Sexual Symbolism


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Comprising two works, this is a pioneering volume on a taboo subject. Characterized by a systematic approach, it has served as a foundation for subsequent studies.




Sexual Symbolism


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Sexual Symbolism from the Vedic Ritual


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Symbols, Sex, and the Stars


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Subtitled An Outline of the Origins of Moon and Sun worship, Astrology, Sex Symbolism, Mystic Meaning of Numbers, the Cabala, and Many Popular Customs, Myths, Superstitions and Religious Beliefs. Preface by renowned religious researcher Jordan Maxwell who says, This is a must read for those concerned about pagan influence on the modern day Church. Answers questions such as: How did the concept of good and evil develop?, What is the true origin of Easter?, Why is sex such a powerful force in religion?, What religious symbols are really sexual messages?, How are the Great Pyramid and numerology connected?, How did Astrology really start?, Is there a connection between Jesus and Astrology?, Why was prostitution once an important part of religion?, and many others.




Sex Symbolism in Religion


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How to Read Literature Like a Professor 3E


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Thoroughly revised and expanded for a new generation of readers, this classic guide to enjoying literature to its fullest—a lively, enlightening, and entertaining introduction to a diverse range of writing and literary devices that enrich these works, including symbols, themes, and contexts—teaches you how to make your everyday reading experience richer and more rewarding. While books can be enjoyed for their basic stories, there are often deeper literary meanings beneath the surface. How to Read Literature Like a Professor helps us to discover those hidden truths by looking at literature with the practiced analytical eye—and the literary codes—of a college professor. What does it mean when a protagonist is traveling along a dusty road? When he hands a drink to his companion? When he’s drenched in a sudden rain shower? Thomas C. Foster provides answers to these questions as he explores every aspect of fiction, from major themes to literary models, narrative devices, and form. Offering a broad overview of literature—a world where a road leads to a quest, a shared meal may signify a communion, and rain, whether cleansing or destructive, is never just a shower—he shows us how to make our reading experience more intellectually satisfying and fun. The world, and curricula, have changed. This third edition has been thoroughly revised to reflect those changes, and features new chapters, a new preface and epilogue, as well as fresh teaching points Foster has developed over the past decade. Foster updates the books he discusses to include more diverse, inclusive, and modern works, such as Angie Thomas’s The Hate U Give; Emily St. John Mandel’s Station Eleven; Neil Gaiman’s Neverwhere; Elizabeth Acevedo’s The Poet X; Helen Oyeyemi's Mr. Fox and Boy, Snow, Bird; Sandra Cisneros’s The House on Mango Street; Zora Neale Hurston’s Their Eyes Were Watching God; Maggie O’Farrell’s Hamnet; Madeline Miller’s Circe; Pat Barker’s The Silence of the Girls; and Tahereh Mafi’s A Very Large Expanse of Sea.




Studies in the Psychology of Sex


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Excerpt from Studies in the Psychology of Sex: Erotic Symbolism; The Mechanism of Detumescence; The Psychic State in Pregnancy In this volume the terminal phenomena of the sexual process are discussed, before an attempt is finally made, in the concluding volume, to consider the bearings of the psychology of sex on that part of morals which may be called "social hygiene." Under "Erotic Symbolism" I include practically all the aberrations of the sexual instinct, although some of these have seemed of sufficient importance for separate discussion in previous volumes. It is highly probable that many readers will consider that the name scarcely suffices to cover manifestations so numerous and so varied. The term "sexual equivalents" will seem preferable to some. While, however, it may be fully admitted that these perversions are "sexual equivalents" - or at all events equivalents of the normal sexual impulse that term is merely a descriptive label which tells us nothing of the phenomena. "Sexual Symbolism" gives us the key to the process, the key that makes all these perversions intelligible. In all of them - very clearly in some, as in shoe-fetichism; more obscurely in others, as in exhibitionism - it has come about by causes congenital, acquired, or both, that some object or class of objects, some act or group of acts, has acquired a dynamic power over the psycho-physical mechanism of the sexual process, deflecting it from its normal adjustment to the whole of a beloved person of the opposite sex. There has been a transmutation of values, and certain objects, certain acts, have acquired an emotional value which for the normal person they do not possess. Such objects and acts are properly, it seems to me, termed symbols, and that term embodies the only justification that in most cases these manifestations can legitimately claim. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Erotic Symbolism


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Studies in the Psychology of Sex


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Studies in the Psychology of Sex - Volume V - Erotic Symbolism - The Mechanism of Detumescence - The Psychic State in Pregnancy by Havelock Ellis. Under "Erotic Symbolism" I include practically all the aberrations of the sexual instinct, although some of these have seemed of sufficient importance for separate discussion in previous volumes. It is highly probable that many readers will consider that the name scarcely suffices to cover manifestations so numerous and so varied. The term "sexual equivalents" will seem preferable to some. While, however, it may be fully admitted that these perversions are "sexual equivalents"-or at all events equivalents of the normal sexual impulse-that term is merely a descriptive label which tells us nothing of the phenomena. "Sexual Symbolism" gives us the key to the process, the key that makes all these perversions intelligible. In all of them-very clearly in some, as in shoe-fetichism; more obscurely in others, as in exhibitionism-it has come about by causes congenital, acquired, or both, that some object or class of objects, some act or group of acts, has acquired a dynamic power over the psycho-physical mechanism of the sexual process, deflecting it from its normal adjustment to the whole of a beloved person of the opposite sex. There has been a transmutation of values, and certain objects, certain acts, have acquired an emotional value which for the normal person they do not possess. Such objects and acts are properly, it seems to me, termed symbols, and that term embodies the only justification that in most cases these manifestations can legitimately claim. "The Mechanism of Detumescence" brings us at last to the final climax for which the earlier and more prolonged stage of tumescence, which has occupied us so often in these Studies, is the elaborate preliminary. "The art of love," a clever woman novelist has written, "is the art of preparation." That "preparation" is, on the physiological side, the production of tumescence, and all courtship is concerned in building up tumescence. But the final conjugation of two individuals in an explosion of detumescence, thus slowly brought about, though it is largely an involuntary act, is still not without its psychological implications and consequences; and it is therefore a matter for regret that so little is yet known about it. The one physiological act in which two individuals are lifted out of all ends that center in self and become the instrument of those higher forces which fashion the species, can never be an act to be slurred over as trivial or unworthy of study.