Shaddy Cemetery


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Laclede County, Missouri


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The Rural Cemetery Movement


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When Mount Auburn opened as the first “rural” cemetery in the United States in 1831, it represented a new way for Americans to think about burial sites. It broke with conventional notions about graveyards as places to bury and commemorate the dead. Rather, the founders of Mount Auburn and the spate of similar cemeteries that followed over the next three decades before the Civil War created institutions that they envisioned being used by the living in new ways. Cemeteries became places for leisure, communing with nature, and creating a version of collective memory. In fact, these cemeteries reflected changing values and attitudes of Americans spanning much of the nineteenth century. In the process, they became paradoxical: they were “rural” yet urban, natural yet designed, artistic yet industrial, commemorating the dead yet used by the living. The Rural Cemetery Movement: Places of Paradox in Nineteenth-Century America breaks new ground in the history of cemeteries in the nineteenth century. This book examines these “rural” cemeteries modeled after Mount Auburn that were founded between the 1830s and 1850s. As such, it provides a new way of thinking about these spaces and new paradigm for seeing and visiting them. While they fulfilled the sacred function of burial, they were first and foremost businesses. The landscape and design, regulation of gravestones, appearance, and rhetoric furthered their role as a business that provided necessary services in cities that went well beyond merely burying bodies. They provided urban green spaces and respites from urban life, established institutions where people could craft their roles in collective memory, and served as prototypes for both urban planning and city parks. These cemeteries grew and thrived in the second half of the nineteenth century; for most, the majority of their burials came before 1910. This expansion of cemeteries coincided with profound urban growth in the United States. Unlike their predecessors, founders of these burial grounds intended them to be used in many ways that reflected their views and values about nature, life and death, and relationships. Emphasis on worldly accomplishments increased with industrialization and growth in the United States, which was reflected in changing ways people commemorated their dead during the period under this study. Thus, these cemeteries are a prism through which to understand the values, attitudes, and culture of urban America from mid-century through the Progressive Era.




The Secret Cemetery


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Burial sites have long been recognized as a way to understand past civilizations. Yet, the meanings of our present day cemeteries have been virtually ignored, even though they reveal much about our cultures. Exploring an extraordinarily diverse range of memorial practice - Greek Orthodox, Muslim, Jewish, Roman Catholic and Anglican, as well as the unchurched - The Secret Cemetery is an intriguing study of what these places of death mean to the living. Most of us experience cemeteries at a ritualized moment of loss. What we forget is that these are often places to which we return either as a general space in which to contemplate or as a specific site to be tended. These are also places where different communities can reinforce boundaries and even recreate a sense of homeland. Over time, ritual, artefact and place shape an intensely personal landscape of memory and mourning, a landscape more alive, more actively engaged with than many of the other places we inhabit.




Deadwood's Mount Moriah Cemetery


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Nestled on a mountainous plateau overlooking Deadwood's downtown core district is one of the premier historic cemeteries in Black Hills: Mount Moriah Cemetery. Established in 1878, this cemetery contains some of North America's most recognized Western legends, including James Butler "Wild Bill" Hickok, Martha "Calamity Jane" Canary, Seth Bullock, John "Potato Creek Johnny" Perrett, and Henry Weston "Preacher" Smith. They represent a small portion of the more than 3,600 people buried in Mount Moriah whose memories have been carved, chiseled, and etched into the monuments within this cemetery. Deadwood's Mount Moriah Cemetery is a combination of historic and contemporary photographs chronicling the history of the cemetery and the stories of the individuals--both colorful and illustrious--who helped carve Deadwood into the annals of the American West.