Shadows of Old Paris


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The Antiquary


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The Bookman


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Paris for Two


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Anywhere but Paris... The best cure for a terrible crush on someone like Windel Watson is a trip across the ocean. That's what twelve-year-old Petunia Beanly thinks, until she hears where her family is moving. Not Paris. Not France. Anywhere would be better. Because that's where Windel will be, too.When the Beanly family gets to Paris, Pet's older sister seems right at home. Ava swans around looking beautiful, and making Pet feel even smaller and more awkward. It feels like Paris has a place for everyone except Pet. All she wants to do is hide in a dark room with the pillows over her head.But it turns out Paris has plans for Petunia Beanly. There are three bouquets awaiting her. If Pet can only find her courage, each bouquet will open a door and bring with it a sparkle that will change everything. And the person behind it? That will be Paris's biggest surprise of all.




The Dial


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The Bystander


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In the Shadows of Paris


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In In the Shadows of Paris, the fifth installment in this c'est magnifique Victor Legris series by Claude Izner, a murderer is at large in belle-epoque Paris. In the turbulent Parisian summer of 1893,Victor Legris has vowed to his fiancée to give up the dangerous hobby of amateur sleuthing to concentrate on selling books. But a killer is at large, leaving mysterious references to a leopard in his notes, and intent on revenge for events that took place many years before during the Commune. When a bookbinder friend of Victor's dies in a house fire that does not seem to be accidental, the young bookseller feels impelled to resume his detective work and uncover the identity of the Batignolles predator. Alongside his trusty assistant Jojo, Victor embarks on a new investigation in the bourgeois quarters of Paris, where scoundrels abound and streethawkers call out their wares among market stalls, under the bloody shadow of the Commune.




The Dungeons of Old Paris - Being the Story and Rf the Monarchy and the Revolution


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Being the Story and Romance of the most Celebrated Prisons of the Monarchy and the Revolution: Triste comme les portes d'une prison—Sad as the gates of Prison, is an old French proverb which must once have had an aching significance. To the citizen of Paris it must have been familiar above most other popular sayings, since he had the menace of a prison door at almost every turn! For the "Dungeons of Old Paris" were well-nigh as thick as its churches or its taverns. Up to the period, or very close upon the period, of the Revolution of 1789, everyone who exercised what was called with quite unconscious irony the "right of justice" (droit de justice), possessed his prison. The King was the great gaoler-in-chief of the State, but there were countless other gaolers. The terrible prisons of State—two of the most renowned of which, the Dungeon of Vincennes and the Bastille, have been partially restored in these pages—are almost hustled out of sight by the towers and ramparts of the host of lesser prisons. To every town in France there was its dungeon, to every puissant noble his dungeon, to every lord of the manor his dungeon, to every bishop and Abbé his dungeon. The dreaded cry of "Laissez passer la justice du Roi!" "Way for the King's justice!" was not oftener heard, nor more unwillingly, than "Way for the Duke's justice!" or "Way for the justice of my lord Bishop!" For indeed the mouldy records of those hidden dungeons and torture rooms of château and monastery, the carceres duri and the vade in pace, into which the hooded victim was lowered by torchlight, and out of which his bones were never raked, might shew us scenes yet more forbidding than the darkest which these chapters unfold. But they have crumbled and passed, and history itself no longer cares to trouble their infected dust. Scenes harsh enough, though not wholly unrelieved (for romance is of the essence of their story), are at hand within the walls of certain prisons whose names and memories have survived.




All the Light There Was


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“Love blooms just as war tears two people apart” in this novel about an Armenian refugee family in Nazi-occupied Paris (The New York Times). All the Light There Was is the story of an Armenian family’s struggle to survive the Nazi occupation of Paris in the 1940s—a lyrical, finely wrought tale of loyalty, love, and the many faces of resistance. On the day the Nazis march down the rue de Belleville, fourteen-year-old Maral Pegorian is living with her family in Paris; like many other Armenians who survived the genocide in their homeland, they have come to Paris to build a new life. The adults immediately set about gathering food and provisions, bracing for the deprivation they know all too well. But the children—Maral, her brother Missak, and their close friend Zaven—are spurred to action of another sort, finding secret and not-so-secret ways to resist their oppressors. Only when Zaven flees with his brother Barkev to avoid conscription does Maral realize that the Occupation is not simply a temporary outrage to be endured. After many fraught months, just one brother returns, changing the contours of Maral’s world completely. Like Tatiana de Rosnay’s Sarah’s Key and Jenna Blum’s Those Who Save Us, All the Light There Was is an unforgettable portrait of lives caught in the crosswinds of history. “Moving . . . With a bittersweet love story, examples of everyday heroism, and a community refusing to give in to tyrants, Kricorian’s work sheds even more light on the German occupation of France.” —Library Journal