The Sex Radicals


Book Description

This volume provides the first account of the pioneering efforts at sex reform in America from the Gilded Age to the Progressive era. Despite the atmosphere of extreme prudery and the existence of the Comstock laws after the Civil War, a group of radicals emerged to attack conventional beliefs about sex, from traditional marriage to women’s chattel status in society. These men and women had in common a direct, unrespectable, iconoclastic style. They put forth outrageous journalism and had a penchant for martyrdom and for using the courts to publicize their ideologies. From rare and generally unknown sources, Hal D. Sears pieced together the story of the sex radicals and their surprising ideas. Moses Harman, a minister turned abolitionist and freethinker, is a central figure in the narrative. His Lucifer, the Light Bearer, the only journal of sexual liberty published from the early 1880s to 1907, was dedicated to free love, sex education, women’s rights, and related causes. To a great degree Harman’s publication defines the limits of social dissent in the late nineteenth century. Other members of the sex radical circle included E. B. Foote, a medical doctor who made a fortune with a home medical book crammed with sex information; Edwin Walker and Lillian Harman, who became a cause célèbre among radicals when their jailhouse honeymoon in Kansas challenged the right of the state to regulate marriage; Elmina Slenker, who promoted a theory of sexual energy sublimation and the idea that women were the superior sex; and Lois Waisbrooker, Dora Forster, Lillie White, and other feminists who, almost a century ago, taught and preached the very ideas we hear today in the women’s movement. Of course, all these people got into trouble with the law, mostly through the machinations of their archvillain, Anthony Comstock. Sears examines Comstock’s powers of postal censorship and describes Comstock’s personal vendettas against sexual dissenters, particularly the free love philosopher Ezra Heywood. He gives a legal history of obscenity and explains the sex radicals’ significance in the emergence of obscenity law. Although the sex radicals attest the important reform vitality of provincial culture in late nineteenth-century America, until now they have been almost ignored by historians. Those who have studied sex radicalism at all, apart from its communitarian and sectarian aspects, have viewed it merely as a subsidiary of the more respectable feminist movement. In this book Sears gives careful consideration to the links between sex radicalism and spiritualism, feminism, anticlericalism, anarchism, and the free-thought movement. He presents sex radicalism as a separate and unique movement which illuminates new reaches of the Victorian landscape and establishes a tradition for present-day liberation trends.




Sex Radicalism


Book Description




Intercourse


Book Description

Andrea Dworkin, once called "Feminism's Malcolm X," has been worshipped, reviled, criticized, and analyzed-but never ignored. The power of her writing, the passion of her ideals, and the ferocity of her intellect have spurred the arguments and activism of two generations of feminists. Now the book that she's best known for-in which she provoked the argument that ultimately split apart the feminist movement-is being reissued for the young women and men of the twenty-first century. Intercourse enraged as many readers as it inspired when it was first published in 1987. In it, Dworkin argues that in a male supremacist society, sex between men and women constitutes a central part of women's subordination to men. (This argument was quickly-and falsely-simplified to "all sex is rape" in the public arena, adding fire to Dworkin's already radical persona.) In her introduction to this twentieth-anniversary edition of Intercourse, Ariel Levy, the author of Female Chauvinist Pigs, discusses the circumstances of Dworkin's untimely death in the spring of 2005, and the enormous impact of her life and work. Dworkin's argument, she points out, is the stickiest question of feminism: Can a woman fight the power when he shares her bed?




Sex Radicals and the Quest for Women's Equality


Book Description

Passet shows that the majority of correspondents who participated in the sex radical movement resided in the Midwest and the Great Plains states, where ideas of individual freedom and sovereignty resonated particularly strongly.".




Sex Radical Cinema


Book Description

In this provocative study of cinematic and televisual representations of "sex radicalism," Carol Siegel explores how representations of sexually explicit content on film have shaped American cultural visions of sex and sexual politics in the 21st century. Siegel distinguishes between a liberal approach to visual representations, which has over-emphasized normative equal opportunity while undervaluing our distinctive erotic selves, and a radical approach to visual representation, which portrays forbidden sexualities and desires. She illustrates how visual media participates in and even drives political policies related to pedophilia, prostitution, interracial relationships, and war. By examining such popular film and television shows as Mystic River, The Wire, Fifty Shades of Grey, Batman Returns, and the HBO hits, Sex and the City and Girls, Siegel takes the discussion of radical sex in the movies out of the margins of political discussions and puts it in the center, where, she argues, it has belonged all along.




