Sex, Power and the Folly of Marriage in Women's Novels of the 1920s


Book Description

The Americans experienced great social change in the decade following World War I. They were restless, often discontented, searching for the good life--the one promised to the generation who, cheered on by patriotic slogans and propaganda, enlisted to fight on European battlefields. While young writers such as Hemingway and Fitzgerald romanticized the lives of Americans in postwar Europe and the U.S., a number of women authors in the 1920s looked through a darker lens. The novels of Edith Wharton, Willa Cather, Margaret Wilson, Edna Ferber, Ellen Glasgow, Dorothy Scarborough and Dawn Powell--set mainly in the 19th century--searched the past for the origins of postwar upheaval, especially with respect to the status of women. Today, a few iconic male novelists of the 1920s are synonymous with the spirit and culture of the Jazz Age. This book focuses on their female contemporaries--largely neglected by both critics and readers--who remain relevant for their exploration of timeless social and psychological themes, the battle of the sexes and its tragic consequences.




Self-Made Women in the 1920s United States


Book Description

Women of the 1920s led a revolt against the old standards of womanhood that were dominating US culture. Flappers and feminists, they spoke and acted out, inspiring other women to follow. This book analyzes the work of eleven important 1920s female authors who chronicled this revolt: Anzia Yezierska, Anita Loos, Mae West, Josephine Lovett, Nella Larsen, Mourning Dove, Djuna Barnes, Amy Lowell, Gertrude Stein, Bessie Smith, and Dorothy Parker. These trailblazers wrote counter-narratives to the sexism, racism, classism, and homophobia women faced during the Jazz Age. The author brings their novels, poems, plays, film scenarios, and blues lyrics into conversation with each other for the first time to show different approaches female readers could take to become autonomous individuals and full citizens. The works also encouraged readers to maintain supportive relationships with other progressive women. The author argues these works presented female readers with examples of how they could act individually and collectively to attain the political power, social status, economic independence, sexual freedom, and artistic recognition they deserved.




On the Offensive


Book Description

I'm not a racist, but... You look good, for your age... She was asking for it... You're crazy... That's so gay... Have you ever wondered why certain language has the power to offend? It is often difficult to recognize the veiled racism, sexism, ageism (and other –isms) that hide in our everyday discourse. This book sheds light on the derogatory phrases, insults, slurs, stereotypes, tropes and more that make up linguistic discrimination. Each chapter addresses a different area of prejudice: race and ethnicity; gender identity; sexuality; religion; health and disability; physical appearance; and age. Drawing on hot button topics and real-life case studies, and delving into the history of offensive terms, a vivid picture of modern discrimination in language emerges. By identifying offensive language, both overt and hidden, past and present, we uncover vast amounts about our own attitudes, beliefs and values and reveal exactly how and why words can offend.




Sex, Power and the Folly of Marriage in Women's Novels of the 1920s


Book Description

The Americans experienced great social change in the decade following World War I. They were restless, often discontented, searching for the good life--the one promised to the generation who, cheered on by patriotic slogans and propaganda, enlisted to fight on European battlefields. While young writers such as Hemingway and Fitzgerald romanticized the lives of Americans in postwar Europe and the U.S., a number of women authors in the 1920s looked through a darker lens. The novels of Edith Wharton, Willa Cather, Margaret Wilson, Edna Ferber, Ellen Glasgow, Dorothy Scarborough and Dawn Powell--set mainly in the 19th century--searched the past for the origins of postwar upheaval, especially with respect to the status of women. Today, a few iconic male novelists of the 1920s are synonymous with the spirit and culture of the Jazz Age. This book focuses on their female contemporaries--largely neglected by both critics and readers--who remain relevant for their exploration of timeless social and psychological themes, the battle of the sexes and its tragic consequences.




Feminist Collections


Book Description




The History of British Women's Writing, 1920-1945


Book Description

Featuring sixteen contributions from recognized authorities in their respective fields, this superb new mapping of women's writing ranges from feminine middlebrow novels to Virginia Woolf's modernist aesthetics, from women's literary journalism to crime fiction, and from West End drama to the literature of Scotland, Ireland and Wales.




Modern Love


Book Description

Private life has altered beyond all recognition during the past one hundred years. Britain in 1900 was emerging from a Victorian era in which prudery, patriarchal authority, and pettifogging rules of etiquette were widely perceived to have circumscribed relations between men and women. The twentieth century witnessed a reaction against this system of separate spheres spearheaded by reformers eager that the sexes become each other's equals and intimates. Modern Love traces the trajectory of this new model of personal relationships over the course of the twentieth century, from its emergence out of the crucible of the suffrage campaign through its reshaping by the women's liberation movement. It explores its impact on smut merchants, warring couples, and teenagers, as well as its reception by such diverse figures as Bertrand Russell and Germaine Greer. It draws on sources as varied as suffragette propaganda, banned sex manuals, marriage counseling literature and pin-up magazines. Marcus Collins teaches modern British history at Emory University.










Forced to Be Queen


Book Description

MARRY THE KING, SAVE THE WORLD When the fae came, their magic brought destruction that only stopped when we offered them the one thing they wanted: Wives for their kings. I was selected "at random". Sacrificed to the fae. But the sexy, infuriating king I'm paired with doesn't want my body or soul; he wants my help. Thanks to some kind of prophecy, he and his people think I can get them back home. Getting them back home will require taking some of the king's magic, which is unstable on the best of days and catastrophic on the worst. When the power takes more effort to control than I would've ever guessed, and I'm forced to turn to my husband for help. But the fae never give anything away for free; especially knowledge. It was supposed to be simple: Marry the king, save the world. But now that we're married, and his power is becoming mine, our marriage might end up destroying the world... and I might be the one who destroys it. If you love books by Jennifer L Armentrout, Holly Black, Elise Kova, or Jaymin Eve, you'll devour this slow-burn enemies-to-lovers fae romance featuring an exciting new take on mermaids, faeries, dragons, and more!