
Category : Philosophy
ISBN : 9789004093249
This volume contains more than twenty essays in the history of modern philosophy and history of religion by R.H. Popkin. Several of the essays have not been published before. Thinkers discussed include Hobbes, Henry More, Pascal, Spinoza, Cudworth, Newton, Hume, Condorcet, and Moritz Schlick.
Author : Peter R. Anstey
Publisher : Springer Science & Business Media
Page : 251 pages
File Size : 28,5 MB
Release : 2006-06-28
Category : Philosophy
ISBN : 1402037031
One of the hallmarks of the modern world has been the stunning rise of the natural sciences. The exponential expansion of scientific knowledge and the accompanying technology that so impact on our daily lives are truly remarkable. But what is often taken for granted is the enviable epistemic-credit rating of scientific knowledge: science is authoritative, science inspires confidence, science is right. Yet it has not always been so. In the seventeenth century the situation was markedly different: competing sources of authority, shifting disciplinary boundaries, emerging modes of experimental practice and methodological reflection were some of the constituents in a quite different mélange in which knowledge of nature was by no means p- eminent. It was the desire to probe the underlying causes of the shift from the early modern ‘nature-knowledge’ to modern science that was one of the stimuli for the ‘Origins of Modernity: Early Modern Thought 1543–1789’ conference held in Sydney in July 2002. How and why did modern science emerge from its early modern roots to the dominant position which it enjoys in today’s post-modern world? Under the auspices of the International Society for Intellectual History, The University of New South Wales and The University of Sydney, a group of historians and philosophers of science gathered to discuss this issue. However, it soon became clear that a prior question needed to be settled first: the question as to the precise nature of the quest for knowledge of the natural realm in the seventeenth century.