Soul Power


Book Description

Soul Power is a cultural history of those whom Cynthia A. Young calls “U.S. Third World Leftists,” activists of color who appropriated theories and strategies from Third World anticolonial struggles in their fight for social and economic justice in the United States during the “long 1960s.” Nearly thirty countries in Africa, Asia, and Latin America declared formal independence in the 1960s alone. Arguing that the significance of this wave of decolonization to U.S. activists has been vastly underestimated, Young describes how literature, films, ideologies, and political movements that originated in the Third World were absorbed by U.S. activists of color. She shows how these transnational influences were then used to forge alliances, create new vocabularies and aesthetic forms, and describe race, class, and gender oppression in the United States in compelling terms. Young analyzes a range of U.S. figures and organizations, examining how each deployed Third World discourse toward various cultural and political ends. She considers a trip that LeRoi Jones, Harold Cruse, and Robert F. Williams made to Cuba in 1960; traces key intellectual influences on Angela Y. Davis’s writing; and reveals the early history of the hospital workers’ 1199 union as a model of U.S. Third World activism. She investigates Newsreel, a late 1960s activist documentary film movement, and its successor, Third World Newsreel, which produced a seminal 1972 film on the Attica prison rebellion. She also considers the L.A. Rebellion, a group of African and African American artists who made films about conditions in the Watts neighborhood of Los Angeles. By demonstrating the breadth, vitality, and legacy of the work of U.S. Third World Leftists, Soul Power firmly establishes their crucial place in the history of twentieth-century American struggles for social change.




Gender-Critical Feminism


Book Description

Includes bibliographical references (pages 265-287) and index.




Affective Communities


Book Description

DIVInvestigates friendships between anti-colonial Indians and anti-imperial 'westerners' in late-19th and early 20th centuries, claiming that such inter-cultural collaborations need to be added to annals of non-violent historiography./div




Radical Relationships


Book Description

This collection of intimate letters reveals the remarkable radicalism—personal and political—of Mathilde Franziska Anneke. Anneke first became a well-known feminist and democrat in Prussia, earning notoriety for divorcing her first husband and fighting in the German Revolutions of 1848–1849. After moving to the United States, she became a noted proponent of woman suffrage, working with Elizabeth Cady Stanton and Susan B. Anthony. Like many other refugees of the German revolutions, Anneke was deeply involved in the Civil War. Radical Relationships focuses on the years 1859–1865, which encompassed not only the war but also Anneke’s intense romantic friendship with Yankee abolitionist Mary Booth. Over the course of seven years, Anneke supported Mary through her husband’s trial for rape. When Sherman Booth was later imprisoned for his abolitionist activity, Anneke conspired to spring him from jail. The two women then moved with three of their children to Zürich, Switzerland, where they collaborated on antislavery fiction and mixed with leading European radicals such as Ferdinand Lassalle. From Europe, they followed the fate of German-born soldiers in the Union army, including Anneke’s husband, Fritz, and his court martial. Throughout her career, Anneke’s intimate relationships informed her politics and sustained her activism. Her correspondence with Fritz and Mary Booth provides fresh perspectives on the transnational dimensions of the Civil War and gender and sexuality.




Radical Eroticism


Book Description

In the 1960s, the fascination with erotic art generated a wave of exhibitions and critical discussion on sexual freedom, visual pleasure, and the nude in contemporary art. Radical Eroticism examines the importance of women’s contributions in fundamentally reconfiguring representations of sexuality across several areas of advanced art—performance, pop, postminimalism, and beyond. This study shows that erotic art made by women was integral to the profound changes that took place in American art during the sixties, from the crumbling of modernist aesthetics and the expanding field of art practice to the emergence of the feminist art movement. Artists Carolee Schneemann, Martha Edelheit, Marjorie Strider, Hannah Wilke, and Anita Steckel created works that exemplify these innovative approaches to the erotic, exploring female sexual subjectivities and destabilizing assumptions about gender. Rachel Middleman reveals these artists’ radical interventions in both aesthetic conventions and social norms.