Seventy Years a Showman


Book Description

SEVENTY years a showman. Seventy years! A long, long day is waning at last. Here in the peaceful shadows of the Garden of Life I pause awhile. I want to drink in the scene. I want to realize the full meaning of it all. Rest—yes, I can rest now. The way has been long. It has often been weary. A showman’s life, my friends, is not all glory. Beneath the glitter and the tinsel is many a heartache. The open road is often strewn with thorns. And now the journey is nearly ended. Far away in the west I see the setting sun. The garden is hushed in sleep. Ay! The showman’s day is gone. The shutters are up. The camp fire, long lighted, is dying away. In its glowing embers I see strange faces. They are the faces of the Past. Tell us the showman’s tale, you say. And why not? The very thought of it brings back to my ears the jingle of bells. The dim figures before me turn into a thousand shapes and fancies. Tell you the showman’s tale? Ay, that I will. Once more I hear the blare of music and the sound of drums. I catch the laughter of merry children. Walk up! Walk up! Walk up! This way for one of the most singular stories ever told by living man! This way for a tale of strange things, scenes, and adventures!




The Dial


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The Wonders


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The untold story of the Victorian freak show and circus, and the remarkable cast of characters who performed in them.




Tales and Romances


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Catalog of Copyright Entries. New Series


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Part 1, Books, Group 1, v. 23 : Nos. 1-128 (Issued April, 1926 - March, 1927)




The Britannias: An Archipelago's Tale


Book Description

A revelatory portrait of Britain through its islands, The Britannias weaves history, myth, and travelogue to rewrite the story of this “island nation.” From Neolithic Orkney, Viking Shetland, and Druidical Anglesey to the joys and strangeness of modern Thanet, The Britannias explores the farthest reaches of Britain’s island topography, once known by the collective term “Britanniae” (the Britains). This expansive journey demonstrates how the smaller islands have wielded disproportionate influence on the mainland, becoming the fertile ground of political, cultural, and technological innovations that shaped history throughout the archipelago. In an act of feminist inquiry, personal adventure, and literary quest, Alice Albinia embarks on a series of journeys that traverse Britain and reach beyond its contemporary borders—from Europe to the Caribbean, Ireland to Scandinavia. She walks the coastlines of Lindisfarne, sails through the Hebrides archipelago, and bikes into Westminster at dawn. As she takes us across extravagantly varied island topographies and surveys centuries of history, Albinia ranges between languages and genres, and through disparate island cultures. She talks to stubbornly independent islanders and searches for archaeological and linguistic traces of island identities, discovering distinct traditions and resistance to mainland control. Trespassing into the past to understand the present, The Britannias uncovers an enduring and subversive mythology of islands ruled by women. Albinia finds female independence woven through Roman colonial reports and Welsh medieval poetry, Restoration utopias and island folk songs. These neglected epics offer fierce feminist countercurrents to mainstream narratives of British identity and shed new light on women’s status in the body politic today. Vivid, perceptive, and disruptive, The Britannias boldly upturns established truths about Britain while revealing its suppressed and forgotten beauty.




Monthly Bulletin


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"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-




Kenneth Grahame


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The Wind in the Willows needs no introduction - children have enjoyed the exploits of its characters for generations. Few would guess that its author, Kenneth Grahame, was a tortured soul. Marriage to the predatory Elspeth Thomson, when both seemed destined for the single life, was a shared fantasy of invented truth. Out of that union came a catastrophically spoiled son, 'Mouse', for whom that greatest of children's stories was written. It was the child's tragedy that he was sucked into the unreality of his parents' lives and did not survive it, ending his life in suicide. Alison Prince brings her own highly acclaimed expertise as a children's writer to this remarkably perceptive biography of Kenneth Grahame. Drawing on hitherto unpublished material she uncovers layer upon layer of Grahame's personality to reveal the truth behind the myth of this intriguing man, 'the tortured soul of Mr Toad'. 'Alison Prince describes the grim story of Grahame's marriage and fatherhood squarely and sensitively.' Independent 'A meaty, well-constructed biography.' Allan Massie Daily Telegraph




The Real Kenneth Grahame


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He wrote one of the most quintessentially English books, yet Kenneth Grahame (1859 – 1932) was a Scot. He was four years old when his mother died and his father became an alcoholic, so Kenneth grew up with his grandmother who lived on the banks of the beloved River Thames. Forced to abandon his dreams of studying at Oxford, he was accepted as a clerk at the Bank of England where he became one of the youngest men to be made company secretary. He narrowly escaped death in 1903 when he was mistaken for the Bank’s governor and shot at several times. He wrote secretly in his spare time for magazines and became a contemporary of contributors including Rudyard Kipling, George Bernard Shaw and WB Yeats. Kenneth’s first book, Pagan Papers (1893) initiated his success, followed by The Golden Age (1895) and Dream Days (1898), which turned him into a celebrated author. Ironically, his most famous novel today was the least successful during his lifetime: The Wind in the Willows (1908) originated as letters to his disabled son, who was later found dead on a train line after a suspected suicide. Kenneth never recovered from the tragedy and died with a broken heart in earshot of the River Thames. His widow, Elspeth, dedicated the rest of her life to preserving her husband’s name and promoting his work.




Theatre Arts Monthly


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