Bibliography of Art and Architecture in the Islamic World (2 Vol. Set)


Book Description

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.




Sexual and Gender Diversity in the Muslim World


Book Description

Discrimination on the grounds of sexual orientation or gender identity is forbidden in contemporary international human rights law, yet in many interpretations of Islamic law, this is seen to contradict the tenets of Islam. Vanja Hamzic here offers a path-breaking historical and anthropological analysis of the discourses on sexual and gender diversity in the Muslim world. The first of its kind, the book sheds new light on the understanding of diversity and resistance to hegemonic visions of the self in Muslim societies. Combining first-hand ethnographic accounts of Muslims in contemporary Pakistan including the hijra community whose pluralist sexual and gender experience defy the disciplinary gaze of both international and state law with new archival research, this book provides a unique mapping of Islamic jurisprudence, court practice and social developments in the Muslim world. Hamzic provides a comprehensive look at the ways in which sexually diverse and gender-variant Muslims are seen, and see themselves, within the context of the Islamic legal tradition.




Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography


Book Description

Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces—public, private, seen, unseen, accessible, and forbidden—thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination, of expression, and of being seen. Hence, the photograph became a vehicle to traverse multiple locations that various gendered physical bodies could not, and it was also the social and political relations that had preceded the photograph that determined those ideological spaces of (im)mobility. In identifying these notions in photographs, one may glean information about how modern Iran metamorphosed throughout its own long durée or resisted those societal transformations as a result of modernization.




Reading the Splendid Body


Book Description

This book surveys an underlying discourse on female and oriental consumerism in nearly four centuries of British colonialist narratives on India. It examines some of the significant ways in which the subaltern and female body was constructed by Western ethnographers within early modern British colonialist discourses. The book offers a genealogy of colonialist spectatorship, and examines the ideologies originating within both public and private colonial spheres. Through a comparison of the discourses about and by women one can see the continuation of patriarchal injunctions within Western protofeminist discourses. Economic, ethical, colonial, patriarchal, and protofeminist polemics thus reached to and shaped one another, and this book is a record of the complex ways in which gender discourses and colonialist discourses intersected to create a colonialist spectatorship that constituted non-Western and female subjects as spectacular and needing discipline. The insights on Western protofeminists and their crisis of self-representation as subjects versus objects of discourse also further the examination of women's history in the colonial arena.




Voices in Verses


Book Description

Based on the women's biographical compendia, this is a study of the memory of women in the literary culture in early modern India.




Tawaifnama


Book Description

About the Book A NUANCED AND POWERFUL MICROHISTORY SET AGAINST THE SWEEP OF INDIAN HISTORY. Dharmman Bibi rode into battle during the revolt of 1857 shoulder to shoulder with her patron lover Babu Kunwar Singh. Sadabahar entranced even snakes and spirits with her music, but eventually gave her voice to Baba Court Shaheed. Her foster mothers Bullan and Kallan fought their malevolent brother and an unjust colonial law all the way to the Privy Council—and lost everything. Their great-granddaughter Teema paid for the family’s ruination with her childhood and her body. Bindo, Asghari, Phoolmani, Pyaari … there are so many stories in this family. And you—one of the best-known tawaifs of your times—remember the stories of your foremothers and your own. This is a history, a multi-generational chronicle of one family of well-known tawaifs with roots in Banaras and Bhabua. Through their stories and self-histories, Saba Dewan explores the nuances that conventional narratives have erased, papered over or wilfully rewritten. In a not-so-distant past, tawaifs played a crucial role in the social and cultural life of northern India. They were skilled singers and dancers, and also companions and lovers to men from the local elite. It is from the art practice of tawaifs that kathak evolved and the purab ang thumri singing of Banaras was born. At a time when women were denied access to the letters, tawaifs had a grounding in literature and politics, and their kothas were centres of cultural refinement. Yet, as affluent and powerful as they were, tawaifs were marked by the stigma of being women in the public gaze, accessible to all. In the colonial and nationalist discourse of the nineteenth and twentieth centuries, this stigma deepened into criminalisation and the violent dismantling of a community. Tawaifnama is the story of that process of change, a nuanced and powerful microhistory set against the sweep of Indian history.




The Flaming Womb


Book Description

"The Princess of the Flaming Womb," the Javanese legend that introduces this pioneering study, symbolizes the many ambiguities attached to femaleness in Southeast Asian societies. Yet despite these ambiguities, the relatively egalitarian nature of male–female relations in Southeast Asia is central to arguments claiming a coherent identity for the region. This challenging work by senior scholar Barbara Watson Andaya considers such contradictions while offering a thought-provoking view of Southeast Asian history that focuses on women’s roles and perceptions. Andaya explores the broad themes of the early modern era (1500–1800)—the introduction of new religions, major economic shifts, changing patterns of state control, the impact of elite lifestyles and behaviors—drawing on an extraordinary range of sources and citing numerous examples from Thai, Vietnamese, Burmese, Philippine, and Malay societies. In the process, she provides a timely and innovative model for putting women back into world history Andaya approaches the problematic issue of "Southeast Asia" by considering ways in which topography helped describe a geo-cultural zone and contributed to regional distinctiveness in gender construction. She examines the degree to which world religions have been instrumental in (re)constructing conceptions of gender— an issue especially pertinent to Southeast Asian societies because of the leading role so often played by women in indigenous ritual. She also considers the effects of the expansion of long-distance trade, the incorporation of the region into a global trading network, the beginnings of cash-cropping and wage labor, and the increase in slavery on the position of women. Erudite, nuanced, and accessible, The Flaming Womb makes a major contribution to a Southeast Asia history that is both regional and global in content and perspective.




The Gender of Caste


Book Description

Caste and gender are complex markers of difference that have traditionally been addressed in isolation from each other, with a presumptive maleness present in most studies of Dalits (“untouchables”) and a presumptive upper-casteness in many feminist studies. In this study of the representations of Dalits in the print culture of colonial north India, Charu Gupta enters new territory by looking at images of Dalit women as both victims and vamps, the construction of Dalit masculinities, religious conversion as an alternative to entrapment in the Hindu caste system, and the plight of indentured labor. The Gender of Caste uses print as a critical tool to examine the depictions of Dalits by colonizers, nationalists, reformers, and Dalits themselves and shows how differentials of gender were critical in structuring patterns of domination and subordination.




Transgenders in India


Book Description

This introductory volume studies the challenges faced by the transgender community in India. It traces the history of the representation of the community in Hindu texts to understand the evolution of their status within Indian society. The book looks at various themes such as the concept of establishing identity through the processes of 'coming out' and 'transitioning’ and analyses how race, ethnicity, sexual orientation, class, nation, religion, and ability have cross-influenced to shape the transgender experience and trans culture across and beyond the binary. Lucid and topical, the book debunks myths and critiques the stigma and discrimination surrounding the transgender community. It will be an essential read for scholars and researchers of gender studies, queer studies, exclusion and discrimination studies, political science, sociology, social anthropology, and South Asian studies.